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The Best Ways to Fund Your Music Business: What Types of Music Business Funding Do You Require?

The Best Ways to Fund Your Music Business: What Types of Music Business Funding Do You Require?

It’s possible that owning a music business has been your longstanding ambition. But, regardless of the type of musical business you’re running, the unavoidable reality is that it’ll require a lot of ConsolidationNow money to make that goal a reality.

However, there are substantial financial disparities between these businesses—for example, the type of music business finance required to create a studio differs significantly from that needed to open a promotion or A&R company. However, the bigger your strategy is, the more money you’ll need to fund it adequately.

You’ll need to know about music business funding, depending on the type of firm you want to start and operate.

How to Raise Money for Your Music Business

Few industries are as fascinating or as innovative as the music industry. However, funding a music business typically requires significantly more capital than other businesses. If you want to create your recording studio, practice space, or take your brand to the top of the charts, you’ll need a shocking amount of music business funding.

Getting the correct form of small business loan for your musical enterprise, like any other business, relies on the type of project you’re working on. Some music industry firms require finances to rent or own a facility and furnish it with (sometimes costly!) equipment. In contrast, others may merely want working capital to go from venue to venue.

We’ve collected a list of some of the most prevalent music enterprises and the small business finance tools that can best assist them in getting started (or keep going).

Sales and Repairs of Musical Instruments

We’ve concentrated on music production, recording, and performance. However, we haven’t discussed another critical aspect of the music economy that keeps bands humming: selling and fixing equipment. Most artists desire or need to play more than one instrument at a time, and all of those instruments need to be tuned up from time to time. This ensures that musical instrument repair shops and technicians have a steady stream of new customers.

Starting an equipment store will have three essential expenses to consider: inventory, real estate, and payroll. You’ll also need to buy the equipment, tools, and raw materials to get your customers’ stuff operating again if you’re starting your own repair business. 

Financing for Musical Equipment Sales and Repairs at the Best Rates

Here are some music finance possibilities to consider if you’re selling or repairing musical equipment.

Invoice Financing

Both musical instrument stores and repair shops rely on customers to pay their bills on time. 

However, few clients in this profession can truly pay their invoices on time (after all, these are artists!).

This doesn’t imply that music store owners are out of luck. Invoice financing allows lenders to grant accepted borrowers a cash advance on the total amount of their invoices, allowing small business owners to keep their cash flow in check even if their customers don’t pay on time.

Financing for equipment

Instrument sales and repair firms can both benefit from equipment financing. Both necessitate the acquisition of machines and tools to sell or repair clients’ instruments, and these products aren’t always inexpensive.

Entrepreneurs can use equipment financing to help them buy the tools they need without putting up any security because the equipment they’re buying serves as collateral for the loan. 

This means you won’t have to worry about losing your property if you can’t pay back your loan.

Record Label

If you’ve ever fantasized about discovering the next big musical act or want to help a group of artists gain recognition, you’re definitely considering launching a record label. It can be challenging to do so, but the thrill of developing your own “Empire” can make all of the hard work (and expenses!) worthwhile.

It takes a lot of capital to start your label: When you scout for musicians, you’ll need to travel, finance the production of their songs, and pay for distribution across online and physical channels.

The Best Funding for Record Labels in the Music Industry

Here are your most significant financial alternatives if you run a record company.

Crowdfunding

The music industry has altered as a result of crowdsourcing, notably in music production. 

The cost of recording, mastering, and producing music is high. It can cost $20 or more to upload an album to Spotify or other music streaming sites, with physical CDs and vinyl editions costing significantly more. On the other hand, crowdfunding helps musicians cover these costs while also offering donors a value-add in support of their favorite performers.

Popular crowdfunding sites allow musicians to raise funds for their projects without going to traditional lenders or bankers, many of whom are wary of investing in musical acts due to the high risk involved in backing emerging talent. In exchange for special products, meet-and-greet chances, or early track releases, tapping into your following can provide you with the funds you need to produce new music.

Business credit card

Starting a record label does not necessitate a significant investment in equipment or raw materials. It would help if you simply had a corporate entity, an address, and a way to finance your piecemeal purchases while starting (such as airplane tickets, car rentals, or admission into clubs or concert venues).

A business credit card is the most convenient way to get music business funding for your company. You can probably get approved for a company credit card with a competitive APR if you have a solid personal credit history and few outstanding bills. You can maximize your credit spending and reinvest in your business if you use a card that gives you travel rewards or cashback on purchases.

Recording Studios and Rehearsal Spaces

Opening a rehearsal and recording studio may be a lucrative business venture—lugging gear to a friend’s dingy garage isn’t the same as practicing in a location with excellent acoustics. 

Musicians need rehearsal places and recording studios, especially in cities where limited space and neighbors are plentiful.

Opening a place like this is a terrific long-term business opportunity for entrepreneurs, but it comes with many equipment and starting costs. If you want to attract and maintain clients, you’ll need to supply rehearsal rooms with equipment, provide soundproofing, and make them feel comfortable. Even if you’ll recoup most of your costs as your location develops a reputation as a wonderful place to play and record, these upfront fees are often quite significant.

Phil Feinman, co-founder of Bedrock.LA, a Los Angeles rehearsal and recording studio, founded his business with his two business partners and a personal commitment from each of them. On the other hand, personal capital can only go you so far—at some point, you’ll almost certainly need a cash infusion in the form of a company loan.

The Best Funding for Rehearsal Spaces and Recording Studios in the Music Industry

Here are your greatest lending alternatives if you own a rehearsal space or a recording studio.

Business Line of Credit

If you run a rehearsal or recording studio, you’ll need financial flexibility to cover unforeseen repairs, significant purchases, and other expenses. Borrowers can get all of the above with a business line of credit.

You can borrow up to and including a particular amount of money with a business line of credit, all at a predetermined interest rate. You can take money out of that pool in any quantity you need, at any time—and, unlike a standard company loan, you’ll just pay interest on the money you use.

Financing for equipment

Look into equipment financing if you’re having trouble financing the equipment, you’ll need to start a rehearsal space or recording studio; these loans are specifically designed to assist borrowers in purchasing expensive equipment.

If you’re approved, your lender will advance the majority of the funds you’ll need to purchase your gear, and you’ll pay it back over time. And, unlike traditional loans, equipment financing is self-collateralizing, which means that if you default on your payments, your lender can repossess the equipment you purchased (and you won’t have to put up any additional collateral).

Venues for Music

Imagine building a venue that helps an obscure band get their big break or becomes the live-music destination for your local music scene. Finding the correct music business capital to open your dream venue, on the other hand, might be a challenge.

Obtaining money for a music venue is similar to obtaining funds for a restaurant or a bar. 

Each of these businesses requires substantial equipment, real estate financing, and inventory costs. You’ll also need to choose a space, lay out the stage and speaker system, and keep your bar stocked to open a music venue. That isn’t a stroll in the park.

Of course, any good music venue has many moving components, but that doesn’t imply it’s impossible to achieve. The type of finance you need for your music venue is primarily determined by which component of the venue you’re funding. 

Here are a few possibilities.

Recommended Music Venue Business Funding

As a music venue, these are your finest borrowing alternatives.

Small Business Administration (SBA) Loan

A Small Business Administration (SBA) loan can help you expand your space or acquire the funds you need to buy or rent a property if you have a few years of business operations under your belt, can demonstrate good cash flow, and have excellent personal credit. SBA loans are intended to assist small enterprises in obtaining capital. 

When the loan is less than $150,000, the SBA will guarantee up to 85% of the loan’s value; when the loan is more than $150,000, the SBA will guarantee up to 75% of the loan’s value. 

Banks are more willing to cooperate with small businesses with less of a financial track record because the SBA virtually guarantees repayment to the lender.

The SBA loan application process is extensive, and you’ll be required to complete numerous SBA forms (not to mention a list of SBA requirements to fulfill to be considered for a loan in the first place). You won’t find longer terms, greater capital amounts, or lower interest rates anyplace else if you’re authorized for an SBA loan so that you can expand or redesign your venue any way you choose.

Business Line of Credit

A line of credit gives venue owners access to cash on demand, usually at lower interest rates than credit cards. You can use a line of credit to buy raw materials such as food, wine, beer, and minor items such as power cables and signs. You can also use your line of credit on a rolling basis, which is far more convenient than applying for a loan every time you need money.

Financing for equipment

Regarding purchasing equipment for your venue, equipment finance is the best option. 

You can use equipment finance to buy PA systems, lights, sound and light boards, and restaurant and bar equipment.

These loans are self-collateralizing, which means you won’t have to put up any of your own assets to get approved. And, because equipment loans carry a lower risk for the lender, applicants with poor credit may have an easier time getting approved for them than standard small company loans.

Final Thoughts

Starting a music business involves several aspects, not to mention costs. But, at least in terms of music business funding, just because each has its unique set of standards doesn’t mean one is necessarily more difficult than the next.

There are a range of loans available to help entrepreneurs achieve specific objectives: the most important thing you can do is understand your personal and business finances and the aspects of your music business you need to fund. You can figure out what kind of music business finance you can get—and how to turn your musical aspirations into a reality.

G20 EDM-CSGW meeting discusses climate adaptation to GHG emissions

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Jakarta (ANTARA) – The second meeting of G20 Environment MPs and Climate Sustainability Working Group (EDM-CSWG) discusses various topics ranging from climate change adaptation measures to reducing greenhouse gas emissions. greenhouse effect (GHG), said the Ministry of Environment and Forests.

The G20 is an international forum whose members include 19 countries and the European Union. They work together to solve major problems. Indonesia holds the presidency of the grouping this year.

In order to achieve climate sustainability, the meeting discussed three issues, Director General of the Ministry of Climate Change Management, Laksmi Dhenwanthi, noted during a press conference to discuss the outcome of the second G20 meeting. EDM-CSGW here Tuesday.

The first topic of discussion focused on the co-benefits of climate change mitigation and adaptation actions and the role in preparing a condition or community that has climate resilience.

The second issue addressed during the meeting held from 19 to 22 June 2022 concerned ways to strengthen cooperation and action in special partnership for the sustainable management of the oceans initiative.

Related News: G20 Empower promotes the creation of a safe working environment for women

The third question concerns ways to encourage and accelerate the implementation of Nationally Determined Contributions (NDCs) with a sustainable approach or a transition from the current condition to a low-carbon and climate-resilient condition. .

The NDCs embody the efforts made by each country to reduce national emissions and adapt to the impacts of climate change.

In the NDC document, or each country’s commitment to the Paris Agreement, Indonesia aims to reduce GHG emissions by 29% independently and 41% with international support by 2030.

The Ministry’s Director General of Environmental Pollution and Destruction Management, Sigit Reliantoro, noted that several priority issues in the environment sector were also discussed at the meeting.

These issues include land destruction, water management, ocean waste, excessive consumption and resource efficiency.

Besides these priority issues, the Indonesian government has a mission to recover peatlands and restore mangroves, he noted.

Indonesia has shared detailed information regarding peatland reclamation and mangrove restoration efforts, including regulations, technical expertise and evidence of fieldwork with other countries, especially those with an ecosystem of tropical peatlands.

“This idea has also been welcomed by countries with peatlands where cold or temperate climatic conditions have been experienced,” he said.

Related News: G20: RI pushes for the creation of a learning platform for the restoration of mangroves

How to choose the best debt consolidation lender?

If you’re looking for ways to consolidate your debt, there’s no shortage of lenders who can help. However, not all of them are worth considering if you really want to reach your debt repayment goals.

Ideally, you should start by deciding which method of debt consolidation is best and assessing your financial and credit health to determine if you are a good candidate for debt consolidation. Once you’ve taken these steps, you can move on to researching and evaluating lenders to find the best solution to help you pay off those crippling debt balances sooner.

Identify the type of debt consolidation that suits you best

The first step is to evaluate debt consolidation options and select the method that is best for you. Common methods include:

  • Personal loan: Many lenders offer debt consolidation loans or personal loans designed to help you pay off your debts faster and save a lot of interest. Debt consolidation loans usually come with a fixed interest rate and a loan term of 1 to 10 years. You are free to use the funds as you see fit, but the idea is to pay off your debt balance with the loan proceeds.
  • Zero APR credit card: Also known as balance transfer credit cards, these debt products can also help you save a significant amount in interest and eliminate high-interest debt balances faster. They are generally reserved for consumers with a good or excellent credit rating. You should only consider this option if you can repay the balances you transfer to the card during the introductory period. Otherwise, you could end up paying a fortune in interest.
  • Home Equity Loan: You can convert up to 85% of your home equity into cash and use it to consolidate your debt with a home equity loan. It acts like a second mortgage and comes with a repayment period of between five and 30 years. The interest rate is also fixed and lower than most credit cards, but the main drawback is that these loan products are secured by your home. Therefore, you could lose your property to foreclosure if you fall behind on loan repayments.
  • Home Equity Line of Credit (HELOC): A HELOC is a type of home equity loan, but you will not receive the loan proceeds in a lump sum. Instead, you’ll have access to a pool of money that you can withdraw as needed during the 10-year draw period. Interest-only payments are also required during the drawdown period on most HELOCs. Once completed, you will repay in monthly installments over a term of up to 20 years. The amount of the monthly payment can fluctuate since the interest rate on HELOCs is generally variable.

Determine your qualifications

Lenders want to know that you are creditworthy and have the means to make timely payments on the loan or credit card you are using to consolidate your debt. So, you can expect the lender to assess your credit score, credit history, and debt-to-equity ratio to determine if you qualify for a loan product.

Also, be aware that the most competitive interest rates are generally reserved for borrowers with a good or excellent credit rating. A lower credit score doesn’t always mean you’ll automatically be denied a loan or credit card. Still, you will usually get a high interest rate if approved to offset the risk of default posed to the lender or creditor.

You may also find that it’s not a good idea to consolidate your debt if you have bad credit if you only qualify for a higher rate than what you’re currently paying.

Shop around for lenders

Look for lenders that offer the type of debt consolidation you are looking for. Most offer online prequalification with a flexible credit application. If you’re considering a debt consolidation loan, you’ll also get an overview of potential loan costs to more effectively compare your options.

Being prequalified takes the guesswork out of finding lenders willing to work with you. Plus, you’ll avoid going to lenders who might deny you a loan or credit card and getting an unnecessary credit check.

Assess the lender

Once you have a shortlist of at least three lenders, here’s what to look for:

  • Annual Percentage Rates (APR): This figure represents the actual annual cost of borrowing for the year. It includes interest and fees, and it’s determined by your credit score and debt-to-equity ratio.
  • Lender fees: Some lenders charge origination fees ranging from 1-10% of the loan amount. Even if the APR is on the lower end, high origination fees might make a different loan product the more practical choice.
  • Characteristics of the lender: Top lenders also have an online dashboard where you can monitor your account, schedule payments, and chat with customer service representatives. It’s also great if free educational resources are available to help you manage your credit and overall financial health more effectively.

At the end of the line

Before applying for a loan or credit card to consolidate your debt, weigh your options to decide which type of debt consolidation makes the most sense. Plus, get prequalified with at least three lenders to see potential loan quotes and compare your options. This will allow you to make an informed decision, reach your debt repayment goals faster, and save money.

Glastonbury Festival 2022: Ukrainian Eurovision winners Kalush Orchestra will perform this week | Ents & Arts News

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Kalush Orchestra, which won Eurovision this year for Ukraine, will perform at the Glastonbury Festival this week.

The group won with their catchy song Stefania at the annual Turin singing competition last month.

Now, they will take to the Shangri-La Truth Stage on Friday to share their brand of “Ukrainian folk music, rap and hip hop.”

Formed in 2019, Kalush Orchestra is made up of founder and rapper Oleh Psiuk, multi-instrumentalist Ihor Didenchuk and dancer Vlad Kurochka.

Frontman Psiuk said: “We are delighted to be performing at Glastonbury Festival alongside some of the biggest names in music from around the world.

“It’s the perfect location for our very first UK performance, and we hope it will be the start of many in the UK.

“We are very grateful for all the support we receive from the British people, both for us and for our country, and we are preparing a very special Ukrainian surprise for Glastonbury fans.

“What is it? You’ll see soon. See you soon.”

Their performance at Worthy Farm will mark their very first in the UK, and the band became global stars after their Eurovision win with Stefania, which was dedicated to Psiuk’s mother.

Since their victory, the group has been spending time in Ukraine and abroad in Germany promoting the release of Stefania’s music video.

They too auctioned the glass microphone trophy they won at Eurovision to raise funds for the Ukrainian army.

Image:
Ukraine’s Kalush Orchestra celebrates after winning the Eurovision Song Contest

Kalush Orchestra was fighting as part of the Ukrainian resistance just weeks before Eurovision and received support from all over Europe.

They beat UK entry Sam Ryder, who came second, and last week it was revealed that the BBC were in talks with the European Broadcasting Union over hosting Eurovision, after the the body decided it could not move forward in war-torn Ukraine next year in the tradition of the winning host country.

A number of other Ukrainian artists will perform at Glastonbury amid the Russian invasion of their country, with folk quartet from Kyiv DakhaBrakha performing on the Pyramid Stage on Sunday afternoon.

Go-A will open the John Peel Stage on Saturday with a performance of electronic folk music and haunting vocal melodies.

The band, which formed in 2012, represented Ukraine in the Eurovision Song Contest in 2021 with their dance track Shum, which came fifth, and band member Ihor Didenchuk is also a member of the Kalush Orchestra.

Glastonbury 2022 runs from June 22-26 and the tickets are sold.

Kalush Orchestra will join a star-studded line-up including Pyramid Stage headliners Billie Eilish, Sir Paul McCartney and Kendrick Lamar.

There will be over 80 artists performing, with other big names including American pop star Olivia Rodrigo, Lorde and Noel Gallagher’s High Flying Birds.

How Terry Grant thrives as a true one-man band

Some forms of self-expression are inherently collaborative, and others are clearly a solitary effort. How many photographs or paintings were made by more than one person? But music is generally, to a greater or lesser degree, a team effort. Even artists who compose and arrange on their own usually work with a producer and an engineer, or bring in session musicians to flesh out their ideas. But not Terry Grant, known as More Ghost Than Man. That name, unsurprisingly, says Grant, comes from a lingering sense of alienation. “I guess I always felt a bit out of place in most situations. Like I was there but didn’t belong, and if I stood still long enough, everyone would forget I’m even there. The name comes from this feeling. Besides, I thought it sounded good. I should probably talk to someone,” Grant adds with a laugh.

Grant, 48, is a true solo band, but he is also a videographer, conceptualist, in addition to being his own engineer and producer. Unusual, but, you might be thinking, so what? How much I would say, so many! The music and videos are without exception pristine designs, imbued with emotion and empathy, deep and complex, yet pleasing to the ear.

So how did someone from Canton, Ohio — a small town about an hour south of Cleveland where the only notable thing is that it’s home to the Pro Football Hall of Fame — ended up moving to Nashville, Tennessee, in 1997? and now finds himself living and working alone, producing the musical equivalent of giant skyscrapers?

“I was a guitarist in a hair metal band with aspirations of being Eddie Van Halen,” Grant says. “The irony here is I had a silly haircut, it looked like my mom had it. I decided to move to Nashville with the goal of becoming a session player and I’m fell in love with the creative energy of the city, how I also realized that I needed more than just a guitar to get my ideas out there.

(Credit: Terry Grant)

Hermetically sealed existence isn’t the easiest way to create such amazing music and videos, though. Does Grant enjoy all the pressure he puts on himself? “Basically, it’s two things: I’m not married and I don’t have children, so my only responsibility is my job. And yes, the pressure is intense, but my secret weapon is my sense of purpose. If you’re lucky enough to find something you totally believe in, just do it. To be honest, I don’t know how not to do what I do.

There is also the undeniable shyness evoked in his response about his artist name. “Most of the ideas I have feel so ‘out there’ that I’m embarrassed to let anyone else see inside the process. The truth is, I often feel like a gigantic idiot for large parts of the process of creating anything, and it’s only when I realize this crazy thing is actually going to work. , that I’m starting to feel like I know what I’m doing. I can see the final product in my head, but everyone else will only see what’s incomplete, weird, disturbing, or just plain dumb for which they stand, and I guess I don’t like the idea of ​​that.

Grant’s latest single, “We Have All the Time in the World” is taken from his extraordinary 2021 LP The worlds we created there. The track was released in April on 8D Industries and features a rolling, dragging groove, haunting melody, and is accompanied by video of a person (guess who?) in a post-industrial spacesuit floating through spectral space. time continuum.

Needless to say, Grant did absolutely everything, including making the costume. “I’ve done costumes before, so this costume, while it looks convincing, wasn’t as hard to create as it looks. I knew I really wanted to do a classic outfit, and the costume, much like the video itself, came together quite naturally. The languorous nature of the images forms a beautiful juxtaposition to the song.

This is a photo of Terry Grant, known as More Ghost Than Man in one of his music videos.
(Credit: Terry Grant)

Despite the title, it is not a cover of the Louis Armstrong song of the same name. “I hadn’t even considered Armstrong’s melody until long after the record came out. I actually have a running list of potential song titles, lyric fragments, and other random nonsense (that’s what I call it, actually) that I pull up every time I start a new piece. So the title would have come from there at some point,” he reveals.

The only big problem with being so totally, ruthlessly self-sufficient is the thorny issue of playing live. “I’ve been thinking about how to do a live show, and just me on stage, turning the knobs isn’t an option. I’d love to work with a rhythm section, and I’m exploring that possibility, but it’s not there are no concrete plans yet.

For anyone who hasn’t heard Grant’s music yet, it was summed up nicely by Grant in an interview with 5 Magazine as Berlin-era Bowie meets Massive Attack with a few more Flying Lotuses. But what brought him to electronic music and what does he currently listen to? “There was a three-hour block of electronic acts on MTV called AMP – that was around the time I moved to Nashville – and that got me into the Bristol sound, so of course Massive Attack, alongside acts like Tricky and Portishead, and simpler raves like Orbital and Underworld These days, what I usually listen to when I need to tune out is jazz (especially 70s psych and bebop) and ambient electronics. Currently though, I’m obsessed with Saharan rock guitar music like Mdou Moctar, Tinariwen and Bombino. So much energy in the music and a really eclectic mix of ‘influences that are somehow foreign and absolutely familiar at the same time. Highly recommended.’

This is a photo of Terry Grant, known as More Ghost Than Man.
(Credit: Terry Grant)

Grant is currently preparing an as yet untitled short film and also occasionally works as a sound designer creating sample packs for Loopmasters, a company that creates and sells sample packs for DJs and producers. “For me, the best part of any piece of music that I work on is the early hours, when you’re just looking for a spark and it’s all sort of formless, and then, sky is the limit. The sound design is great because it’s like you can do this really fun track over and over again without having to wait for the rest to fall into place.

And when it comes to the film project, there’s a sense of urgency tied to Nashville’s notoriously unforgiving summers. “I’m looking to include a horror element this time around, and I’ll probably start building sets this month. God willing, I’ll be shooting it soon, before the temperatures here get so bad that I risk melt under the studio lights.

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Central Mountain students attend electronic musical instrument workshop | News, Sports, Jobs

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PHOTO PROVIDED CMHS Sophomore Emily Shetler demonstrates her band’s homemade electronic piano for workshop participants.

MILL HALL — Nearly 50 instrumental music students from Central Mountain middle and high schools participated in an electronic musical instrument workshop last spring, hosted by music teacher Ashley Crust and fully funded by a grant from the Pennsylvania Association of Rural and Small Schools.

Presented by local electronics technician Brian Douty, who is also a longtime supporter of the music program and a musician in several community ensembles, the workshop focused on the integration of electronics and music, with a particular emphasis on the design and creation of unique musical instruments using everyday objects and materials. Mr. Douty facilitated discussions on topics such as circuits, electrical resistance and frequency, and students observed and analyzed representations of sound waves created by the musical instruments they play in the group and the orchestra. Mr. Douty shared several gadgets with the students, including a rather interesting homemade one “electronic trombone”, that the students were eagerly waiting to try.

“The workshop was a huge success” says Crust. “Students used 21st century skills such as collaboration, critical thinking and creativity to apply what they learned about electronics and music in fun and experimental ways. Mr. Douty made the connection between science and music interesting and real for the students.

Each small group of students experimented with conductive and non-conductive materials with the goal of designing and building a unique, functional musical instrument using a pre-wired circuit board called Makey Makey. Students used cardboard, foil, clay, Popsicle sticks, gummy worms, bananas and many other objects to build their instruments, and a Makey Makey connected each creation to a Chromebook provided by the school in order to produce a variety of musical sounds when the instrument was “play.” Finished projects included pianos, xylophones, wind chimes, drums, pencil sketches, a dance platformer, and even a magic garden.



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Jason Ross Announces Release Date for Second Album, “ATLAS” – EDM.com

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It’s been over two years since the release of his last album, but Jason Ross hasn’t forgotten the fans who made him so special.

Beloved in electronic music circles for his inimitable blend of melodic bass, trance and progressive house, Ross has announced his upcoming second album ATLAS. The LP, says Ross, is an ode to the fiercely supportive faction of fans who tuned in to his weekly “Atlas” live streams during the pandemic.

“While writing this album, I kept coming back to the idea of ​​’home’ and what that means to me,” Ross said of ATLAS in an Instagram post. “Over the past few years, ‘Atlas’ has become a staple not only for my fans, but also for myself. The community started to grow during quarantine and my weekly Atlas live streams and became a thriving community. right to dedicate this album to all of you.”

Release scheduled for August 5, 2022, ATLAS follows the 2020s 1000 faces, Ross’ scintillating debut album. The latest preview for the album came last Friday with “Take You Home,” an upcoming Stentorian bass track produced alongside MiTiS and frequent collaborator Dia Frampton. This is the second single to be released from ATLAS after “Hate This Kind of Love” (with HOLT).

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You can listen to the two singles below and pre-record ATLASwhich will fall under Seven Lions’ Ophelia Records banner, here.

FOLLOW JASON ROSS:

Facebook: facebook.com/JasonRossOfficial
Twitter: twitter.com/JasonRossOfc
Instagram: instagram.com/jasonrossofficial
Spotify: spoti.fi/3ocme25

Global Consumer and Corporate Debt Consolidation Market 2022 Company Overview, Recent Developments and SWOT Analysis 2028 – Instant Interview

Global consumer and corporate debt consolidation market from 2022 to 2028 research prepared by MarketQuest.biz is the most expert and reliable knowledge and trust building, containing Market Size, Trends, SWOT, PEST, Porter’s Analysis, Forecast, 2022-2028. Based on industry-wide research, the document explains the dynamics of the parent industry. The research takes a multidisciplinary approach to highlight prospective market pathways and unmet prospects. Our specialists conducted a thorough examination of the competitive environment and anticipated the strategic framework used by market players.

The overview includes data and figures on market dynamics. It also discusses the global consumer and corporate debt consolidation market including its volume and size. The study is provided solely to give an orderly examination of the complex and vast facts of the market. Additionally, the growth and restraint segment has shed light on potential opportunities and restraints in the market.

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The report also includes the segment namely:

  • Credit card debt
  • Student loan debt
  • medical bill
  • Apartment leases
  • Others

The information also includes the element namely:

The main players in the personal and corporate debt consolidation market are:

  • Goldman Sachs
  • OneMain Financial
  • Discover personal loans
  • loan club
  • Pay
  • Debt Relief Freedom
  • National debt relief
  • Rescue One Financial
  • ClearOne Advantage
  • New era debt solutions
  • Pacific Debt
  • Accredited Debt Relief
  • CuraDebt Systems
  • Guardian Debt Relief
  • Debt negotiation services
  • First Debt Help
  • Oak View Legal Group

The study examines the industry’s most important geographic locations, such as:

  • North America (United States, Canada and Mexico)
  • Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
  • Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia)
  • South America (Brazil, Argentina, Colombia and rest of South America)
  • Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, South Africa and Rest of Middle East and Africa)

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Glastonbury returns for the first time in three years – with Sir Paul McCartney and Billie Eilish as the oldest and youngest titles of all time | Ents & Arts News

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Glastonbury will showcase its oldest and youngest headliners as the festival returns this week for the first time in three years.

Billie Eilish, 20, will become the youngest solo headliner when she takes to the Pyramid Stage on Friday night. Meanwhile, 80-year-old Sir Paul McCartney will close the festival as the longest-serving solo headliner in history on Sunday night.

A fan of The Beatles and Linkin Park, Eilish started writing songs at the age of 11.

Sir Paul’s performance will mark over 60 years of musical creation, with his set set to be full of hits from his time in the Beatles and Wings, as well as some of his best-known solo tracks.

Read more: The full Glastonbury lineup

Image:
Sir Paul last performed at Glastonbury in 2004

It should attract a particularly large crowd and could rival those of the Rolling Stones in 2013 and Adele in 2016.

The Somerset festival is finally turning 50 after the COVID pandemic forced organizers to cancel it twice.

But revelers are having trouble getting to the Pilton site.

Members of Network Rail’s rail, maritime and transport union and 13 rail operators will stand down on June 21, 23 and 25 in the the largest outbreak of industrial action of its kind in a generation.

People are due to start arriving at the festival site on Wednesday June 22 – right in the middle of the planned strikes.

Great Western Railway, which operates the route between London Paddington and Castle Cary near the festival, said it “plans to keep trains scheduled” throughout the week.

National Express, the official coach partner of the event, warned travel demand was high with a significant increase in inquiries and bookings around strike days.

Festival-goers will be welcomed by milder weather

A warm start to the weekend

Those who manage to make it to Worthy Farm will be greeted with warm weather on Wednesday and Thursday before temperatures drop over the weekend.

A Met Office spokesman said: “On Wednesday there will be highs of around 24C (75F) and high UV levels throughout, so a bit of a warm start to the festival.

“It will be similar again on Thursday. It will remain dry with sun all day and temperatures a little higher, so 25C or 26C (77F to 79F) possibly and high UV levels.”

From Friday there will be an increased chance of showers, with temperatures around 20C (68F).

EMBARGOED TO 0001 MONDAY JUNE 20 Undated handout photo issued by WaterAid of a postcard created by Ringo Starr, launched at the Glastonbury Festival, as part of WaterAid's Climate Fight campaign which will officially launch at the festival of Glastonbury, with designs created by the music of the stars to celebrate the power of water.  Date of issue: Monday, June 20, 2022.

Ringo Starr launches Glastonbury campaign

Sir Paul won’t be the only Beatle to attend the famous festival, with Sir Ringo Starr joining a host of musicians as part of a campaign to send postcards to the Prime Minister calling for action on climate change.

WaterAid’s Climate Fight campaign will officially launch at Glastonbury, and the postcards feature designs created by music stars to celebrate the power of water.

Festival-goers can send a postcard to Boris Johnson and another to themselves to remind themselves of how they can play their own part.

Sir Ringo, a long-time WaterAid supporter, designed a postcard showing him in front of a tap that has dried up.

The former Beatle said: “We all share a world, and we must come together to protect it and each other from the threat of climate change.”

Read more: Levels of illegal drugs high enough to harm wildlife found in the river that runs through the site

Kalush Orchestra from Ukraine sings their song

Ukrainian groups bring anti-war message

Glastonbury will also host a number of Ukrainian acts this year, amid Russia’s invasion of their country.

The folk quartet of Kyiv DakhaBrakha will perform Sunday afternoon on the stage of the Pyramid.

The group, which combines the musical styles of several local ethnic groups, describes itself as “the ambassadors of free Ukraine” and has long used its performances to express its opposition to the war and the policies of Vladimir Putin.

Go_A will open the John Peel Stage on Saturday with a performance of electronic folk music and haunting vocal melodies.

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The group, which formed in 2012, represented Ukraine in the Eurovision Song Contest in 2021 with the dance song anthem Shum, placing fifth.

Band member Ihor Didenchuk is also a member of the Kalush Orchestra, which triumphed in the competition this year.

Experts Mindbender and DJ DirtyHappy on the gig label

After two years in live music, precarious concerts are back in full force and some big players are lined up for Toronto this summer.

The Weeknd, Kendrick Lamar, Harry Styles, Charlotte Day Wilson, Joey Bada$$ are all on the program, as well as OVO Fest, Manifesto and Toronto’s first-ever Rolling Loud Festival.

So it’s going to be pandemonium in the city and it’s already started.

At Phoebe Bridgers’ recent show at Echo Beach, there were already reports of a bit of mayhem.

Many spectators have accumulated energy that they are just waiting to release. And there’s a new group of people who’ve never been to a concert who just walked on stage.

But there can’t be anarchy in salons – there’s etiquette and best practices to follow.

The star enlisted DirtyHappy DJ AJ Qurashi, who created his Raving Taco online persona by attending hundreds of concerts and electronic festivals during the 2010s, as well as legendary Toronto goer MindBender, whose prolific attendance l led to “probably a few thousand”. concerts, to provide their advice on the proper conduct to adopt during shows.

Pick up people if they fall

Moshpits aren’t just for punk and metal shows anymore — they’re everywhere.

They’re a staple of hip-hop shows according to the artist and with the amount of pent-up energy a two-year pandemic has generated, they’re sure to become more prolific.

While bouncing back at people, Mindbender says it’s important to be aware of who you’re teasing with, especially if they’re hitting the deck.

“Get people off the ground if they’re hurt or bleeding,” Mindbender said. He also mentions that it’s important to note the height of the people you’re bouncing on. “Try not to destroy someone who is 100 pounds lighter than you.”

Don’t throw anything on stage

Qurashi, as a DirtyHappy DJ and Raving Taco fan, has been on both sides of the artist-fan interaction when he saw things thrown on stage.

For the most part, he considers it a bad idea.

“It’s a big responsibility. Definitely bottles and stuff is a huge no. I think overall it’s probably not a good idea.

There is, however, a bit of wiggle room. Some artists have traditions for their shows that allow people to throw certain things on stage.

“I know (with) A$AP Rocky, women constantly throw bras on stage and there are some artists where it’s a tradition to throw bras on stage,” Mindbender explained. “I’ve seen many Cypress Hill shows, it’s a tradition to throw blunts and joints on stage at the end of the show, so that makes sense.”

The star tapped AJ Qurashi, who created his Raving Taco online persona based on attending hundreds of gigs and electronic festivals, to offer his advice on how to behave properly at shows.

Be aware of your size

Standing at 6’1” Mindbender is hyper aware of what his height means at a gig, even to the point of adapting his outfit to minimize his obstruction.

“If you’re tall, make sure you don’t wear a hat,” he said. “If you’re wearing a hat, try to be aware of sightlines unless you’re really wearing that wild performer’s wild outfit. If you’re that person, be aware of the people behind you and walk away a bit or just try to minimize the number of people behind you that you block.

Make sure people know you’re about to surf

Pushing the boundaries when it comes to the concert experience is at an all-time high right now.

One of the most popular ways to mass-generate the ultimate concert experience is through crowd surfing. The catch, however, is that crowd surfing requires buy-in from at least part of the crowd.

“You have to have your main people who are going to hold you back because if you randomly jump up, you’re just going to get dumped,” Qurashi said. “I’ve seen this happen. People will jump into the crowd and everyone backs up. You just see them go,” he added, clapping his hands to simulate splashing.

Don’t get too blitzed

A drink, or two, or three could be expected for most of us, but Mindbender encourages those who attend concerts to know their limits.

At some point, it’s not about those around you, it could end your experience in a once-in-a-lifetime opportunity.

“I’m not going to go to (a) show…then drink six beers, throw up and miss a third of the show, like what?” he said.

sing your heart

This one comes with a caveat, sing your heart out… when appropriate.

“You’re on the show to let go of everything you’re holding on to,” Qurashi said. “Your favorite artist is finally in town and you’re here so you can shout those lyrics as loud as you can because you can’t do this at home or at the bus stop.”

Obviously, everyone at the concert is there because they love the music or because they were coached by someone else who loves it. But just because you’re supposed to dance like nobody’s watching and sing like nobody’s listening doesn’t mean you should sing the wrong lyrics, Mindbender explained.

“If you don’t know the verses, stick to the chorus or stick to that punch line or that line that you know very well. Like sticking to the parts you really like and the songs you like. If you (just) want to listen, you could probably stay home.

Live the experience through your eyes, not your phone

Phones are the trickiest subject when it comes to gigs because while it’s amazing to have an experience, it’s also tempting to capture it for later.

But then consider how often you come back to watch videos on your phone of things you’ve recorded in the past. For Qurashi, it may not be worth it.

“I love taking videos, but there’s the other side where people will end up watching the concert on their phone screen all the time,” he said. “They don’t realize they’re looking at their phone when there’s a concert right there. Like, don’t take videos all the time.”

Don’t be that person – protect the space

It’s easy to get lost in the mix of emotions at a gig, but one thing that needs to be protected above all else is space.

Artists and their fans develop reputations, not all of them good. For example, rapper Playboi Carti’s fan reputation took a hit after he relentlessly booed Rico Nasty midway through his first set.

Just as the people on stage should be respected, so should the room.

“I don’t leave trash,” Mindbender said. “It’s really trash behavior because I love going back to gigs and if you’re really a gig lover you know if the place is destroyed at the end this place probably won’t think of booking them back to new.”

Corrigendum — June 19, 2022: This article has been updated to correct the spelling of AJ Qurashi.

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Cannons ready to bring some swagger to Electric Forest

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With Electric Forest erupting next weekend for the first time since 2019, Local Spins electronic music columnist Todd Ernst offers a profile of a dynamic act that will help kick off the Rothbury show.

Inspirational audiences: Michelle Joy and Cannons on stage earlier this year in Detroit. (Photo/Todd Ernst)

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WRITER’S NOTE: When I got to see Cannons at the Magic Stick in Detroit in March, what was originally supposed to be a lead piece turned into what was going to be a post-show review just before release. from “Fever Dreaming.” But something happened to me that night that I struggled to find the words for. In almost 35 years of DJing electronic music and studying what moves people, I literally got stuck with what I had just experienced. That said, everything that follows is going to be a bit abstract, but I hope to connect a few dots of what makes Cannons so remarkable. The band performs on the Sherwood Court stage in Electric Forest at 6.45pm on Thursday.

While attending the Electric Forest festival in 2016, I noticed something that was a bit new to me as a long-time electronic music DJ.

During the sets of Bob Moses and Rüfüs Du Sol, a sea of ​​women in their chic bohemian outfits, eyes closed, arms upraised, glided almost in unison more than they danced themselves. Since then, I’ve referred to this among friends and colleagues as “swaggering dancing” for lack of better terms. Yes, the guys do it too, maybe less pronounced, usually defined by more of a sideways overhead bob with a bent knee in rhythm with the beater.

In the fall of 2020, you might remember this guy named Nathan Apodaca going through the monikor DoggFace, drinking cranberry juice while skateboarding with Fleetwood Mac’s hit track “Dreams” playing in the background. . The follow-up to that effort was that he walked through Caesars Palace in Las Vegas, with Cannons’ hit song, “Fire for You,” playing in the background.

“Yeah, that’s definitely put us on the map more than anything before,” Cannons lead singer Michelle Joy told me in a half-hour phone interview.

On tour behind ‘Fever Dream’: Cannons (Photo/Ryan Rundle)

Our conversation left me thinking that she is one of the most authentic performers on the circuit right now, living for the experience of what got them to the level they are at now. We didn’t talk about the standard stuff that journalists ask for, but rather more abstract topics, and it really allowed him to open up about their journey.

We spent time talking about how the Los Angeles-based Cannons seemed to have this maturity during COVID, and she told me that they actually leaned into things and took the opportunity to come out “Covers” by Cannons. (I’ve never been a huge Springsteen fan, but their cover of “Dancing in the Dark” is phenomenal!)

I was curious how the remix of Cannons’ “Fire for You” by Tiesto came to be, as it was playing everywhere when my wife and I stayed at Resorts World in Las Vegas. Turns out it was as organic as Tiesto just reached out via Instagram and asked to remix one of their tracks.

It was hard not to ask questions about the dark nature of the band’s video for “Hurricane,” the lead single from 2022’s “Fever Dream.” The band’s ace in the hole is Joy’s husband (engaged to the time) and filmmaker Ryan Rundle. The inspiration for “Hurricane” was the 1984 film, “Firestarter,” adapted from Stephen King’s 1980 novel of the same name. Something Joy said about the background of this video shoot stuck with me: “Sometimes, saviors need to be saved!”

THE UNIQUE SOUND OF CANNONS: A LOW-TEMPERATURE JOURNEY, LOADED WITH SYNTHETICS AND REVERBS

As for the Magic Stick’s performance, I can’t stress enough the mood in the room that night. People were clearly happy to be out in public after being locked down for nearly two years. There was definitely this feeling that collectively we were the people at the forefront of what was probably going to be a worldwide phenomenon before too long – that of Cannons’ unique sound.

The cannons took the room on a synth-laden lo-fi journey, drenched in reverb, downtempo, “Shadows” and “Fever Dream.”

Anchored by bassist Paul Davis’ ability to switch seamlessly between a Fender jazz bass and a Novation synth, the piece grooved in unison from the first note. It doesn’t take long to learn that Joy’s energy is quite contagious, and the room quickly went from their swaggering dance and fist pumping in unison with the fashionable singer who almost jumped out of her boots.

Towards the end, Joy addressed the crowd, “There’s no energy like the energy of Detroit!”

Multi-generational appeal: The Cannons play Electric Forest on Thursday. (Photo/Ryan Rundle)

Immediately afterwards, almost at the right time, the band unfolded one of the most powerful musical moments I can remember. Guitarist Ryan Clapham strummed the opening riff for the aforementioned hit single, “Fire for You.” The collective feeling in the venue was a symbiosis hard to put into words, and shortly after, Joy had the crowd jumping in unison with everyone shouting part of the chorus “”Fiire, fiire fiire!”

Almost any doctor would tell us that an ideal resting heart rate for a healthy human being is between 60 and 100 beats per minute. So one day, as an experiment – because I was really curious – I ran Cannons’ 2019 album, “Shadows”, and their new album, “Fever Dream”, through a beat analyzer per minute. They recorded an average of 97.67 beats per minute.

I told the band about it after the gig, a few eyebrows were raised and there seemed to be a collective wonderment at the concept I just presented.

Bottom line: it’s not often you come across a band that’s as popular among 20-somethings as they are 50-somethings. Is Cannons somehow the soundtrack of a post-pandemic world? Or is there a metaphysical, almost subconscious reason why Cannons resonates with fans the way they do?

I also told Joy that the band had probably never experienced anything quite like Electric Forest, a once-in-a-lifetime adventure. So if you’re attending the Rothbury Festival on the weekend of June 23-26, the opening night performance of Cannons on Thursday at 6.45pm on the Sherwood Court stage should be an unmissable part of your program – whether you slide, fist-pump or swagger-dance.

Many thanks to Columbia Records Christina Hankin, Tour Manager Troy Topinka and Michelle’s sister Mariah for a great experience.

VIDEO: Cannons, “Hurricane”

VIDEO: Cannons, “Fire For You”

2022 ELECTRIC FOREST SCHEDULE

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Copyright 2022, Spins on Music LLC

Armin van Buuren and HYMN team up for concert film “This is Me”

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For One Night Only Watch Armin van Buuren It’s me original concert film in collaboration with HYMN’s NFT theatre.


For more than 20 years, Armin Van Buuren became a titan among dance music producers. He continued to be at the forefront of innovation with an extensive discography, a long-running and respected radio show A State of Trance, countless shows in nightclubs and festivals around the world and numerous awards throughout his career. Now he’s taking his ingenuity out of the studio for an exclusive collaboration with ANTHEM.

On Thursday June 30Armin fans can find out It’s me, an original concert film with sound footage It’s me – Do you feel show the Ziggo Dome interwoven with documentary footage of his personal history. This will allow his loyal followers to get a never-before-seen insight into the life of one of the most influential figures in dance music today. The film will be broadcast worldwide on June 30th only in HYMN’s NFT Theater. Fans can select one of three time zones to watch.

In addition to the film, HYMN is releasing 1,234 NFT Ambassador with Armin, which will allow fans to own exclusive digital artwork and become part of the HYMN community. There are four NFT Ambassador rarities which all include access to original artwork, all HYMN originals, It’s me film credits and an invitation to the world premiere at the Royal Theater Tuschinski in Amsterdam on June 27 with Armin himself. The rarest editions come with physical surprise gift boxes and one-of-a-kind signed artwork.

Tickets for the exclusive screening of It’s me are on sale now on the HYMN website. Be sure to purchase yours to experience this special digital event and find out how you can become an Ambassador through their exclusive collectibles.



Follow Armin van Buuren on social media:

Website | Facebook | Twitter | instagram | SoundCloud | Youtube

Follow HYMN on social media:

Website | Facebook | Twitter | instagram | Youtube

Ever since she grew up singing, dancing and learning instruments, music has always been at the center of Ashley’s life. Her world opened up after attending Beyond Wonderland Bay Area in 2014, and since then her love for electronic music has taken her around the world, from The Gorge to Amsterdam Dance Event and Studio Armada for ASOT Live. She loves all things inspiring trance, progressive house and melodic bass. His favorite artists include Above & Beyond, Illenium, Odesza, Ilan Bluestone, Arty and Andrew Bayer. Find her on the dance floors of Denver and the SF Bay Area!

Saturday Night Session 054: Kidswaste reveals the five-year journey that led to second EP, “Colors of Your Heart”

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Few moments are more sacred than the Saturday night respite from the daily grind of school and work. Its importance is meant to be emphasized, and thus, a dedicated “doing well at night” feature was born. Saturday night sessions are organized around energizing mixes meant to get the party started. New or old, each episode has one fundamental thing in common: they serve as the perfect backdrop for the weekend pregame.

Quentin Beauvois started his music career like many Gen Z musicians – showcasing his talents online. While many acts leverage their online following to land record deals, Beauvois’ rise was due to a different formula. Now better known to music fans as Kidswaste, the French producer began his career broadcasting on Twitch from his bedroom in 2016. He learned how to produce music on the public forum, and it helped foster connections that led to the successful launch of his career and future collaborations.

Beauvois shares, “People might not know this, but I started my music career streaming on Twitch in 2016! Music wasn’t even really allowed on the platform. I used to participate in hour-long challenges with friends, which really helped me improve quickly. He continues: “That’s actually how I met Siarate with whom I collaborated on “Back Then”. The song itself was made around this time, although it took a little over an hour.

Although he started producing music in 2016, Beauvois leaned in and quickly focused on the fun business. In 2017, he released his debut single “Underwater”, which catapulted him into prominence in the indie dance music scene. He then produced and released a full EP, titled Missed, that same year. The reception given to the EP has been extremely positive and its momentum has remained strong.

It’s now five years later, and the artist has released his second EP, Colors of your heart, now available on Counter Records. The entire work gives the listener a glimpse into their own heart and the journey they have traveled, both personally and professionally. Beauvois shares that during the time he wrote the EP, he was in different headspaces and had varying inspirations throughout. This means that each song represents a different moment for him. For his Kidswaste project as a whole, a new era is dawning, affectionately dubbed the “Kiddy” era, which features a more energetic and refined sound and style that reflects the maturing process he has gone through over the years. .

Despite the fact that the songs on the EP have been produced at different times over the past five years, Colors of your heart is a dreamy collection of flowing singles that blend seamlessly despite stylistic differences.

He comments on this, sharing, “It was the project right after Missed, which I’ve been working on since 2017. Some songs, like “Back Then” and “Waves”, were composed around this time almost 3-6 years ago. It shows the evolution from my old music to what feels more like my new self. I wrote ‘Runner’ in 2021, and ‘Home’ in January 2022. The goal was to keep consistency with the Kiddy! era over the years.

Highlights from the EP include “Let Go”, which is an independent alt single that taps into rock with electronic production as a supporting element. In stark contrast, “Waves” leans into the indie electronic genre, putting production at the forefront of the song. “Time is Mine” with Olivia Reid expands Kidswaste’s sound, with sultry vocals rounding out the upbeat single that infuses disco elements into the heart-pounding background.

Olivia Reid, Lizzy Land and Siarate are star collaborators on the EP, tying together the eight tracks in a brilliant blend of Beauvois’ style and sound with hard-hitting collaborators pushing the boundaries of what we’ve come to know and expect from the producer. The artist shares that he wrote over 100 songs for the project before deciding on the final group of songs he felt he resonated with the most.

Beauvois will be back on the road for his first headlining North American tour in honor of the release of the EP. Titled Colors of Your Heart Tour, it will perform in markets including Brooklyn, Denver, Chicago and more. He comments on what to expect from his upcoming tour and how he feels about being back on the road.

He shares, “I’m nervous, but it’s exciting! This is my first headlining tour in all of America, and I’m incredibly excited. I try to breathe new life into my shows with more energy, remixes of old songs and live edits! Getting back on the road is a bit scary but it will be fine, especially with Tails joining the adventure!

In honor of the Colors of your heart full EP release, the artist crafted an exclusive one-hour Saturday Night Session mix for listeners.

When asked what fans can expect from the mix, he shares, “It’s a showcase of some songs from the project mixed with some songs I like! It’s not super representative of the live show as I try to keep most of it as a surprise, but there are some fun ids! I hope you enjoy!”

Featured Image: Kodavsky

Read the full interview with Kidswaste below.

_________________________________________________________________________________________

This is your second EP. What was the difference for you with Colors of your heart compared to Missed?

It was the project right after “Spleen”, which I’ve been working on since 2017. Some songs, like “Back Then” and “Waves”, were made around this time almost 3-6 years ago. It shows the evolution from my old music to what feels more like my new self. I wrote “Runner” in 2021, and “Home” in January 2022. The goal was to keep consistency with the Kiddy! era over the years.

Is there a track that stands out personally from the EP?

My favorite is “Runner” because it tells the most recent story of my life. While the other songs might be a bit more elusive or general, this one is more about what I’ve been through for the past few years. In addition to that, the production corresponds to my vision of the continuation of this project.

Your sound has certainly evolved over the years. Is your evolution fair as an artist? Or do you think that your sonic evolution is also linked to your personal evolution?

I think it’s a bit of both because the way I’ve worked with music over the years has varied a lot. I started integrating material into my workflow and focused on improving my production. Especially the sound design. It’s not perfect yet, but now I can vary my style, which allows more creative freedom. All in all though, I must have written around 100 songs for this project, but only kept the ones I resonated with.

A headlining tour is a big deal. Can you tell us about the tour?

I’m nervous, but it’s exciting! This is my first headlining tour in all of America, and I’m incredibly excited. I try to breathe new life into my shows with more energy, remixes of old songs and live edits! Getting back on the road is a bit scary but it will be fine, especially with Tails there to join the adventure!

What’s one thing about you as a person outside of your music career that fans don’t know about?

People might not know this, but I started my music career streaming on Twitch in 2016! Music wasn’t even really allowed on the platform. I used to participate in hour-long challenges with friends, which really helped me improve quickly. This is also how I met Siarate with whom I collaborated on “Back Then”. The song itself was made around this time, although it took a little over an hour.

What kind of Saturday night will your Saturday night session prepare listeners for?

It’s a showcase of some songs from the project mixed with some songs that I like! It’s not super representative of the live show as I try to keep most of it as a surprise, but there are some fun ids! I hope you enjoy !

Tags: the colors of your heart, the colors of your heart ride, meter records, kids trash, lizzy land, olivia reid, saturday night session, saturday night sessions, siarate

Categories: Features, Music

deadmau5 drops energetic new single “XYZ”






deadmau5 release energetic new single
Deadmau5







Legendary electronic producer and DJ deadmau5 has released a new single titled “XYZ”. Along with the announcement of the new track, the announcement of the artist’s new upcoming compilation was announced. We are friends (volume 11). The compilation is set to be released on June 17 via mau5trap.

“XYZ” acting as the first single from the upcoming project, brilliantly sets the tone for what fans can expect from the artist’s upcoming material. Boasting a running time of nine and a half minutes, this final track takes all the time it needs to set a beautiful and subtle yet invigorating tone. The first two minutes of the track are devoted to the slow building and introduction of the synths and bass used in the track, leading to a strong and steady kick drum beat. As the track progresses, the rhythm and parts of the melody repeat and stay steady, while even more atmospheric elements and melodies are layered on. Near the five minute mark, the track chooses to slow down again, allowing room to breathe as the drums are temporarily removed, resulting in the rhythm being reintroduced with even greater intensity.

Along with the track came an accompanying visualizer created by Rising Agency. In this absolutely stunning visualizer, we watch a plane zoom through an area of ​​beautiful electronically generated mountains, with various images of letters appearing and disappearing around the plane. The video works as a nice compliment to the calm yet powerful atmosphere of the track. Watch the visualizer for “XYZ” via YouTube below.

Coming Soon From Deadmau5 We are friends The tour is set to kick off later this month. The DJ’s next album will follow on from 2021 We are friends (Vol 10).

Photo credit: Mehreen Rizvi











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Consumer and Business Debt Consolidation Market Size 2022-2029

New Jersey, United States,-The research report on the Global Consumer and Business Debt Consolidation Market provides a comprehensive industry growth perspective, an overview of market size and value, and a survey of existing business trends. . Consumer and business debt consolidation studies also provide insight into various market demand factors. The consumer and business debt consolidation research report details many of the variables that have led to the rise of the global consumer and business debt consolidation markets. The consumer and corporate debt consolidation market analysis includes an in-depth assessment of global technological developments and trends. Industry research on consumer and business debt consolidation based on volume, performance and valuation calculates an accurate market share. Global Emotion Detection and Recognition Market size prediction and calculation is done using bottom-up and top-down technologies.

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The impact of the Corona 19 outbreak on the global Emotion Sensing and Awareness industry, growth rates, correct supply chain analysis, scale in various scenarios, and responses Corporate critiques of the outbreak are all examined in research on emotion sensing and sensitization. The research focuses on emotion detection and recognition in global markets, particularly in North America, Europe and the Asia-Pacific region, as well as South America, the Middle East and Africa. The study divides the market into four parts: manufacturer, region, type and application.

Key Players Covered in Consumer and Commercial Debt Consolidation Markets:

  • Discover personal loans (USA)
  • Lending Club (USA)
  • Payment (US)
  • SoFi (US)
  • FreedomPlus (US)

Consumer and Business Debt Consolidation Market Split By Type:

  • Credit card debt
  • Overdrafts or borrowings

Consumer and Business Debt Consolidation Market Split By Application:

The Consumer and Corporate Debt Consolidation Market report has been segregated into distinct categories such as product type, application, end-user, and region. Each segment is valued based on CAGR, share, and growth potential. In the regional analysis, the report highlights the prospective region, which is expected to generate opportunities in the Global Consumer and Corporate Debt Consolidation Market in the coming years. This segmental analysis will surely prove to be a helpful tool for readers, stakeholders, and market players to get a complete picture of the global Consumer and Corporate Debt Consolidation market and its growth potential in the years to come.

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Scope of Consumer and Corporate Debt Consolidation Market Report

Report attribute Details
Market size available for years 2022 – 2029
Base year considered 2022
Historical data 2019 – 2021
Forecast period 2022 – 2029
Quantitative units Revenue in USD Million and CAGR from 2023 to 2029
Segments Covered Types, applications, end users, and more.
Report cover Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends
Regional scope North America, Europe, Asia-Pacific, Latin America, Middle East and Africa
Scope of customization Free report customization (equivalent to up to 8 analyst business days) with purchase. Added or changed country, region and segment scope.
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Regional Consumer and Business Debt Consolidation Market Analysis can be represented as follows:

Each regional Consumer and Business Debt Consolidation industry is carefully researched to understand its current and future growth scenarios. This helps players strengthen their position. Use market research to get a better perspective and understanding of the market and target audience and ensure you stay ahead of the competition.

Based on geography, the global consumer and corporate debt consolidation market has been segmented as follows:

    • North America includes the United States, Canada and Mexico
    • Europe includes Germany, France, UK, Italy, Spain
    • South America includes Colombia, Argentina, Nigeria and Chile
    • Asia Pacific includes Japan, China, Korea, India, Saudi Arabia and Southeast Asia

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Essential press releases, June 17, 2022

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SEVEN ESSENTIAL VERSION

Essential press releases, June 17, 2022

By Bandcamp Daily Staff June 17, 2022

Welcome to Essential Releases, our weekly roundup of the albums we can’t stop playing and think you need to hear.

Barbie Bertisch
Prelude



If, like me, you only know Barbie Bertisch as the co-founder of the fantastic Brooklyn-based dance label Love Injection, your first time at Prelude can take you by surprise. Rather than quickening the pulse, the album drifts like a dream – misty layers of synth moving slowly, like fog on the surface of the ocean. It’s no wonder that one of the album’s first champions was the legendary Anna Domino – there are moments on Prelude which recall the same mysterious synth compositions she was doing for the Belgian label Les Disques du Crépuscule in the mid-80s. Prelude is an album you can’t turn away from, a hypnotic collection of hushed electropop that casts its spell slowly but powerfully. On “After the Storm,” the hazy chords are topped with a three-note synth pattern that sounds like someone slowly tapping the sides of a triangle. When the beat finally enters 90 seconds, it’s just a quiet bass pulse, pushing the rest of the song along like an old shepherd gently nudging a young lamb. Bertisch unfolds his voice like another instrument throughout the album, exhaling a wordless melody in “Woman of Contrasts”, drifting like a ghost in the back of “Spirits Lifted”, appearing in the foreground to offer a phrase or two before disappearing again. Every second of the album is mesmerizing – the kind of music that brings you back there again and again so you can bask in its warmth and comfort, and an album that I’m sure to declare one of the best ever. year.

–J. Edward Keyes

black seeds
Love & Fire



Jamaica and New Zealand are nearly 8,000 miles apart, but the cultural connection between the two countries runs deeper than you might think. From the late 1970s, reggae exploded in popularity on its shores, thanks in large part to the genre’s patron saint Bob Marley, who performed a landmark concert in Auckland in 1979. The hype swelled. has been somewhat extinct since then, but the reggae scene continues to kick in, carried by passionate bands like Wellington’s The Black Seeds, who have been creating feel-good jams since the late 90s. trivia: Their song “One By One” was the soundtrack to an, ahem, “kitchen scene” on “Breaking Bad”.) The band’s latest record, Love & Fire, is a polished, confident effort that affirms their status as the South Pacific’s premier modern roots reggae band, featuring frontman Barnaby Weir’s honeyed vocal melodies alongside warm, screeching guitars and perky dub riddims. It’s a testament not only to the enduring strengths of the Black Seeds, but also to the global influence of reggae – the latest product from an unlikely creative source that deserves more attention.

Zoe Camp

Misty sour cherry
strange world



If you, like me, are tired of the low-effort guitar pop that hangs around like a weary toddler on a sugar crash or a boring and anxious boring teenager, the latest Tokyo popkids Hazy Sour Cherry is the opposite of all this. strange world is a record as deliciously tart as the band’s name, full of vinegary energy and tons of surf-inspired guitar heroics that blast their songs from planet Earth to planet Claire. From the bubblegum sticky pop pop of the title track to the after-all post-punk world of ‘Hot Dub Summer Night’ (plus Japanese and English lyrics throughout), Cherries sound like they’re having so much fun , which doesn’t seem like too much to ask of rock bands these days, but it is. Oh, and underneath the cute pie exterior, this band can really to play, which also doesn’t seem like too much to ask, but et cetera, et cetera, ad infinitum.

Marianne Timony

Heroes are gang leaders
TheAutoKingOgraphy



Jazz ensemble Heroes Are Gang Leaders was formed in 2014 shortly after the death of writer (and co-founder of the Black Arts Movement) Amiri Baraka. Baraka was a militant black nationalist in the 60s and 70s, later embracing Marxism, and produced works in poetry, music criticism, drama, fiction and beyond. (Although some of his earlier work includes some reactionary bigotry, including anti-Semitism, it is something he reconsidered and publicly repudiated.) In addition to this vast body of groundbreaking work across literature, he is also credited with breaking down some doors for important people in the publishing world. TheAutoKingOgraphy is, of course, named after Baraka’s first alias, LeRoi Jones (he was born Everett Leroy Jones). This moving collection of pieces was performed in Paris in 2019; the core duo of bandleader/poet Thomas Sayers Ellis and saxophonist James Brandon Lewis is of course here, as well as the bassist Luke Stuart (of Irreversible entanglements), violist Melanie Dyer and a host of others – poets, singers, musicians – performing originals alongside Baraka’s work. The music is fiery and vital, free jazz that seems less a framework for the spoken word than a fluid translation of those words into music right next to it. There are also tender moments, like on the title track, built around a superb vamp piano and a soulful voice; while Baraka’s work was fiercely political, it was also highly personal and, at best, took a thoughtful look at the interactions of ordinary black people with each other as well as with systems of oppression. There is room for sadness and grief, like on “Mista Sippy”. But there is also room for joy; you can hear throughout the album how much fun the band has playing with each other and reinterpreting these lyrics. (Every resistance movement must be able to find these moments because it wouldn’t be sustainable otherwise.) Beautiful and vibrant work any time of the year, but especially poignant on June 19th.

–Jes Skolnik

Low-end activist
Hostile utopia



Hostile utopia, the latest effort from British producer Low End Activist, feels less like an album and more like a travelogue. Inspired by his youth growing up in the Blackbird Leys housing estate, Hostile utopia brings together a captivating array of electronic music variants to create a record that hits hard and hits often. This, in fact, is Utopiadefining quality of: its physicality. From the kind of jagged hardcore synth music that Atari Teenage Riot used to make to loud grime and brass knuckles garage, every second of Utopia practically shakes you to life. On “Mercenary,” Mez spits out a breathless verse over distorted electronics and a gasping beat, while “Exotic Possibilities” is breathless chase music, a queasy bass tone stretching to swallow choppy drums. as a brutally distorted voice crackles above. “DFRNT STYLE” Turns Dub Upside Down; Killa P provides the track with acrobatic dancehall vocals, under which Low End Activist pumps out a moaning bassline and all sorts of eerie crackles and squeals. It’s a beautifully invigorating listen, the kind of album that never stops moving. From the techno-industrial rattling of the title track to the mysterious synth-goth of “Wild Roses”, Hostile utopia is a runaway train that takes you on a thrilling journey.

–J. Edward Keyes

various artists
West African Birdsong Guide



Do you like electronic music? Want to help save endangered birds? Then I have the compilation series for you. Launched in 2015 by DJ and producer Robin Perkins (aka El Búho (“The Owl”, in Spanish), the Birdsong project is a global and environmental call to action that challenges artists from a given region (South America , Mexico, America, Caribbean) to create original music around samples of endangered bird songs native to this region, with the ultimate goal of raising funds and awareness for the plight of our feathered friends. To that end, all proceeds from the project benefit animal and habitat conservation organizations; the current total stands at $50,000, a huge win for bird enthusiasts everywhere.The third entry, A Guide to the Birdsong of Western Africa, is perhaps the most dynamic to date, with 10 musicians, including Malian guitarist Vieux Farka Touré, Senegalese band Wau Wau Collectif and Nigerian producer Sensei Lo, bringing us closer to rare birds of paradise like the gr black crowned hornbill, yellow helmeted hornbill and Timneh parrot. net proceeds will go to three West African nonprofits fighting to save the same birds we hear on the record. It’s time to tune in, turn up the sound and save the birds. Who is with me?

Zoe Camp

Drake’s Surprise Album ‘Honestly, Nevermind’ Features Music Produced by Black Coffee and GORDO: Listen – EDM.com

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Even GORDO is surprised by the opening act of his new creative chapter.

It’s not even been a week since Diamanté Blackmon hung up his headphones as Carnage, ending his longtime moinker with his final show in Australia on June 11. While the initial announcement of his retirement several weeks earlier left some room for speculation as to what the DJ’s future would look like while continuing his career as GORDO, now we have our first revealing look.

In a surprise announcement yesterday, Drake unveiled his seventh studio album Honestly it doesn’t matterjust nine months after the release of Certified lover. The shocking news from Drizzy was immediately followed by an equally intriguing revelation from GORDO, who produced six songs from the surprise album.

“I’m very humbled and honored to have produced 6 songs on Drake’s new album, Honestly it doesn’t matter“, GORDO announced in a Tweeter. “Thank you brother for trusting me and allowing me to be part of the vision. I never factored that into the equation for the start of my next chapter, but thank you.”

Scroll to continue

GORDO’s involvement with the album on such a scale is likely to have downstream impacts on the wider electronic music ecosystem. Notably, the “Rizzla” producer went so far as To tease that the effort had the potential to bring about one of the greatest moments in the genre’s history.

GORDO’s contributions on the album include “Calling My Name”, “Sticky”, “Massive”, “Currents”, “Flight’s Booked” and “Tie That Binds”, alongside Black Coffee, who also contributed to several project outputs. Listen below.

FOLLOW GORDO:

Instagram: instagram.com/GORDOSZN
Twitter: twitter.com/GORDOSZN
Spotify: spoti.fi/31jquSE

Asian Americans will celebrate heritage, arts and community with performances at DIA

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Midwest Asian American Pacific Islander (AAPI) musicians, dancers and poets will come together on Saturday for an evening celebrating collaboration, healing and the spirit of their community at the “Celebrating Asian American Arts, Community & Culture” performance. . The free event will take place at the Detroit Film Theater inside the Detroit Institute of Arts and is part of a series of events commemorating the 40th anniversary of the murder of Chinese American Vincent Chin.

“Our hope is that through song, poetry and movement, these artists will truly affirm our call for future generations to carry the torch of Vincent Chin’s legacy,” said event director Rebeka Islam. . “And in the times we live in right now, in these troubled times, it’s transformative and healing. It was important 40 years ago, and it’s just as important today.

Chin was bludgeoned to death outside a bar in Highland Park in 1982 following a run-in with two white men he met inside. The pair allegedly shouted racial slurs during the argument, amid growing anger at Japanese people who were seen as stealing American car jobs. The men were fined $3,000 and given three years probation without jail time, and kicked off a pivotal moment for Asian American activism.

“One of the reasons things like this happen is that we are dehumanized,” said Japanese-American Nobuko Miyamoto, singer, songwriter, artist and activist. “And the way we become human is by telling our story and telling it through culture, through writing, through performance, through music, theater, dance; this is all really important.

Joined by producer and songwriter Derek Nakamoto, bassist Juan Perez and vocalist and percussionist Asiyah Ayubbi, Nobuko will perform original music, including a song written about Chin, as well as Chinese-American activist and Detroiter Grace Lee Boggs. Nobuko said her music is rooted in the Asian American movement of the early 1970s and she will perform music from that era, including music from her album “A Grain of Sand.”

The Wayne State Electronic Music Ensemble, led by Korean-American Joo Won Park, right.

She will also perform new material from her latest record ‘120,000 Stories’, referencing the number of Japanese Americans who were placed in camps during WWII, including her own family as a child. .

“That experience of being kind of a refugee in America was one of my foundational experiences,” she said. “It was really only through exposure to the arts that I healed from the trauma, and had some form of expression.”

The Electronic Music Ensemble of Wayne State, led by Korean-American Joo Won Park, will also perform Park’s original music on keyboards, synthesizers and laptops.

“I find that in Michigan, in this area, there’s a noticeable number of Asian American artists, but they’re not well represented,” Park said. “It’s hard to find, so I think doing this concert where Asian artists are presented, in a wider audience, makes sense. It basically says…there are Asian American creatives who are active and doing interesting things in the region.

Other performers include poet Frances Kai-Hwa Wang and dancer Joori Jung.

Producer and composer Derek Nakamoto

Customers must present proof of vaccination or a negative COVID-19 test and wear a mask to enter.

Park said the performance was a great way to see and meet active Asian American artists.

“Usually we’re spread out, we do our own things, but you can see music, dance and poetry people in one place, so I think it’s a good place to meet other people. in the region,” he said. “For those who aspire to be part of Detroit’s artistic community, it’s a great opportunity to see the diversity of the cultural scene, and it’s rewarding.”

“Celebrating Asian American arts, community and culture”

7-9:30 p.m. Saturday at the Detroit Film Theater, located in the Detroit Institute of Arts at 5200 John R. Street, Detroit.

For more information and a full list of events, go here.

Consumer and Business Debt Consolidation Market Growth 2031 – Designer Women

How about a well-documented study on the Consolidation of consumer and business debt which includes an in-depth examination of the various models, programs and assets that could cause a paradigm shift in the rate of growth? It’s a reality. Based on the latest changes in consumer and business debt consolidation, Market Reports is the answer to all your questions! During the forecast era, the study provides a detailed overview of the most profitable opportunities around the various segments in terms of revenue and volume. By focusing on different criteria such as drivers, restraints, barriers, opportunities and assessment of the competitive environment, the study with bullseye analysis has the potential to shape the core performance of the organization.

The volatile COVID-19 pandemic has reduced revenues in a variety of industries around the world. It wreaked havoc on the economy and caused unprecedented losses. Policymakers, business players and participants in consumer and corporate debt consolidation are trying to combat the deadly pandemic of economic failure as the planet continues to grapple with the COVID-19 pandemic. Consumer and business debt consolidation stakeholders have taken commendable steps by implementing effective plans, making quick decisions and revamping the entire market framework. They are now able to sustain their businesses as a result of this.

Market Reports has been used to paint the development colors on the canvas of businesses impacted by COVID-19. With near-perfect visualization and in-depth knowledge retrieval, Market Reports provides comprehensive and informative consumer and business debt consolidation analysis. When the study is coupled with realistic implementation by stakeholders of consumer and corporate debt consolidation, they will undoubtedly light the lamp of progress.

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The research also examines the effect of many government policies around the world on consumer and business debt consolidation. The study also includes regulatory approvals and regulations specific to consumer and business debt consolidation, allowing key stakeholders to tailor their business practices accordingly. Revolutionary developments in the consumer and corporate debt consolidation industry that have the ability to alter the competitive environment are also highlighted in the study. The article becomes a knight in shining armor for major consumer and business debt consolidation stakeholders by emphasizing these aspects.

Top Key Players Included in Consolidation of consumer and business debt Market Are: Goldman Sachs, OneMain Financial, Discover Personal Loans, Lending Club, Payoff, Freedom Debt Relief, National Debt Relief, Rescue One Financial, ClearOne Advantage, New Era Debt Solutions, Pacific Debt, Accredited Debt Relief, CuraDebt Systems, Guardian Debt Relief, Dette Trading Services, Premier Debt Help, Oak View Law Group

Consumer and Business Debt Consolidation Breakdown Data by TypeCredit Card DebtStudent Loan DebtMedical BillApartment LeasesOtherConsumer and Business Debt Consolidation Breakdown Data by ApplicationCompanyConsumer

What sets Market Reports apart from the rest?

A 360 degree research mechanism is used by Market Reports. The study was developed specifically to assess the effect of COVID-19 on consumer and corporate debt consolidation. This mechanism reflects on almost every aspect in a systematic way to produce the best research report for the business stakeholders.

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Evaluate: It is a reality.

The Market Reports report analyzes every little detail that could prove to be a driving force behind the development of consumer and business debt consolidation, which makes it unique and distinct from other studies.

Visualize: Authors involved in research activities have created a visual representation of the post-COVID-19 era to help key consumer and business debt consolidation stakeholders better understand the situation and take action to ensure continued development over the forecast period.

Overcome: the study examines the points that can prove to be the Achilles heel of consumer and business debt consolidation and helps in the development of strategies to overcome the obstacles that can hinder the Personal and corporate debt consolidation progress.

Leverage: Consolidating consumer and business debt will help you take advantage of things that can help you maximize your rate of growth. It’s a reality. All the points that major stakeholders need to rely on are covered by Market Reports.

Verify: The research is done comprehensively to ensure that all parts of the study are accurate. To avoid errors and false facts, all points are carefully double-checked and validated.

Last but not least, this feature helps the major stakeholder to remove all the hurdles that are hampering the growth rate and consolidation of consumer and business debt.

Regional outlook:

At the regional level, the world Consolidation of consumer and business debt The market is segmented into North America, Europe, Asia-Pacific, Latin America, and Middle East & Africa. In addition, market data classification and region to country analysis are covered in the market research report. Additionally, regions are separated into country and region groups:

– North America (USA and Canada)

– Europe (Germany, UK, France, Italy, Spain, Russia and rest of Europe)

– Asia-Pacific (China, India, Japan, South Korea, Indonesia, Taiwan, Australia, New Zealand and rest of Asia-Pacific)

– Latin America (Brazil, Mexico and rest of Latin America)

– Middle East and Africa (GCC (Saudi Arabia, United Arab Emirates, Bahrain, Kuwait, Qatar, Oman), North Africa, South Africa and Rest of Middle East and Africa)

Buy the full report @ marketreports.info/checkout?buynow=50789/Consumer-and-Corporate-Debt-Consolidation

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Tori Amos on the fight against sexism: “I had to become a gladiator”

“In Los Angeles, the worst disease you could catch was failure,” says Tori Amos. “But failure has been my greatest teacher.”

(Desmond Murray)

When Tori Amos thinks of Los Angeles, she first remembers the distinctly artificial scent of Aqua Net hairspray.

“I’m ashamed to say it, but at the time, I always had a can of Aqua Net in my purse,” says the 58-year-old singer-songwriter. be ready to go.

Born into a Methodist family in southern Maryland, Amos moved to Los Angeles in 1984, when hair-metal was dominating the charts and the members of Mötley Crüe were kings of the Sunset Strip.

Amos was only 5 years old when she began a classical piano course at the Peabody Institute; yet at age 11, Amos, already corrupted by Led Zeppelin, was asked to leave the program due to her reluctance to read sheet music. His 1988 major-label debut, a work of synth-pop pastiche sarcastically released as ‘Y Kant Tori Read’, was met with torrid rejection from the press; a Billboard writer described the record as “bimbo music”.

“In Los Angeles, the worst disease you could catch was failure,” Amos said over the phone from Rochester, NY, a recent stop on his first tour in more than five years. “But failure has been my greatest teacher.”

From the ashes of his 1980s remained that same spirit of rebellion, which ran with passion throughout his reinvention in 1992: a hit record called “Little Earthquakes”, which turned 30 this year. Underpinned by the volcanic force with which Amos played the piano, her unforgiving lyrical reflections on trauma – from the religious shame she suffered as a girl (“Crucify”) to the brutal sexual assault she survived after performing a gig (“Me and a Gun”) – came as an alternative rock revelation to generations of underdogs, artists and provocateurs who make up her devoted fan base. (Notable “Toriphiles” include the wrestler Mick Foley, Halsey and even Justin Timberlake.)

Amos returns to Los Angeles on Wednesday for the first of three shows at the Orpheum Theater in support of his 2021 album, “Ocean to Ocean.” A series of intimate pandemic-era sketches, each ballad is inspired by Amos’ yearning for community while sheltering in her home in the English seaside county of Cornwall, where she lives with her husband, the sound engineer Mark Hawley, and their daughter, Natashya “Tash” Hawley. Although she enjoyed quality time with her family, “many of us were lost,” she says of the long period of isolation, with nods to police brutality and the political unrest in the United States.

In the absence of any real communion with fans during his shows, Amos has learned to commune with the world around him in different ways. In “Speaking With Trees,” she lets nature hold back her grief for the loss of her mother, who died in 2019; and in “Addition of Light Divided” she invokes Kali, the Hindu goddess of death and transformation, to help “break that chain of pain”. Unlike his Christian upbringing, Amos plays with a curious syncretism of his own, drawing inspiration from the mythology of various cultures; in our interview, she attributes her own artistic process to the Muses, daughters of the Greek god Zeus and spiritual patrons of the arts.

“I keep space for the Muses to come and go wherever they want to take us,” Amos says. “Even if it’s somewhere across the galaxy.”

A woman plays two pianos at the same time during a concert.

Tori Amos performs in Kansas City, Missouri on May 31.

(Chase Castor / For The Time)

You moved to Los Angeles in the 80s, at the height of the hair-metal era. How was it for you then?
I played in all the piano bars in town, to pay my rent. I was doing these four or five hour periods in these Grecian dresses, hair up in a bun. Then I would transform back into my car, put on black eyeliner, and shake my hair out so I could go out on the Sunset Strip and not look like an alien. My daughter is looking at pictures from the time and [asks], “Did it really happen?” I said, “It really is.” It was such a fashionable car accident.

Your first solo album, “Little Earthquakes”, turned 30 this year. Upon its release in 1992, hair metal began to recede and Nirvana entered the scene. What was it like making a piano record during the height of the grunge rock era?
People in the industry would tell me, “The piano thing is dead.” A famous producer suggested to the label: “The problem with ‘Little Earthquakes’ is that you have to get all the pianos out and put in the guitars.” Doug Morris [then-president of Atlantic Records] and I had a hard knock in his office off Sunset. I had to become the gladiator.

But in the end, I have to give credit to Doug: he said that if I made new material with a very low budget, we would see what would happen. So I called on my fellow musicians from LA, and Eric Rosse, who was my partner at the time, to produce the demos. We returned four songs, including “Silent All These Years”, and Doug accepted them. To be an original creator, you have to be willing to go it alone with only a few people around you supporting you. The worst thing that can happen? You wake up with your self-esteem.

Your confrontational, feminist approach to piano music has proliferated in pop today. I hear your spirit in the records of Taylor Swift, Olivia Rodrigo and especially Halsey’s latest record, which was produced by Trent Reznor, one of your former collaborators. Do you follow this new wave of singer-songwriters?
What’s interesting is that I now have a 21-year-old daughter, Tash, so I’m learning through her. But she discovers all sorts of things, even going so far as to go back in time for things I’ve missed before – like, she loves India.Arie. We were driving through Florida a few weeks ago and saw that Paula Cole was on tour. Tash was like, “I want to go see her, mom.” And I never met Paula Cole, until she hopped backstage in Boston the other night. What a beautiful woman, by the way.

In your 2020 book, “Resistance: A Songwriter’s Story of Hope, Change, and Courage“, you wrote that the “weight of dealing with conflict” affected the writing of “Little Earthquakes”. As I listen to “Ocean to Ocean”, I think of the number of large-scale collective conflicts that we have all had to manage: a deadly pandemic, protests, violence. Last January, we turned on our televisions and witnessed what is now being investigated as a coup attempt on the United States Capitol.
We must continue to name what we have witnessed. We are not going to allow this to be diluted – what they did was betrayal. They don’t get passes, especially not redheads behind the piano. Frankly, she doesn’t.

Are we all processing it? I don’t think we are. The injuries are there, but I don’t think we’re recovering. We must want to heal. Just being on the road right now across the United States, I’m trying to create space for people to have community. Having their own ideas about things, yes, but also coming to where it’s a safe place to be emotional. I keep space for the Muses to come and go wherever they want to take us…even if it’s somewhere across the galaxy.

Did you go into writing “Ocean to Ocean” with the intention of a more communal healing process than personal catharsis?
I started at first with the intention of writing myself out of my own private hell. During the first lockdown I realized other people were experiencing this in their own way – I know the lockdown was tougher in other parts of the world. But my husband and I, we did our little thing in the middle of nowhere. I took out my book, took a virtual tour of the book, transformed the recording studio into a video studio. My daughter learned to do her hair and makeup for me. I happened to have “Quarantina”, this wig that we got because no one could get their hair done for five months. But I hadn’t toured since 2017. In January [2021]with a third lockdown and an insurgency back in the US, everyone was exhausted, and it was like, “Is this ever going to end?”

Five years is a long time without being on tour. It’s also a lot of time without connecting with your fans.
This is the longest period most musicians have gone without performing live in their lives. Some might do a virtual gig in their living room – but I’m just singing for you from Cornwall, and maybe you’re doing something else back home in New Zealand. But there is an exchange between the public and the musicians which is very sacred. Be with [a live audience], we’re just in it together. And when we work together, that’s where magic and transmutation can happen. That’s why I think so many of us have been lost.

The demands on musicians have changed some during the pandemic. Now they are expected to share so much of themselves on social media that their mental health is starting to suffer. You have long fought against the exploitation of women, especially in the music industry, but did you also feel overexposed at the time?
In our time, there were more magazines, and more time between exhibitions. If we were criticized, it was usually by someone who at least knew the music. Many of these publications have now disappeared. It was a different type of exhibition, and it was its own shield, in that it was more difficult for the public to have direct access to an artist. You couldn’t just… DM me. Am I using the correct terminology for this? Please cover me.

Anyway – online you can get a terrific reinforcement and you can get a following quite quickly on a large scale. You don’t have to be so attached to a label. You don’t have to go through the guards. If they don’t get it, that doesn’t mean it doesn’t get a response from netizens. This data is real, it changes careers. I think artists face the same pressures, but now you have to find new ways to protect yourself. And you have to protect yourself.

So how do you take care of your mind and your heart when you share it so graciously with other people?
I think the whole world needs therapy. Sure, you want media training, but you need this. A lot of artists today don’t even start out touring and opening for 10 years before they really succeed – they jump right in and they don’t have the tools to deal with that level of attention. I am grateful that I started slowly. Without it, I wouldn’t have been able to hold the stage, whether it was a small theater or Madison Square Garden in 1998.

That’s how you became the gladiator.
Yeah yeah yeah. But I hope with a little wisdom and a fairy wink.

Tori Amos on her

Tori Amos during her “Ocean” tour.

(Chase Castor / For The Time)

Samsung accused of cheating on hardware benchmarks – again • The Register

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Samsung has again been accused of cheating in benchmark tests to inflate the apparent capabilities of its hardware.

The South Korean titan allegedly unfairly topped Galaxy Note 3 phone benchmarks in 2013, and when faced with similar Galaxy S4 claims in 2018, it settled the case for $13.4 million.

This time, Samsung allegedly falsified the results of its TVs, specifically the S95B QD-OLED LCD and QN95B Neo OLED TVs.

These accusations were made this month by YouTube channel HDTVTest on the S95B, and by review site FlatpanelsHD on the QN95B. The claims boil down to the fact that Samsung used an algorithm to detect when the benchmarking software was running on set and adjust the color and artificially boost the luminance by up to 80% during the test to make the equipment appear more beautiful in reviews.

According to the FlatpanelsHD report, these brightness levels cannot be maintained during normal use without damaging the TV’s backlight panel.

An algorithm to detect and trick benchmarking software is exactly what Samsung has been accused of employing in these earlier examples. The chaebol has never denied or admitted to any wrongdoing, arguing instead that it was under no obligation to tell consumers whether its devices included code that allowed it to get the best credentials.

Samsung’s alleged actions to cheat TV benchmarks were only noticed due to its reliance on industry benchmarking standards, which test HDR TVs by focusing on 10% of the screen. When FlatpanelsHD testers changed their baseline size to 9%, they were able to bypass the alleged algorithm and get what they claimed was an accurate score.

Based on his findings, Rasmus Larsen of FlatpanelsHD wrote that the Samsung TV he tested “has an overly bright picture overall. Also… peak brightness is much lower when tested with a 9% window.

What does Samsung have to say?

Samsung Korea told FlatpanelsHD that it will “provide a software update that will ensure consistent brightness of HDR content across a wider range of window sizes beyond the industry standard.” To cynical minds, it sounds like Sammy making sure he doesn’t get called next time.

When The register contacted Samsung for comment, a representative said today, “Samsung Electronics does not use any algorithms for the purpose of providing specific test results.”

Samsung also told us that its own test, and those of independent third parties, “show that HDR content is displayed accurately across various window sizes, not just 10%”. He also said peak brightness is maintained at similar levels on window sizes below 10% “without damaging the panels.” ®

United We Groove Announces San Diego Sunset Cruise in July

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Photo credit: United We Groove


Kristina Sky’s United We Groove will set sail for San Diego in July with Cosmic Gate, Orkidea and more for the fun!


Whereas United We Groove by Kristina Sky are perhaps most famous for their annual party during Miami Music Week, those on the West Coast are in for a treat this summer. To celebrate LGBTQIA+ Pride in style, they teamed up with UNITE! music Festival for a sunset cruise on July 17 that fans of trance and progressive house won’t want to miss.

The previous United We Groove Sunset Boat Party was one of the best to set sail in San Diego last summer and the journey ahead promises to be another breathtaking experience. This year the Hornblower inspiration will set sail and embark on a cruise around San Diego Bay with those on board treated to unique set designs, high-quality production and sound, and sea creature dancers in custom Shokra costumes. Of course, there will be plenty of upbeat beats to rock everyone on the Sky Deck and Mid-Deck stages as well.

The festivities kick off as boarding begins at 4pm PT with Matte effect take back the front decks Kristina Sky, cosmic gateand orkidea take fans into a state of bliss with their performances on the Sky Deck. Those looking for soundscapes in the deeper progressive domain will find their place on the Mid-Deck with long sets of Cindel and GSP booming through her speakers throughout the cruise.

The United We Groove Sunset Cruise takes place during UNITE! Music Festival in San Diego with other shows happening over the weekend such as WUF!, OVERDRIVEand master beat. Be sure to head to their Facebook page for more information and details on these shows.

Tickets for the United We Groove San Diego Sunset Cruise are on sale now. Head to Eventbrite to make your purchase and use code EDMIDENTITY to get a discount!


United We Groove San Diego Sunset Cruise 2022 – Lineup:

United We Groove San Diego Sunset Cruise 2022 - Lineup

United We Groove San Diego Sunset Cruise 2022 – Programming by Artist:

  • cosmic gate
  • orkidea
  • Kristina Sky
  • Matte effect
  • Cindel
  • GSP

Follow United We Groove on social media:

Website | Facebook | Twitter | instagram

Grant Gilmore’s authoritative voice as a media professional lends uncommon credibility to EDM journalism. As founder of EDM Identity, he has raised the bar for coverage of the biggest youth cultural phenomenon of the past decade. After ten years working for the non-profit organization Pro Player Foundation, Gilmore launched EDM Identity as a medium providing accurate informational coverage of the rave scene and electronic music as a whole. Although they cover a comprehensive story, they took special care to interview Armin van Buuren, Adventure Club, Gorgon City, Lane 8 and Afrojack. In addition to household names, they have also highlighted some unsung industry heroes through their ID Spotlight segment. Whether he covers it or not, you can expect to find Grant Gilmore at the next big electronic music event. To find out more about his itinerary, follow him via the social links below.

Electronic Producer Zedd Teams Up With N!CK’S For Summer’s Most Electric Fun

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The limited-time Chilly Mango is a mango ice cream with a perfect kick of spice and a sweet strawberry swirl that’s also keto-friendly with no added sugar, 9g of protein, and just 240 calories per pint. These nutritional products are in line with N!CK’s mission to find creative solutions through science to make the world a healthier place. Chilly Mango is the latest iteration of N!CK’s delicious treats that deliver the experience, taste and quality of whole cream ice cream with the benefits that are better for you.

“I discovered the pint of N!CK’S Swedish Lemon Bar for the first time and I was blown away. After being able to work with the N!CK’S team to imagine Chilly Mango, I may have a new favorite flavor!” Zedd added. “I’m thrilled to have been able to team up with a brand like N!CK’S and hope fans everywhere love the sweet yet spicy pint we’ve created!”

As a brand known for bringing food science and technology to the ice cream industry like no one has before, the collaboration with Zedd comes at an exciting time this summer. Earlier this year, N!CK’S launched seven new indulgent flavors that feature even tastier inclusions with fewer net carbs, no added sugar, and all at less than 370 calories per pint. Building on those pints and classic fan favorites that have held the brand’s place as the direct-to-consumer pint ice cream delivery brand in the United States since July 2021Chilly Mango is sure to delight fans as much as a Zedd concert!

“We were thrilled to learn that Zedd had discovered our ice cream on his own, and even more thrilled when we had the opportunity to work with him on a custom flavor,” said N!CK’S CEO, Carlos Altschul. “Our partnership with Zedd was extremely organic, which is reflected in the unique and authentically adventurous flavor of Chilly Mango, a refreshing mango ice cream with the perfect amount of spice and a sweet strawberry swirl.”

To sweeten the launch even further, N!CK’S will be hosting a giveaway for lucky fans to win the Ultimate Zedd Prize Package of June 14 to June 30. The brand will be giving away a six-month supply of Zedd’s favorite N!CK’S pints, plus two tickets to the highly-anticipated “Zedd in the Park” show. To enter, meet https://try.nicks.com/zedd.

AN!CK fan through and through, Zedd takes his love of Swedish sweets to the next level by becoming a shareholder of the brand. N!CK’s x Zedd Chilly Mango will be available for purchase on $9.99 per pint on the N!CK website and at various retailers across the United States in June. For more information, please visit https://try.nicks.com/zedd.

About N!CK’S:

Founded in Sweden by Carl Backlund and Nicholas Luthman in 2017, N!CK’S expanded to 16 markets, including the US and UK, with its “Better For You” snacks. With a proprietary blend of patent-protected sweeteners and proprietary ingredients, N!CK’S delivers the full-fat, high-sugar snacking experience with a fraction of the calories and no added sugar. Additional milestones for the global food tech innovator of healthy, indulgent snacks and ice cream include becoming the first new snack bar release on Amazon, the home-brewed ice cream delivery brand. pint direct to consumers in the United States from July 2021and raise $100 million in Series C financing in October 2021.

Follow us at @nicksicecreams on Instagram and Facebook.

About Zedd

Multi-platinum, GRAMMY® Award-winning recording artist/DJ/producer Zedd debuted with “Clarity” after signing with Interscope in 2012 and has since broken down barriers surrounding musical genres. Throughout his career, Zedd has worked with a wide range of artists to create hits, including Foxes on “Clarity” (which won Zedd a 2014 GRAMMY® “Best Dance Recording”), Hayley Williams on the RIAA-certified platinum hit, “Stay The Night” (which has racked up over a billion streams), and Selena Gomez on the platinum-certified track, “I Want You To Know,” which spent four weeks at No. 1 on Billboard’s “Hot Dance/Electronic Songs” chart. He has also collaborated with Alessia Cara on their hit single “Stay” which amassed over 4.7 billion streams worldwide, held No. 1 on the Radio Top 40 for six consecutive weeks and earned Zedd his second GRAMMY® Award nomination, and with Maren Morris and Gray on the monster hit The Middle,” which landed Zedd No. 2 on the Radio Top 40. Digitally, the song has over 4 billion streams worldwide and earned Zedd three GRAMMY® nominations, including “Record Of The Year”, “Song Of The Year”, and “Best Pop Duo or Group Performance”. Most recently, Zedd opened the NHL All-Star Game with a performance during player introductions and was the official pre-game DJ during the player warm-ups at this year’s NFL Super Bowl LVI.

SOURCE N!CK’s

Debt Consolidation Market Size and Forecast to 2028 | Marcus by Goldman Sachs (USA), OneMain Financial (USA), Discover Personal Loans (USA), Lending Club (USA), Payoff (USA) – Indian Defense News

There “Debt Consolidation Market » the research examines the market estimates and forecasts in great detail. It also facilitates the execution of these results by demonstrating tangible benefits to stakeholders and business leaders. each company must anticipate the use of its product in the longer term. Given this level of uncertainty caused by the COVID-19 situation, this analysis is essential to better understand previous disruptions and increase preparedness for successive stages of decision-making. the most recent study attempts to alter the advanced market for business executives by providing strategic insights and showing resilience under sudden conditions. The information will help all potential readers to distinguish the necessary trading bottlenecks.

The main purpose of the report is to educate business owners and help them make a wise investment in the market. The study highlights regional and sub-regional perspectives with corresponding factual and statistical analysis. The report includes the latest first-hand data, obtained from the company’s website, annual reports, industry-recommended journals, and paid resources. The Debt Consolidation report will help business owners understand the current market trend and make profitable decisions.

Profiled Market Leaders:

  • Marcus of Goldman Sachs (USA)
  • OneMain Financial (USA)
  • Discover personal loans (USA)
  • Lending Club (USA)
  • Payment (US)

Report Analysis and Segments:

Debt consolidation is segmented by product type, application and geography. All segments of Debt Consolidation are carefully analyzed with respect to market share, CAGR, growth in value and volume, and other important factors. We have also provided Porter’s Five Forces and PESTLE analysis for further study of debt consolidation. The report also outlines recent developments undertaken by key market players, including new product launches, partnerships, mergers, acquisitions, and other latest developments.

Based on Product Type, Debt Consolidation is segmented into –

  • Credit card debt
  • Overdrafts or borrowings

Based on Application, Debt Consolidation is segmented into –

The report provides information about the following pointers:

1️⃣ Market Penetration: Comprehensive information on the product portfolios of major debt consolidation players.

2️⃣ Product Development/Innovation: detailed information on upcoming technologies, R&D activities and product launches in the market.

3️⃣ Competitive Assessment: In-depth assessment of market strategies and geographic and business segments of major market players.

4️⃣ Market development: comprehensive information on emerging markets. This report analyzes the market for various segments across geographies.

5️⃣ Market Diversification: Comprehensive information on new products, untapped geographies, recent developments, and debt consolidation investments.

Schedule a consultation call with our industry analysts/experts to find a solution for your business @ https://www.marketresearchintellect.com/ask-for-discount/?rid=333893

Various analyzes covered:

The regional debt consolidation assessment was conducted in six key regions, namely North America, Asia-Pacific, Europe, Latin America, and the Middle East and Africa. In addition, the report also provides in-depth information about ongoing research and development activities, revenue, innovative services, real demand and supply status, and pricing strategy. In addition to that, this report also provides details of consumption figures, export/import supply and gross margin by region. In short, this report provides a valuable source of advice and clear direction for the trader and the party interested in the market.

North America (US, Canada)
Asia Pacific (China, Japan, India, South Korea, Australia, Indonesia, Others)
Europe (Germany, France, United Kingdom, Italy, Spain, Russia, Others)
Latin America (Brazil, Mexico, Others)
The Middle East and Africa

Frequently Asked Questions:

  • What are the main drivers of global debt consolidation?
  • What are the major challenges of global Debt Consolidation?
  • Who are the key market players?
  • What has been the effect of the COVID-19 pandemic on global debt consolidation?
  • What are the latest market trends?
  • What is the compound annual growth rate of global debt consolidation?

About Us: Market Research Intellect

Market Research Intellect provides syndicated and customized research reports to clients across various industries and organizations with the aim of providing functional expertise. We provide reports for all industries including Energy, Technology, Manufacturing & Construction, Chemicals & Materials, Food & Beverage, and more. These reports provide an in-depth study of the market with industry analysis, market value of regions and countries, and industry-relevant trends.

Contact us:
Mr. Steven Fernandes
Market research intelligence
New Jersey (USA)
Tel: +1-650-781-4080

E-mail: [email protected]

Website: –https://www.marketresearchintellect.com/

Music is Art releases an album with 17 local artists

It’s a collection of 10 songs from 17 local artists and industry professionals.

BUFFALO, NY — Music is Art is celebrating the release of its latest album.

A launch party was held Monday at Sportsmen’s Tavern for the Good Neighbors Vol 2 album.

It’s a collection of 10 songs from 17 local artists and industry professionals.

“We’ve kind of just created a home for artists here to collaborate and connect and have opportunities to share their art. So it’s kind of the epitome of that that we have 17 songwriters plus musicians session and a drummer and a bass player and a local producer really brought so many people together, which is the epitome of what we do to music, it’s art,” said Sarah Elizabeth, program director .

FULL TRACK AND ARTISTS LIST:

1. Main Street Stars (Philip Stephen and Ryan Kaminski)

2. Broad River (MYQ Farrow and Michael DeLano)

3. Wading through the weeds (Cody Barcroft & Rose Beacon)

4. song c (Tuesday night)

5. Acceptance (Astrabula & Just Jen)

6. Hit Dog Holler (Tom Maynor and Mike Criscione)

7. Free to Go (Molly Conrad and Sara Elizabeth)

8. Landline (Ethan Weissman & Mike Criscione)

9. Underdogs (Mike Chmiel & Snow Cricket)

10. Making Ghosts (Julian Burgio & Philip Stephen)

The album is officially released at midnight on all streaming platforms.

Third Party Drops Euphoric New Track Titled “Joy”

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Third Party release euphoric new track “Joy”: listen

Third Party has released certified anthem ‘Joy’, the duo’s first original release in nearly 2 years.

Dynamic British duo Third party, made up of Jonnie Macaire and Harry Bass, have ignited the world of electronic music since they burst onto the scene in 2011. Marking high-quality collaborations with artists like Martin Garrix on “Lions in the Wild” and Steve Angelo on ‘Lights’Third Party has cemented itself in the industry and this is only featured via the duo’s latest release, ‘Joy’.

‘Joy’ sits as the perfect embodiment of a club-ready track, championing euphoric sounds with house and acid-house elements throughout, it arrives as a dedicated showcase for the sonic evolution and sound maturation of the duo. Anthemic vocals elevate the track, allowing for a burst of intense energy and a steady stream of elation, it’s a toast to the sounds that dominate the UK club scene and won’t sound out of place through the main festival speakers . Being Third Party’s first original track in almost 2 years, ‘Joy’ comes as a dominating return to the duo’s original music, giving a glimpse of what to expect from them in the future.

Third, ‘Joy’ is now available on the duo’s own label, publication folders, and you can check out the euphoric track for yourself on Spotify below or alternatively on your streaming platform of choice here. Be sure to let us know what you think!

Image credit: third party

Five artists to see at Electric Forest 2022

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Photo credit: Steph Wanderling


This year’s edition of Electric Forest features a plethora of talented artists to check out, and here are five you can’t miss!


After two long-awaited years, electric forest is finally back in his house Sherwood Forest, and fans can’t wait to get back to exploring its vast grounds. As usual there are some awesome headliners to catch like GRiZ, Disclosure, Porter Robinson, FISHERMAN, Big Giganticand more, but let’s not forget the artists who are under them on the bill.

Just because an artist’s name isn’t the first you see on the lineup doesn’t mean you should ignore their set. If anything, it’s more of a reason to explore Electric Forest to catch artists you haven’t heard of yet. There are so many big names on the lineup this year, so to help you navigate the artists that might be flying under your radar, we’ve picked out five that we think you should absolutely catch.

If you don’t have tickets yet, don’t worry, you can still buy them through the Electric Forest ticket exchange. Don’t sleep on this year’s edition if you are lucky enough to attend!

Five artists to see at Electric Forest 2022


Fred again...

Fred again…

Facebook | Instagram | SoundCloud

Emotional dance music with hopeful, uplifting lyrics and poetic lyrics is what the world needs right now. That’s exactly what Fred again… gives you. Fred John Phillip Gibson is a British multi-instrumentalist who takes online videos and adds fantastic beats to them to give them an even more powerful feel. For instance, “Marea (We lost the dance)is from a speech by The Blessed Madonna that talks about how good post-pandemic shows are, once you find your friends on the dance floor. So put your “Loving Arms” around your festival bestie because this set is full of love and is sure to get you rockin’.


Photo credit: Steph Wanderling

Elderbrook

Facebook | Twitter | SoundCloud

You may have heard of Elderbrook, or at least heard his voice before. This English musician, producer and songwriter specializes in heartfelt electronic music. Elderbrook releases his first album Why do we shiver in the cold in 2020 and has had an ever-growing fanbase since then. Additionally, her sweet voice is featured in the song “Cola” by CamelPhatand a handful of Hayden James tracks.

Elderbrook was last at the EF in 2018, performing during the day to a crowd of around 30 who couldn’t stop dancing. The energy he has on stage is unmatched; he wants you to dance, to dance, and he certainly wants you to have fun. This is one set you won’t want to miss.


Frank Moody

Facebook | Twitter | SoundCloud

If you’re looking for a funkified disco type show full of “Dopamine“, Frank Moody certainly the group to give it to you. Full of slamming baselines, fun lyrics and groovey guitar chords, the musical duo from London consists of Ned Franc and Jon Moody. These two take funk to a whole new level. They have been releasing music together since 2018, with their debut album titled Dance moves. Which is an absolute hit of a record.


holographic dj
Photo credit: Aldo Paredes

holographic dj

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If you’re looking for real Detroit techno, with a heavy disco mix, holographic dj is the set to catch. Being born and raised in the Motor City, techno is in her blood and she is described as a one-woman funk machine. She has received praise from elite DJs such as The Blessed Madonna and Carl Craig. His latest single is “Faith in my cup released in 2020, and its most recent remix is ​​of the Majorettes track “Amazing House.” The mixes she throws are full of wonderful beats and tasty leads. If you have the chance to see it, do it, because you won’t regret it.


Cassian

Cassian

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If you’re in the mood for vibrant house and four-on-the-floor beats, then Cassian is the set for you. Constantly shaking up the crowd every time he performs, the Aussie producer is sure to have a stellar performance at Electric Forest this year. With a recently released EP Reactivate, fans are sure to be treated to the sounds of this incredible body of work. Cassian worked alongside Electric Forest veterans such as Rufus Du Sol, Hayden James, Hotto, and more, not to mention working with another 2022 performer, Elderbrook. With punchy basslines and grooving melodies, the energy he brings to fans is something you won’t want to miss.


Follow Electric Forest on social media:

Website | Facebook | Twitter | Instagram | Youtube

Landscapes and Beyond at Valletta Contemporary

Conservative CHRIS MEIGH ANDREWS speak with Lara Zamit about the collective art exhibition Meta-landscapes: representations and Perceptions and its underlying concepts.

LZ: Meta-landscapes: representations and perceptions is centered around the theme of landscape, featuring works by artists who pioneered the electronic moving image as an art form. How did these artists interact with the theme of landscape in their works? How does the theme figure into their art?

CMA: The 12 artists in the exhibition have approached the theme in a very diverse way, which is of course deliberately very broad and deliberately open to this kind of diversity.

The landscape genre has a very long tradition in Eastern and Western culture – a tradition that dates back at least 1000 years. Moving image artists explore this long history in new and challenging ways, and they open up the territory to new possibilities while simultaneously reconnecting with earlier traditions.

For some artists, landscape is synonymous with “nature” – with all that is somehow beyond, or separate and distinct from, the man-made world with which we are increasingly engaged and surrounded. The landscape can be a place of escape… a retreat and a refuge.

Installation view of ‘Data Sea’ (2021) by Yeoul Son, 2 min 20 sec video projection, COVID-19 data set.

For other artists, working with the theme of the landscape is a way of seeking a reconnection or even a rapprochement, seeking to reconcile us with the natural world. However the artists interact with the landscape, they bring it into the gallery to share and celebrate the interconnections and invite us to participate in their vision.

LZ: The exhibition aims to question what the experience of landscapes can suggest or reveal beyond their immediate appearance. This suggests that the works can also deepen the marks landscapes can leave on an individual, whether as a physical response or an internal state. What types of landscapes do the works confront? How do landscapes affect an individual?

CMA: The works in the exhibition draw on many aspects of the landscape for their visual and acoustic imagery, some of which have precedents in painting and the visual arts, and some of which add something new: the ocean (Attard et Fils) , the magical island of Gozo (Briffa and myself), forests and woods (Hill and Cahen), the New Mexico desert (Vasulka), mountain peaks and the ocean floor (Hooykaas) , the open countryside of Newfoundland (Snow), the beach of Lanzarote (Flaxton), the seaside (Campus), flowing rivers and streams (Korot).

The works invite the viewer to engage and interact with their own senses

All of these works feature images (and sounds) of nature as a way to create a sense of connection and engagement with other important themes as well – conflicting emotions, uncertainty, morality, creativity, serendipity, joy. All works are of course time-based – they unfold and flow through time and they represent spatial experience and perceptions.

They are not simply representations or descriptions of places or locations, but invite the viewer to engage and interact with their own senses with embodied memories of personal experiences in the landscape.

Installation view of 'Nothing Beside Remains' (2022) by Chris Meigh-Andrews, 16 min 4K 360 video, ed.  5 + 1AP.Installation view of ‘Nothing Beside Remains’ (2022) by Chris Meigh-Andrews, 16 min 4K 360 video, ed. 5 + 1AP.

LZ: How did you direct the flow of this exhibition in relation to your curatorial briefs to the artists and what did you take away from the artists’ interaction with the landscapes?

CMA: I did not lead, in itself. I actively selected the work, inviting artists I respect and admire to contribute to the exhibition by identifying theme and approach.

I am above all an artist dedicated to working with the moving electronic image and my approach as a writer and curator is linked to my commitment to the medium. I learned a lot about how artists working with the moving image, with its interrelated mix of sound, light, space and time, can evoke a sense of intellectual, spiritual place and engagement. and physical.

Meta-landscapes: representations and perceptions, curated by Chris Meigh-Andrews, includes works by Norbert Francis Attard (MT), Vince Briffa (MT), Robert Cahen (FR), Peter Campus (USA), Terry Flaxton (UK), Gary Hill (USA), Madelon Hooykaas (NL), Beryl Korot (USA), Chris Meigh-Andrews (UK), Michael Snow (CA), Yeoul Son (KR) and Steina Vasulka (IS/USA). The exhibition at Valletta Contemporary is open until June 25.

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A kadhai of music

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Meet India’s only techno-handpan artist, Mihir Chandan, who plays his set every week at a Mumbai restobar


Mihir Chandan felt it was almost natural to use the handpan to bring a strong flavor to the electronic genre. Photos/Satej Shinde






It was 7.30pm on a Thursday when this writer arrived at Silly in Khar for their weekly music night. In a restobar in the Bandra-Khar region, one expects an acoustic experience with a musician singing sweet love songs, guitar in hand. On the other hand, clubs tend to lean towards electronic dance music and can get crowded, with patrons coming just to dance.

Silly tries to find a balance. With a capacity of around 135 people, including 15 seated at the bar, owner Karan Nohria hopes customers will enjoy being able to walk around with their drinks, to the sound of music.

Their Silly Thursdays feature India’s finest handpan musician, Mihir Chandan. Chandan opened for German band Monolink, who are also electronic dance music producers, on their multi-city tour of India this year in April. This writer arrived early and could see the place fill and vibrate to the beat of Chandan’s fusion of soothing handpan and techno dance music.

The artist has been drumming for various rock bands since 2005. “I came across a handpan in London; a busker was playing it at Marble Arch. I was immediately drawn to its vibes,” he says. As it is a relatively new instrument played by very few people, Chandan is self-taught.

This writer knows a few people who play the handpan, but not most of Silly’s customers. At first glance, it looks like an upside-down “kadhai”. Chandan says most beginners are amazed by it. “People are more open than ever to new experiences,” he says. “Slowly and steadily the audience is growing and I’m happy to be a pioneer in creating this space.”

Getting your hands on the instrument can be tricky, says the Mumbai-based musician, as it is not readily available in the country and often has to be imported. The sound equipment needed to capture his mystical sound is a great experience. “I’ve used over 20-30 pickup designs, from condensers to dynamics and pickups, and I still feel like they don’t capture the essence,” Chandan says.

As a music producer too, he likes to experiment in the techno, house and folktronica space. “I love adding natural elements to electronic production,” he says. As a rhythmic and melodic instrument, infusing the handpan into electronic music felt most natural to him. “It also brings my music to a wider audience,” he says. “[It is] something like a mad scientist experimenting and discovering a breakthrough, as the aggressive sounds of electronic music and techno are balanced by the melodic sounds of the handpan.

WHAT: Silly Thursdays
WHERE: Silly, Khar
WHEN: Every Thursday, 8 p.m. to 10 p.m.







Steve Aoki and Louis the Child to headline first-ever Tahoe Live

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The first edition of Tahoe Live is set to take place on the 4th of July weekend and will feature Steve Aoki, Louis the Kid, Whethan and more!


North Lake Tahoe The picturesque setting is the perfect getaway with people flocking to the destination year-round. From hitting freshly powdery slopes in winter to spending summer days at the lake on crystal-clear waters, the pleasures abound. Now it’s time to turn up the volume in North Lake Tahoe as the electronic dance music scene claims its place. This year, the very first electronic music event, Tahoe Livescheduled for the July 1-2.

Kick off your Independence Day weekend with this premier two-day event featuring world famous headliners Steve Aoki and Louis the child. Joining as support is an equally incredible list of other talented artists, including sinking, That, Gattusoand surf table! Catch amazing sets from these artists and dive into the lasers and pyro at Boreal / Woodward. We can’t think of a better way to spend your 4th of July, surrounded by beauty and music.

GA two-day passes are on sale now for $99, and if you can only do one day, one-day tickets are also available for $79. Those looking to elevate their weekend can purchase VIP passes starting at $299 for a two-day pass and $179 for a single day. The VIP experience is complete with a dedicated check-in area for expedited entry, air-conditioned private bathrooms, VIP bars and food vendors, a lounge area with bar games, summer treats and lots more. shade, charging stations and private viewing near the stage. Tahoe Live is an 18+ event, but VIP ticket holders must be 21+.

Visit the official Tahoe Live website for more information and to buy your passes!


Tahoe Live 2022 – Schedule:

Tahoe Live 2022 Lineup

Follow Tahoe live on social media:

Website | Facebook | Twitter | instagram

Four Magical Friday Night Moments in Nashville

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Breathtaking collaborations? Stunning performance? The essential country influence of the 90s?

Looks like Friday night at the CMA Fest.

From Carly Pearce paying tribute to a deceased Kentucky idol to Kelsea Ballerini singing her truth, read on for highlights from night two at CMA Fest 2022.

ERNEST blooms behind an afternoon with ‘Flower Shops’

Big Loud Records artist ERNEST has already achieved five No. 1 hits as a songwriter on his way to headlining the Cumberland River on Friday afternoon at the Riverfront Stage. As the sweaty, happy crowd eagerly awaited the weekend’s first performance of the country’s favorite pop comeback anthem of 2022, “Flower Shops,” the star who frequently attended CMA Fest in her youth based in Nashville called his end-of-day positioning a “bucket list moment.”

However, as one would expect when he was announced as an artist inspired by “everyone from Eminem to George Jones”, he delivered a performance that expressed the breadth and depth of styles and popular pop influences. If – as much as the clock struck 4:30 on a delightfully balmy afternoon – you’ve been waiting to hear the previously mentioned zoom to the top 10 country radio singles, the Nashville native’s wide array of impressive influences has kept you waiting. an unexpected moment of pleasure.

He’s a neighbor rock crooner with an obvious love for R&B. So as much as his 90s tastes lean towards artists like Alan Jackson, listen carefully and cross soul crooners with a flair like Babyface feel also crucial to its sound. . Dig deeper into his album cuts as live performances and vibes reminiscent of mid-’70s Eagles work seep into “Feet Wanna Run.”

If you thought ERNEST’s artistry limited him to being a trucker hat wearing a sepia-tinted jukebox, you found out today at the Riverfront Stage that you were half right. Listening longer to his work “Flower Shops ‘The Album’ like “Comfortable When I’m Crazy” or songs like “Wasted On You” he wrote for Morgan Wallen’s record streaming champion “Dangerous: The Album “, “He’s a pop-loving songwriter who continues to grow into his soon-to-be-awaited stardom.

To the sun-kissed crowd waiting for him to plug in his electronic acoustic guitar and sing along to the tear-filled blue eyes and sad bloodshot eyes of sad lovers, ERNEST emerged as a country artist worthy of greater attention.

Kelsea Ballerini performs during CMA Fest at Nissan Stadium on Friday, June 10, 2022 in Nashville, Tennessee.

Kelsea Ballerini brings everyone together ‘in this room right now’

Days after sharing the Nissan Stadium stage with Kenny Chesney during his Nashville tour, Kelsea Ballerini returned to the towering venue for a pop-country review that was undoubtedly hers.

Ballerini – covered in sequins and dressed in a head-to-toe sparkly outfit (plus a matching sparkly pink guitar) – wasted no time in covering her catalog of infectious songs: a revamped rendition of “Miss Me More” from 2017, a piano-tinged pop ballad “I Quit Drinking”, new single “Heartfirst” and a solo version of Chesney’s award-winning duet “Half of My Hometown” were all picked up.

She punched out a one-two-three with a blisteringly rhythmic medley of “Love Me Like You Mean It,” “Dibs,” and “Yeah Boy.” Yet no moment has struck quite like an unvarnished solo rendition of “Homecoming Queen?”, prefaced by Ballerini asking fans to remove life’s emotional filter and be “in this room together right now.” “.

“Since I saw you, a lot has happened in the world,” Ballerini said on stage. “Getting in was tough, but getting out was just as tough or tougher and I struggled with major anxiety.

She continued, “I go back to that song I wrote before closing about giving myself permission to feel my feelings because we’re all human and no one’s perfect.”

And, of course, she brought some white wine with her, sipping a red Solo cup between songs before ending “with a bang” – drinking the anthem “Hole In The Bottle.”

“I kind of feel like the luckiest girl in the world,” Ballerini said.

Thomas Rhett performs during CMA Fest at Nissan Stadium on Friday, June 10, 2022 in Nashville, Tennessee.

Slowing down the summer with Thomas Rhett

Thomas Rhett was once a resident of the Nissan Stadium headquarters at CMA Fest. Now he’s sort of a regular on the main stage.

His 2022 appearance included playing recent favorites like “Country Again” and “Slow Down Summer,” entertaining a delighted crowd during the second night of headlining entertainment at the 2022 CMA Fest.

“I used to bother my dad for free tickets [to this event] when it was called Fan Fair at the Nashville Fairgrounds,” Rhett told The Tennessean before taking the stage. Rhett’s dad, Rhett Akins — much like the current 18-time country radio chart-topping topper — was a staple at Fan Fair as the architect behind many of his son’s childhood successes in suburban Nashville.

As Rhett’s 45-minute set weaved its way through her collection of soulful ballads like 2015’s “Die A Happy Man,” the number of girlfriends comfortably canoodling and singing aloud in Nissan Stadium seemed to double. As he grows to be both a parent and a husband (“my favorite show is Moana,” the father-of-four noted in the press room), his live performance slips into the realm of joyousness. comfortable and accessible.

“My ultimate goal is just to write great songs that reveal 150,000% of who I am. I’ve reignited the creative fire inside of me to be the best overall artist I can be,” Rhett told The Tennessean in April 2022. Two months later, he started his path towards realizing his career goals in the next chapter of his career.

Carly Pearce and Wynonna Judd perform during CMA Fest at Nissan Stadium on Friday, June 10, 2022 in Nashville, Tennessee.

Carly Pearce pays Kentucky tribute to the Judds (with Wynonna)

Since the last CMA Fest in 2019, arguably no country music artist has experienced a change in momentum (or an expanded trophy) like Carly Pearce.

She graduated to perform at Nissan Stadium on Friday after becoming a member of the Grand Ole Opry and winning CMA Female Vocalist of the Year honors — two accomplishments buoyed by her cathartic and critically acclaimed divorce album ’29. : Written In Stone”.

But instead of taking a victory lap of the best “29” offers, Pearce spent her time on stage honoring a pair of fellow Kentucky guys who came before her: The Judds. Weeks after Naomi Judd’s death, Pearce invited Wynonna Judd to celebrate the late Country Music Hall of Famer with a rendition of Judds’ song “Why Not Me.”

“As a girl growing up in Kentucky, yeah, I idolized the Judds and wanted to be like them,” Pearce said after performing her radio single “What He Didn’t Do” on a two-song appearance. . My first gig was to see Wynonna. And I’ve always loved all the music that The Judds have made and I just feel like it’s such a representation of the best in country music.

Mason Alexander Park to Present Pride Edition of THE PANSY CRAZE at Chelsea Table + Stage

CHELSEA TABLE + STAGE will feature the return of Mason Alexander Park for a special Pride edition of their solo show ‘The Pansy Craze’ on Sunday June 26 at 9.30pm. The current star of NBC’s highly anticipated sequel series “Quantum Leap,” as well as Netflix adaptations of Neil Gaiman’s “The Sandman” and groundbreaking anime “Cowboy Bebop,” Park is bringing back “The Pansy Craze” after post-pandemic sold-out performances. Tickets cost between $20 and $50, plus service charges. A live streaming option is available for $19. CHELSEA TABLE + STAGE is located at 152 West 26th Street.

“The Pansy Craze” is a musical adventure through the history of trans/gender nonconformity on stage, beginning with the rarely discussed pansy performers of the 1930s. genre performance, with songs and false eyelashes, that would be it. The evening features songs from the height of the 1920s pansy and drag scene and glam rockers like Bowie, Lou Reed and T-Rex, to songs from the musical theater canon that pushed the boundaries of genre play like The Rocky Horror Show, Hedwig and Kiss of the Spider Woman. The night will be a loud way to end your NYC Pride weekend plans, led by Hunter Bird and featuring members of the Hedwig National Tour band, with killer special guests like Hedwig songwriter Stephen Trask and Jessica Darrow from Encanto.

According to BroadwayWorld, “Whether you’re singing alone, performing with their twinkling guest stars, reciting queer history, or simply standing solo to speak to the audience or their partner (via Facetime), Mason Alexander Park is someone to love. There are those people who were born to be loved and those artists who were born to be stars, and Mason Alexander Park is both.”

Mason Alexander Park is a non-binary film/television and theater actor best known for playing “Hedwig” on the first national Broadway tour of Hedwig and the Angry Inch. Mason can be seen playing “Gren” in Netflix’s live-action adaptation of the hit anime “Cowboy Bebop”, Desire in Neil Gaiman’s “The Sandman” and Ian in NBC’s new “Quantum Leap”. Other Favorite Credits “Emcee” in Cabaret (Helen Hayes Award winner), “Charlotte Von Mahlsdorf” in a reimagined version of I Am My Own Wife (Long Wharf Theatre), “Dr. Frank-N-Furter” in The Rocky Horror Show (Bucks County Playhouse), “Man in Chair” in The Drowsy Chaperone (Pittsburgh Playhouse), and “Miss Andrew” in Disney’s Mary Poppins (Pittsburgh CLO). They were honored at the Kennedy Center as the 2013 Presidential Fellow in the Arts for Musical Theater (documented in PBS’s “Becoming an Artist”). Other TV Series/Movies include: ‘Amazon’s Critical Role: The Legend of Vox Machina’, PBS reality series ‘Broadway or Bust’, Nickelodeon’s ‘iCarly’, ‘Bucket’ and ‘Skinner’s Epic Adventures’, and Before You Know It, which premiered at Sundance this year. www.masonalexanderpark.com

CHELSEA TABLE + STAGE, spotlighting a wide range of musical genres, is a welcome addition to the New York scene’s roster of upscale venues, deftly balancing glamorous interiors, traditional hospitality and top musical talent. . Current programming includes a dazzling array of the worlds of pop, folk, country, soul, jazz and more. Providing a wide variety of upscale American fare, along with distinguished wines and bespoke cocktails, audiences will experience some of the world’s top touring artists, alongside local emerging artists. CHELSEA TABLE + STAGE fuses the ambiance of a classic supper club with the acoustics of a serious listening room and a contemporary flair that appeals to multiple generations of music lovers.

CHELSEA TABLE + STAGE opens the doors to hospitality, entertainment and fun every night, with state-of-the-art sound and lighting, a 10-seat theater bar, a VIP mezzanine for private groups and tables for the perfect date night. The ever-changing menu and entertainment program means customers never have the same night twice. CHELSEA TABLE + STAGE is located at 152 West 26th Street (between Sixth and Seventh Avenues), on the ground floor of the Hilton New York Fashion District. Buy your tickets at chelseatableandstage.com @chelseatableandstage

MUSIC HIGHLIGHTS COMING TO CHELSEA TABLE + STAGE

Wednesday, June 15 at 7:00 p.m.

COLTRANE MEETS HARTMAN, with TED NASH

Ted Nash pays tribute to one of the most famous collaborations in the history of jazz, that of John Coltrane and Johnny Hartman. Supported by his working group and with the help of the talented young singer Chris McDole, Ted will treat you to a night of jazz romance.

Saturday, June 25 at 7:00 p.m.

CT+S BLOCK PARTY: THE NIGHT OF THE 80S

Jump into our Delorean, we’re taking a totally awesome musical trip to the 80s at our first ever Chelsea Table + Stage Block Party, 80s Night! Take off your scrunchies and let your hair fly to the sound of Prince, Madonna, Duran Duran, AC/DC, Aerosmith, Journey and more! It’s going to be the best!

Sunday June 26 at 2 p.m. – PRIDE EDITION!

THE BOY BAND PROJECT – “BOY BAND BRUNCH”

The award-winning phenomenon Boy Band Brunch is back and delivered with their own special blend of beauty, wry humor and Broadway flair, these boys have been seen all over the world spreading their love for boy bands. They reimagine the sound, movement and energy of NSYNC, Backstreet Boys, Hanson, One Direction, 98 Degrees, Boyz II Men, Jonas Brothers and more. For three consecutive years, The Boy Band Project has won the Broadway World Cabaret Awards. They opened for pop star Todrick Hall on his 2019 Haus Party Tour, were featured alongside the Backstreet Boys on “Good Morning America” ​​and appeared on NY1 and WNBC TV. They have headlined residencies in Provincetown, Puerto Vallarta, Rehoboth Beach, The Green Room 42, Iridium NYC, Celebrity Cruise Line, Atlantis Events, and visited popular venues nationwide.

Monday, July 18 at 7:00 p.m.

SIMPLY BARBRA – The 80th Anniversary Tour

with Steven Brinberg

Celebrating Barbra Streisand’s 80th birthday, her most prominent performer offers some of her biggest hits, songs from her latest album, commemorates the recent 50th anniversaries of her first three musicals as well as songs she’s never heard of. ever sung…as a bonus, Brinberg offers a few more vocal impressions and several special guest stars. Steven Brinberg has been performing his live vocal impression of Streisand around the world for several decades. He goes on tour with his friend Marvin Hamlisch and his symphony orchestras. Steven was hired by her management to perform at Donna Karan’s birthday party. He appeared in films (Camp) on television (“Blue Bloods”, “The Rosie O’Donnell Show”) and released two albums.

Friday, September 9 at 7:00 p.m.

New sounds of Korea’s ancient instruments

BLACK WIRE

In partnership with The World Music Institute & Korean Cultural Center New York

“Towering, hypnotic, psychedelic Korean post-rock majesty” is how the New York Music Daily describes this edgy, improvisational quartet led by Yoon Jeong Heo, educator, artistic director of Seoul’s Bukchon Changwoo Theater and one of rare women masters of geomungo. (a traditional Korean zither, source of inspiration for the band’s name). The ensemble mixes century-old instruments with electric guitar and rhythms, creating a unique and timeless percussive sound, both modern and ancient, all its own. Black String is a quartet named after the Korean zither, geomungo, with percussion, bamboo flutes, guitar and electronics also in a mix that oscillates comfortably between east and west, Korean folk and jazz. Led by Korean traditional music virtuoso Yoon Jeong Heo, Black String creates a unique musical language drawing inspiration from Korean traditional music, jazz and free improvisation, presenting extraordinary and enigmatic music that springs from silence and seizes the senses. The group’s accolades include Asia and South Pacific winner at the 2018 Songlines Music Awards, Best Jazz and Crossover Album at the 2020 Korean Music Awards (Best Performance in 2017), and Official Showcase Artist at WOMEX ( World Music Expo) 2016. Black String is the first Asian band to sign with ACT, Europe’s biggest jazz label, releasing three albums.

Saturday September 10 at 7:00 p.m.

ARKAI

Defying contemporary labels, ARKAI’s music fuses their classical virtuosity with the energy of a rock band, the spontaneity of a jazz combo and the beauty of a string quartet. They’re joined by percussion phenom Jeremy Smith for an awe-inspiring and soulful holiday party. ARKAI channels the diversity of the world through genre music, forging new possibilities for what a violin and cello can be. Winners of Astral’s 2021 National Artist Auditions, their past engagements have included performances at MET Breuer, Rockwood Music Hall, Lincoln Center, Carnegie Hall, and the 92nd Street Y. Their first electronic composition, “Letters from COVID” was presented at TED @PMI for a global audience of over 30,000 people from 182 countries. ARKAI was recently selected by the US Department of State’s Bureau of Education and Cultural Affairs and the Association of American Voices to participate in the ’21-22 American Music Abroad season. The band’s debut album, Aurora, is currently in production with seven-time Grammy-nominated producer Joel Hamilton.

Adana Twins Release Official Joplyn Remix – Can’t Get Enough

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After an impressive string of critically acclaimed releases on Diynamic and Rose Avenue Records over the past twelve months, Hamburg-based DJ duo Adana Twins are now looking to continue their prolific string of top-notch studio releases with the unveiling of brand new official remix from German artist Joplyn. Revisiting Joplyn’s Watergate debut in December 2021, Benjamin and Friso return to the long-running Berlin imprint for the first time this year, as they present their own emphatic remix of I can’t get enough.

Released today, June 10, the majestic seven-minute cut sees TAU label bosses infuse an eerie midnight energy into the haunting original, conveying a hypnotic network of industrial analog instrumentation, distorted bass, and swirling techniques. dynamic production. A complex, emotionally charged delivery backed by electric guitar choruses, ethereal samples and pulsating four-four beats, Adana Twins’ trademark amalgamation of thrash and retro-futuristic club music shines in the foreground. , as the in-form pair pull out all the stops with another grand, dancefloor weapon.

Since their first big breakthrough in 2012, the Adana Twins have built a stellar reputation for themselves, constantly refining their sound, pushing the boundaries of their musical ambition and evolving organically over time. Driven by a deep desire to convey emotions through electronic music while expanding their creative horizons, the German duo have worked together since 2006, fusing Benjamin’s love for hip-hop with Friso’s passion for club music. to produce a series of highly acclaimed titles. releases that form the basis of their worldwide success.

Joplyn – Can’t Get Enough (Adana Twins Remix) is available now via Watergate.

Connect with Adana Twins

Space Yacht is making waves with ‘Big Bass Ting Vol. 3’


Big Bass Ting Vol. 3 sees Space Yacht curating 13 powerful tracks from burgeoning bass artists to showcase the next era of the scene.


Los Angeles-based party collective space yacht has blasted a wave of impressive tracks since launching his label two years ago. Output of compilations such as Tech my house, Critical mass, A sequence in timeand sturdy house, has only made the growing discography even more impressive. Those who love all things bass flocked to their Big Bass Ting series, and now the third volume has arrived with pieces that you will easily break your neck.

Big Bass Ting Vol. 3 features up-and-coming artists from the bass scene who are helping to shape the future. Kozmoz, IMANand BERNZIKIAL are just a glimpse of the talent that created the tracks for the latest edition, and there’s plenty to explore. Songs like “Depth perception” by BrunchBeatz and Izadi haunt their hearts and propel you into murky bass waters with the supersonic sounds of dubstep. Others, like “Spyro Funk” by SQISHIblend old and new sounds in the bass realm while blasting listeners like a fire-breathing dragon.

Another star is “Lost” by Dr Ushuu and Woodwhich features futuristic beats, and while you’re on a sonic journey, the combination of Blaise, Blvkstnand Emorfik on “Hold on” will really stop you in place. Right after that, the marching rhythms of “ACTIVE DEVELOPMENT” of Comatic and Greedy will take you forward into the depths of the night.

The cooperation of Viperactive and BVNI on “Flight“features a robust bassline and front drum pattern”Explode like” of Kleopatra soothes the soul with its deeper vibrations. D3vinity‘s”Wake up“is thick with low vibrational bounce that pulls you into the murky abyss of front wavelengths”Impossible” by HER and Baerli will set you on your way for a smooth ride.

Stay up to date with more Space Yacht releases such as Big Bass Vol. 3 Listening on your favorite streaming platformand tell us which track is your favorite in the comments.

Flow Big Bass Ting Vol. 3 on Spotify:


Big Bass Ting Vol. 3 – List of tracks:

  1. BrunchBeatz, Izadi – Depth Perception
  2. SQUISHI – Skyro Funk
  3. Dr. Ushuu, Wodd – Lost
  4. Blaize, Blvkstn, Emorfik – Hold Up
  5. Cromatik, SweetTooth – Active Decvy
  6. Viperactive, BVNISHED – Heist
  7. Cleopatra – Blast Like
  8. BERNZIKIAL – Refusal
  9. Kozmoz – Body Spasm (Fuck You and Get Fucked)
  10. D3vinity – Wake Up
  11. SA, Baerli – Impossible
  12. IMAN – Like this
  13. Lv3l – Outkhasts
Space Yacht - Big Bass Ting Vol.  3

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Gin Lee on the highs and lows of his musical journey so far

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Malaysian-Chinese singer-songwriter Gin Lee tells us about her artistic journey in Hong Kong, from arriving here unable to speak Cantonese to her darkest moments in getting to where she is now.

FACING THE MUSIC WITH GIN LEE

Listen to our playlist here

Gin Lee first appeared on Hong Kong television in 2010 after taking part in popular singing competition The Voice 2, when she was immediately recognized for her vocal abilities. “It was my very first time to Hong Kong,” says the sweet-natured, sweet-natured singer-songwriter. “After the competition, I was approached by a few different companies and thought it was a good time to build a career. So in 2011, I officially came to Hong Kong and have been based here ever since. The same year, I signed with a company [BMA Records] and debuted as a Cantopop artist with my debut song “Here I Come”.

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On how she got there, Lee recalls memories with her family, which were equally musical. Lee’s mother was a singer and her father a drummer who also sang. “Both my parents were in bands in the 80s – before karaoke. They were in different bands but, through friends, they met and fell in love.

Lee laughs as he continues. “That’s how my sister and I were born. But after my older sister was born, my parents gave up music and started working. Additionally, karaoke was becoming increasingly popular, replacing live bands and concert halls. Getting married and having children also meant having to earn more money.

It wasn’t until Lee was 16 in high school that his father, who felt the demand for live music was starting to return, suggested he form a band. The new unit, which included Lee, his father, older sister, and a few other friends, started playing together, giving him the experience that started it all. “I gained a lot of experience during this period. I was singing and performing, and my dad was teaching us along the way. How to dress and how to interact with others. It was really hands-on training for us.

After just one year of performing, Lee reached the point in her life where she had to make the big decision about what to study in college. She considered psychology a personal interest, as well as sports, due to her talent as a sprinter – she represented her state in the 100 meters in the Malaysian national championship. However, due to injuries and the surprisingly short careers of professional athletes, Lee decided it wasn’t for her.

“That’s when my dad came in and said, ‘You love singing so much and you have potential, so why don’t you focus on that? “” Thanks to this kind nudge from her father, Lee took her first steps in building a music career and graduated from the International College of Music in Kuala Lumpur with a bachelor’s degree in vocal music and arrangement. She then released an album in Malaysia in 2009 but, looking for a bigger stage to perform on, entered a Taiwanese singing contest, eventually deciding to come to Hong Kong to seek new opportunities.

With no family or friends here, Lee had to adapt to a different culture and learn a new language, not to mention learn to sing songs there. To say the least, the challenge was daunting; nevertheless, she has given herself three years to carve out a musical career here. “I thought I should at least give it a try,” she said. “If I did it, I did it. If I didn’t, I would go home.

Lee spent three months learning Cantonese, watching TV from morning to night, everything from Hong Kong dramas to the news. Finally able to converse in Cantonese, she began appearing on shows. “Sometimes the MC would talk so fast that I couldn’t understand. I had to pretend to know what was going on, so I nodded, said yes, and smiled a lot.

By 2014, his three years had passed and his contract with his record company had not been renewed. Calling it her “dark period”, Lee found herself at a crossroads – should she stay or go? “I waited almost a year and still didn’t have a new recording contract. I was really lost and scared. I started to doubt myself. Is it because I’m not good enough? And without work, I had no money for rent so I also really felt the pressure of everyday life… I didn’t tell my family and just decided to fend for myself.

“I was depressed and I cried every day. Crying as soon as it got dark and until the early morning. Then I would fall asleep, because I hadn’t had any the day before. I would start again the next day. It was depressing. No money, no job and no friends. It was horrible.”

The penny dropped when she realized that it had taken even longer for others to achieve their goals. “When they chased their dreams, it took them maybe 10 years to get recognition or see results. For me it was only three years, so why not keep going? If that’s what I really want do, I should keep trying, so I let go of all self-doubt and decided to go ahead and found the courage to approach different companies on my own.

That’s when Lee, who describes herself as passive and introverted, went into business mode. Learning how to negotiate deals, she prepared answers to questions record labels might ask her, gathering all the contractual terms and control she was looking for.

“I have grown a lot in a short time. I was overcoming my fears and doing things that didn’t come naturally to me. Looking back, I’m grateful for what happened. I now know what it feels like to be scared and helpless. But I was tougher than I thought.

“Now I feel able to say to others: you may be scared right now, but you have to have faith in yourself because there is nothing you cannot overcome.”

Gin Lee

In 2014, Lee signed with Universal Music and went on to release multiple singles and albums, winning awards along the way and performing on her dream stage at the Hong Kong Coliseum. Now, after more than a decade in the Hong Kong music industry, she shares her thoughts on how the industry has evolved over the years.

“Back then, it was more about singing. Make albums and that’s it. People would buy CDs and listen to you. Now, being an artist is much more than singing, or how to sing well. Now you need to increase your perceived value, especially online and on social media. Your audience on social networks is now the indicator of your popularity.

And of course, Lee also had to learn how to play the social media game, take photos and edit videos to post online. “It’s a livelihood. You have to build your career and therefore learn. That said, I’m part of the generation that believes in having a solid foundation in music and singing. From there, you can build everything else. A lot are the other way around. They’re popular and then they learn to sing. You can do it, but I’d rather start by mastering the basics.

Slated for release in mid-July, Lee’s latest album features songs that span a variety of topics and genres, some of which have already been released. They include the powerful ballad “When the Sun Rises,” a duet with Hong Kong legend Jacky Cheung about letting go and moving on; his first official dance track “IDK”, which tackles the reggaeton genre through a mix of Caribbean and Latin rhythms; and her latest single, “Just Right,” a romantic R&B song with a positive message. “The song uses love to say, please keep believing good things are going to happen,” Lee says. “The right thing will happen or the right person will come at the right time.

“My next single will also be of a different genre – electronic rock. People will be able to experience different things on this album, different sides of me, different moods and different stories.

The French May, postponed this year to June, is also on its program. On June 24 and 25, Lee is performing at the Hong Kong Cultural Center Grand Theater with jazz singer Talie Monin as part of a Hong Kong-France cultural exchange led by composer Leon Ko. with French songs,” she explains. “So I will sing some of these French songs as well as classic Cantonese songs. I will also sing rearranged versions of my own songs for the full experience.

Highlight songs include “Tchin-Tchin”, the French version of Tsai Chin’s “The Forgotten Time” from the film Hellish Affairs and the Cantonese version of “La Vie en Rose” by Danny Chan. This extraordinary musical journey through popular local and French music, accompanied by a musical masterclass, is sponsored by the First Initiative Foundation (FIF), which supports and promotes the arts, music and education.

Lee, whose split from Universal Music was revealed last month, says she would love to explore acting. “In one of my last projects, I played one of the main characters in a mini-movie and I really enjoyed it. I watched a lot of dramas during the pandemic and I feel like ‘Being an actor is very meaningful, especially now that we’re spending more time at home, so I’d like to be there for people, to provide that entertainment.

She also has some words of wisdom for future singers. “I would advise spending more time perfecting the craft. Sure, gadgets can propel you and make you popular, but if you want to call yourself an artist and enjoy a long-term career, you need to spend time practicing, training, and perfecting your craft. In my opinion, there are not too many in Hong Kong with solid foundations in this field. We have hit songs and popular people, but if we talk about live singing, few of them have that high skill level.

“I love to sing and I want to master this craft,” says Lee after all this time in the business. “It’s my art. It’s what I want to do. And I want to do my best at it.

Moss Arts Center Summer Exhibits Explore Local Culture | VTX

“Mater Polis”

With Susan Chen, Susanna Coffey, Lindsey Brittain Collins, Ian Decker, Emily Henretta, Farah Mohammad, Clintel Steed, Stipan Tadic, Matthew Woodward and Yuri Yuan

Miles C. Horton Jr. Gallery and Sherwood Payne Quillen Reception Gallery ’71

From expansive cityscapes to intimate public encounters, “MaterPolis” brings together 10 artists whose works explore what it means to live in a city. Drawing inspiration from traditional landscape painting, the artists use a variety of traditional and non-traditional mediums to present first-hand views of urban scenes.

Reflecting a shared interest in surface and material processes, the vibrant colors and rhythmic compositions add a sense of immediacy to the slow construction. Inhabiting architectural imagery, the artists interrogate how the built environment shapes human experiences of identity, race, history, community, isolation, and intimate otherness.

As people begin to return to shared spaces after two years of domestic distancing, “MaterPolis” ignites a sense of untold and exaggerated stories, change and continuity housed within the city’s generational lines.

The exhibitions are curated by Brian Holcombe, curator of the Moss Arts Center.

Visit of the galleries

The center galleries are open Wednesday through Friday from 10 a.m. to 5 p.m. and Saturday from 10 a.m. to 4 p.m. The exhibitions will be visible until Friday, September 2.

Parking is available in the North End Parking Garage on Turner Street. When there are no staff for a special event, visitors can park in the garage by taking a ticket at the entrance and paying with Visa or Mastercard at the exit. Virginia Tech has also partnered with ParkMobile to provide a convenient contactless electronic payment option for parking that can be used at any parking meter, campus parking space, or lot with parking F/S, C/ Standard G or R.

If you are a person with a disability and would like an accommodation, please contact Jamie Wiggert at least 10 days prior to the event at 540-231-5300 or email [email protected] during regular business hours.

James Ivy releases electrifying new single, ‘Peace Sounds’ –

New York artist James Ivy delivers soul-igniting new single, sounds of peace that will delight you from start to finish.

After his sold-out concert in New York, James Ivy unveiled a moving new hit, sounds of peacevia the FADER label.

Self-written and produced, this dynamic, evocative and vibrant track expertly fuses elements of pop, alternative rock and electronic music to create a signature sound that showcases Ivy’s ever-evolving artistry.

Credit: jamesivy.us

The track builds perfectly to an almighty and ferociously addictive chorus. Coupled with catchy lyrics, it carries an anthemic, singsong energy that is sure to make sounds of peace a crowd favorite at upcoming shows.

“When you want me, I have all the time in the world” echoes James throughout the captivating hook.

sounds of peace follows James’ highly acclaimed debut EP, Good mourning! launched in October 2021. The scintillating collection of five pop tracks was launched amid a series of stellar tours, performed alongside Porter Robinson, across Europe and the United States.

Equal parts dreamy and uplifting, sounds of peace combines evocative piano loops, punchy beats and passionate, compelling vocals to create four minutes of sonic heaven.

Credit: @jamesivy Instagram

Since its world debut via Zane Lowe last week, sounds of peace was met with a tidal wave of support from James Ivy’s ever-growing fan base.

The multi-genre masterpiece is an integral part of James Ivy’s journey, as he continues to “find your voice” and make his mark as a rising singer, songwriter and producer.

Flow sounds of peace below.

Latest research from the EDM Council dissects emerging ESG data challenges and provides advice for asset owners

NEW YORK, June 7, 2022 /PRNewswire/ — EDM Council, a cross-industry trade association for data management and analytics, has released its Asset Owners Report, the third in its ESG data management research series. The research was conducted by the EDM Council’s ESG Data Working Group and explores the challenges asset owners face in their capital allocation role in the evolving ESG data landscape, while offering advice on how institutions can overcome these obstacles.

As societal expectations change and ESG disclosure requirements mature, responsibilities become increasingly complex for asset owners, such as corporate and public sector pension plans, sovereign wealth funds, corporate insurance, family offices and university endowments. For professional investment staff at these institutions to make sound decisions, they must have access to reliable, up-to-date data and be sufficiently familiar with the challenges that characterize the current ESG data landscape to properly weigh the various inputs.

With collaborative input from data professionals, ESG professionals and business leaders, this report aims to explain the insights that arise from addressing ESG data issues and outline best practices for managing ESG data for asset owners. The report includes three sections that cover 15 material ESG issues, describe the target state for each issue and make recommendations specifically tailored to asset owners.

“ESG as a strategic opportunity for asset owners and their stakeholders is still in its infancy. As a result, many questions remain regarding the role of data and analysis and the parties responsible for the different parts of the ESG data management effort,” said Jean Bottega, Chairman of the EDM Council. “Thanks to the diligent efforts of our growing ESG Task Force, our latest ESG report offers insights and guidance on how asset owners should address these challenges.”

EDM Council’s ESG Research Report for Asset Owners follows the first two reports published in EDM Council’s ESG Data Management Research Series. These earlier reports focused on Corporate Reporting Entities and Ratings providers and data aggregators, respectively. A subsequent article will examine the main issues affecting the entire ESG data ecosystem.

For more information and to download the full EDM Council Asset Owners Report, please visit: https://app.smartsheet.com/b/form/71f490fed8924ec7be96b3cd39972004

About the EDM Council

EDM Council is the global association created to elevate the practice of data management and analytics as a business and operational priority. The Council is the leading global advocate for the development and implementation of data standards, best practices, and comprehensive training and certification programs. With over 300 member organizations worldwide from the Americas, EMEA and Asia, and more than 20,000 data management professionals as members, the EDM Council provides a place for data professionals to interact, communicate, and collaborate on challenges and advancements in data management and analytics in as essential organizational functions. To learn more, visit edmcouncil.org and follow us on LinkedIn and Twitter.

SOURCE EDM Consulting

DASH30 Debuts At TSIS With Compelling Electronic Smash “Trial”

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We’re always happy to launch new artists on the site, and today we have one whose catalog of songs was practically begging to be discovered. DASH30, aka Brody Helmer, uniquely combines an array of different musical influences to consistently produce luscious electronics. His latest single, “Try», could well begin your love for this young artist.

“Try” is a funky sample-filled bop. Beginning with an anticipated build guided by lush pads and filtered vocals, the producer keeps the listener on the edge of their seat, as the track catapults into a funky bass breakdown before its first glorious downfall. Magical analog blips and vocal chops scatter the track, giving the song a vintage feel to balance its modern synth leads and overdriven drums. Each new sound introduces so pleasantly to the ear, “Try” is a sublime showcase of DASH30’s production mastery. We are not ashamed to admit that we were face to face until the last second.

Here’s what DASH30 had to say about the inspiration behind “Try”:

“Try” was actually almost entirely written during a 2 hour production challenge session held on a Discord server I own called “The Compound”. I felt like I was putting everything on the table; a “give me 2 hours and I’ll show you what I can do” mindset. This mindset led me to interpret the sample tracks as saying “I give you all my moves to try”, so I reopened the project, recorded those vocals, and finished the song.

You can listen to “Try” at the link below, anywhere via Montaime. Enjoy!

DASH30 – Try

Warner Music Nashville to Launch Creator Hub at CMA Fest Nashville

Warner Music Nashville will launch the WMN Creator Hub at CMA Fest 2022 this week in Nashville. The pilot program allows artists on the label to leverage the creator community to build deeper connections with their fans. Cole Swindell, BRELAND, Bailey Zimmerman, Avery Anna and Robyn Ottolini will be part of the CMA Fest activation throughout the four-day festival, which runs June 9-12 in downtown Nashville.

The genesis of WMN Creator Hub was a commitment to keep the artist-fan relationship at the center of the CMA Fest programming and beyond. “Now more than ever, content creators play a pivotal role in helping us connect artists with their fans, existing and potential,” Victoria Mason of Warner Music Nashville SVP, Strategic Marketing & Analytics told me. “This Creator Hub is the evolution and intersection of the immersive in-person fan experience and the digital fan connection.”

Warner Music Nashville partnered with SMACKTOK to identify five TikTok creators who were fans of the label’s artists and the country genre and could both enthusiastically and professionally engage with their artists, Mason says. The label then selected artists on its roster who show a fan-centric approach to releasing music.

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“Each of the artists involved in this activation has cultivated an audience and seen successful music consumption driven by digital content and social media,” said Brooke Hardesty, WMN Vice President, Interactive Marketing. “In several cases, this was done in the absence of radio and traditional press.”

Zimmerman, who amassed more than 10 million on-demand streams last week ahead of its country radio launch, is one such select act. BRELAND, who signed with WMN in partnership with Atlantic Records and Bad Realm Records in February, was another natural fit for the label’s Creator Hub.

BRELAND recently reached his first number 1 as an artist and songwriter on Dierks Bentley’s “Beers On Me” with HARDY. He’s no stranger to using social media to his advantage as he quickly gained traction after his 2020 single “My Truck” took off on TikTok. The song has since been certified platinum by the RIAA.

“As an artist who uses TikTok and social media as a way to share new music and reach new fans, digital creators have played a vital role in my story,” says BRELAND. “It’s exciting to see a record label like Warner Music Nashville partner with creators in the same way that we would also work with traditional music partners. I’m thrilled to be at the forefront of this new way to connect with fans and help them find new music wherever they are.

Hardesty says the Warner team has seen a growing fan expectation for access to artists. In turn, artists are now expected to maintain a steady stream of music, videos and personal content to fans on social media.

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“It presents its own challenges, but it’s ultimately a major opportunity for artists who don’t fit into one mold or adhere to a traditional business model,” says Hardesty. “We’re only going to continue to see this evolve with the advent of Web3 platforms and fan adoption of new technologies.”

Meanwhile, the WMN team is planning their own challenges by launching an activation during CMA Fest. “Cutting the noise during the busiest week of the year for country music, managing artist schedules and releasing content in a timely manner are definitely priorities,” says Hardesty. “We expect the unexpected and are excited to leave this experience with learnings that can be applied to future installments of similar activations.”

Hardesty hopes the WMN Creator Hub will serve as a pilot for what could become the framework for future creative hubs in different cities run by various labels within the WMG family. In addition to its social influencers, the label has partnered with WMG owned and operated brands and content publishers such as Lasso Nation and IMGN to provide them with opportunities to capture content alongside TikTok creators.

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The label will also host four immersive fan-focused parties during CMA Fest at Nightscape on Thursday, which content creators will attend.

“Each part is adapted to the specific vision of the artist; it will offer fans a multi-sensory experience, with 360-degree projection mapping on the walls and ceiling, spatial sound, personalized menus, and even flavors selected to match the virtual environment,” says Mason. “We have a lot of pent-up creative energy, and we’re excited to bring fans, creators, and artists new, innovative and cutting-edge ways to interact with each other.

If all goes well, Hardesty says the WMN Creator Hub will return to next year’s CMA Fest and the team will have the data to support further investment in partnerships with digital creators.

“Ultimately, building and deepening relationships between artists and creators is at the heart of this initiative,” says Hardesty. “We also hope to prove our hypothesis that investing in and cultivating partnerships with digital creators will impact the growth of artists’ fanbases and music consumption in the same way that we have found value in partnerships. with radio, traditional press partners and DSPs.”

Rumor has it that Shakira’s last song would tell the details of the separation from Piqu

Shakira and Piqu split up and it surprised many fans. Even if, others were not so surprised since they point to one of his last songs where the artist could send a message to the footballer.

Is the song dedicated to Piqu?

Pique caught cheating on Shakira, couple expected to announce split soon

The video for ‘Te felicito’ already has nearly 70 million views on YouTube. The success of the song was high before the news of Shakira and Piqu’s separation. However, it seems that the official announcement of the new direction of their lives has put this interpretation in the spotlight.

The lyrics tell the story

The lyrics of the song that many have associated with the situation that the Colombian artist and the captain of FC Barcelona are currently experiencing. In fact, ‘Te felicito’ is openly about someone who cheated on their partner and emotionally hurt another person.

The straw that broke the camel’s back

The lyrics of the song say, among other things, this: “I realized that yours is wrong. It was the straw that broke the camel’s back. Don’t tell me you’re sorry, it seems sincere, but I know you well and I know you are lying. I congratulate you, as you act well, I do not doubt it. With your role, you go on, you look good on this show.”

The song is about being deceived

Shakira and Rauw Alejandro maintain, in ‘Te felicito’, a constant criticism of one member of the couple who disappoints another, both finding parallels with what happened in real life between the singer and the player: ” This cheap philosophy that I don’t buy I’m sorry, I don’t ride that bike anymore. I can’t stand people from two houses.”

The song was released in April

The song, which flirts with electronic music and features a particular choreography in which the two protagonists imitate the dance of a robot, was released in end of AprilI. The video was shot in Barcelona and directed by Jaume de la Iguana. Months ago when this was revealed, there was no speculation that this might be a hidden message for Piqu.

Nostalgix gives us the lowdown on “My Type” and his EDC Las Vegas sets

Photo credit: @sirjhn


Rising bass house phenom Nostalgix dives into her sets at EDC Las Vegas, the creation of “My Type” and how she adapted to touring.


An artist who has really established himself on the bass house scene in recent years is Nostalgia. Make a splash on stage right from the start with releases on night bass and Confession, this Canadian artist blossomed even more when she moved to Los Angeles a little less than a year ago. Since then, Nostalgix has released a flurry of stunners such as the Black Mirror PE on Deadbeatsthe bust” with JEWELand “Friends” with AMY MIYUwhile becoming a force to be reckoned with behind the decks at festivals like Hardness.

This year has seen Nostalgix continue to flourish by joining Chami and AC Slater on the Confession vs. Night Bass Tour and delivered three singles in May alone – “Phantom” with dr. Costsevil man,” and “my type.” Three was also the magic number for her at EDC Las Vegas, as she not only played her heart at the stereoBLOOM and Corona Electric Beach steps but also open kineticFIELD Sunday with a crazy b2b with Wednesday.

Between her three performances at EDC Las Vegas, we caught up with Nostalgix for the first time since 2020 to discuss everything from how she crafts her sets to how “my typecame to life. Check out her stereoBLOOM set on SoundCloud, read on for the whole conversation, and be sure to catch her when she’s playing near you if you’re looking for an energetic experience!

Stream Nostalgix live at EDC Las Vegas 2022 on SoundCloud:


Hello Nostalgix, thank you for taking the time to chat with us today. What has been your experience at EDC Las Vegas so far this year?

Honestly, it’s been really magical because seven months ago I was playing my first EDC on an art car. And this year I’m back on stage at kineticFIELD, stereoBLOOM and Corona Electric Beach.

That’s a lot of sets.

There are a lot of sets, and each set has been really special in its own way. So I’m really grateful to be here.

So, speaking of the three sets, one of them was with Wenzday, and the other two are solo sets. How do you get yourself in the right frame of mind and know what songs you’ll be playing during each one?

It just took a lot of planning because I did so many mash-ups and was trying to finish a lot of new music to tease. Because every set, I wanted to play my own songs and keep them different because I want to make sure that every set that people come to gives a little different vibe, but that’s going to be me.

When some artists come back to back, they try to plan certain things, but some artists just have synergy. For the set with Wenzday, did you talk before? What was this process like?

We are actually friends too. So I feel like we mesh naturally. We work well together and our styles complement each other well. Because of course the music she makes and the music I make, when you mix them together, it’s really fun. We did some back-to-backs when we just walked in and just had fun with it and vibed, and they went really well. But for EDC, we wanted to make sure we were doing something special and playing the songs we wanted and doing crazy edits. So we met a few weeks before and did a bit of planning, but we still like to follow the vibe.

Wednesday b2b Nostalgix at EDC Las Vegas 2022
Photo credit: Hxphy

It’s awesome. It’s arguably the biggest festival since the pandemic. Even last year’s EDC felt smaller than that in terms of attendance. You have also toured and done many other shows. What’s it like to get back into a groove after the dust has settled over the past two years?

It’s just crazy. To put it simply, it’s been crazy because I moved from Vancouver to Los Angeles last summer. The way things have evolved has been amazing. From January to today, I shot non-stop, like every weekend, so I’m not often in Los Angeles. It’s funny, I just moved in, but I barely live there. I love what I do, and I’m really happy to be able to do it.

It’s awesome. How do you keep up with the times as a rising artist? Did you struggle with that?

It’s definitely a learning process. There are just things you don’t know, and naturally you learn and improve. And I feel like when I was getting into it, I was really fired up and wanted to do it all. I’m doing a lot right now, but I’m refusing a lot – as if I only accept the things that fulfill me and make me really happy. I just want to make sure I’m spending my time on the things that make me the happiest. But yeah, I just feel like naturally the more you do something the better you get at it. So I feel like now I’m at a point where it’s just going with the flow, and I feel like I’m getting into my groove.

Have you ever said to yourself, “Oh, I need to decompress, I just need to be in my hotel room and relax”?

Oh my God, I used to be so bad at this. But I learned to give myself time and the practices that keep me sane. Making sure to stay on top of my health, working out and meditating because those are the things that keep me in good spirits. It’s number one.

So moving on to the musical aspect, you just released “My Type”, and it’s a fantastic song. What was the production process like on that one? Where does the concept come from?

“My Type” was one of the first songs I wrote when I moved to Los Angeles. I was playing with the voice, and I got the idea of, “You’re just my type, type. That’s what I like, like. I implemented this idea; I think it was around EDC last year, actually, and I loved it right away. I love the voice and thought it was really fun.

I put a lot of time into the production because I did the song, and I kept coming back to it. It had been ready to run for months, but I wanted it to be exactly what I imagined. So I would just give it some space and time and play it and test it to get it to where it is now.

It’s funny because one day I was sitting in a Starbucks, because sometimes I take my laptop to a coffee shop and work while I’m on tour, and I just had a little idea to record a voice memo. So I just got out of Starbucks, and that’s the first thing you hear when the song plays, and it goes, “I already told you you’re just my type.” And I literally recorded this on my phone, like outside Starbucks, and you can hear these buses going by. I love it because it takes me back to when the song came together.

I think that’s super cool too. But it was like a field recording in a way. So you built the whole song around the vocal idea, which I feel like a lot of the artists I’ve talked to also build their tracks.

I do it both ways. Sometimes a random sample inspires me, or sometimes a drop, but lately it’s the singing. I’ll just sit down and start freestyling randomly, and something will come out. Something I’m going through or something I’m feeling, or if I’m just having a good time in life. When I did “My Type” I was just living my best life, you know?

Do you usually let your songs marinate as long as this one? Is this a common theme with you as a producer?

I didn’t used to; I used to want to finish it and move on and do more. But lately I’ve been giving things time and space and I keep coming back to it to make sure I like everything and want to release it. I know perfection doesn’t exist, but I’m a bit of a perfectionist, and I just want to make sure you know that whatever I post is exactly what I want.

Yes exactly. It’s like 99% perfection.

Exactly. As close as possible. If I listen and nothing sticks out, it’s ready.

This track was released on Night Bass, and you also got a lot of support from Confession. As an up-and-coming artist, how does it feel to receive such immense support from two of the most beloved labels in dance music right now?

It was amazing because when I got into it and was just doing it for fun, I was always going to Night Bass and Confession. These are the labels I downloaded everything from when they were releasing Wax Motif’s “Make It Rain” and all the OG Confession songs; it was at this time that I really started to get into music. I was just a really big fan of those two labels.

So it’s kind of like a full loop moment.

100%. Going on tour with them was the most important thing for me. It was crazy.

This tour was so interesting. I hope there is another.

I hope so too, because I knew it would be drugs. But to actually be there and experience that kind of love and that sense of community was next level. I felt like I was part of something.

Absolutely. And then what’s the biggest piece of advice you’ve ever been given in your career?

It’s a big problem. I feel like I’ve been getting a lot of good advice lately. But I feel like whoever is really sticking with me right now is just not stopping. Don’t stop doing what you love and keep moving forward. No matter what is happening around you, if you have bad days, no matter what, don’t stop.

Finally, apart from the shows, because you have several to come, what other goals do you hope to achieve this year?

Outside of these shows, I’m working behind the scenes right now on the music. I can’t go into details about it, but I’m working on a lot of music that I’ve been working on for a long time. It’s one of the craziest things I’ve done and one of the things I’m so proud of. And when I’m not on tour, I’m still working on it and working in the studio, and it’s just something I can’t wait to finish. Not to spill too much, but lots of beautiful things.

Well, that’s all I have. Thanks a lot. It was great to be able to chat with you.

Thank you for hosting me!


Follow Nostalgix on social media:

Facebook | Twitter | instagram | SoundCloud | Youtube

Aussies are getting their finances in order

We all know debt happens, but getting it under control is a whole different ball game. New information from Commonwealth Bank and Melbourne Institute: Applied Economic & Social Research shows that financial wellbeing scores are significantly higher than they were before the COVID-19 pandemic.

If you want to join the crowd and start taking charge of your finances, a consolidation loan could be the way to get a head start on the new fiscal year.

If I am in debt, how will one more loan help me?

Taking out a larger personal loan as a way to consolidate existing debt can be an effective way to redirect your financial focus.

Consider your current debts. Maybe you took out a car loan to buy your current set of wheels and you have a credit card that needs to be paid off regularly. Factor in Buy Now Pay Later installments and you’ll feel like life is a constant cycle of payout after payout!

A debt consolidation loan essentially consolidates these small debts into one sum, allowing you to pay off the amounts owed. Rather than owing varying amounts in different places on different repayment schedules, there are many benefits to consolidating your debts.

By moving this debt to one place, you can gain greater control over your repayment schedule and the interest rate you pay. A unique repayment schedule is useful to avoid late fees, as well as to minimize individual charges on each product.

You can also lock in a single interest rate instead of being at the mercy of multiple rates, thus avoiding, for example, a store’s credit card with a particularly high interest rate. Look for a debt consolidation loan with a lower interest rate to pay less over time – we’ve got a handy comparison tool to help you find the right one for you.

Is there anything to look out for when consolidating my debt?

Nothing is ever as simple as it seems! Although a debt consolidation loan can help you consolidate all your debts in one place, it can also have drawbacks.

If any of your existing debts are fixed at a low interest rate, it’s entirely possible to find yourself stuck paying a higher interest rate than you originally borrowed. Likewise, if you’re about to pay off an existing loan, using a debt consolidation loan to pay it off can give you a much longer (and expensive!) repayment period.

It’s also important not to use a debt consolidation loan for the wrong things – for example, a home loan. The extended life of a mortgage is much longer than the term of most personal loans and will create extended debt and higher interest in the long term.


decided to release a debt consolidation loan? Take a look at our guide to the do’s and don’ts to ensure smooth browsing.

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DISCLAIMER: The Comparison Rate combines the lender’s interest rate, fees and charges into one rate to show the true cost of a personal loan. The comparison rates displayed are calculated on the basis of a loan of $30,000 with a term of 5 years or a loan of $10,000 with a term of 3 years as indicated, on the basis of monthly principal and interest repayments, on a secured basis for secured and unsecured loans. basis for unsecured loans. This comparison rate applies only to the example or examples given. Different amounts and durations will result in different comparison rates. Costs such as withdrawal fees or prepayment fees, and cost savings such as fee waivers, are not included in the comparison rate but may affect the cost of the loan.

^ See Mozo Experts Choice Personal Loan Awards information

Mozo provides general product information. We do not take into account your personal goals, financial situation or needs and we do not recommend any particular product. You must make your own decision after reading the PDS or offering literature, or after seeking independent advice.

Although we pride ourselves on covering a wide range of products, we do not cover every product on the market. If you choose to request a product through our website, you will be dealing directly with the supplier of that product and not with Mozo.

Simon Goff and Katie Melua to Share Collaborative LP, “Aerial Objects”

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Grammy Award-winning violinist, composer, and sound engineer Simon Goff has teamed up with acclaimed, multi-platinum singer-songwriter Katie Melua and announced his upcoming collaborative album, Aerial Objects.

The album is set to be released digitally and on CD on July 15 via BMG and on vinyl on September 2. Alongside the announcement, Simon and Katie shared the stunning “Hotel Stamba”, the first single from the album.

PRE-ORDER THE AIR ITEMS HERE

DOWNLOAD/STREAM ‘HOTEL STAMBA’ HERE

WATCH THE ‘HOTEL STAMBA’ VIDEO HERE

Simon Goff and Katie Melua were two musicians who evolved in very different musical circles. Simon being closer to a line of artists who inhabit a zone between electronic, classical and post-rock, with his unique approach to sound seeing him work with some of the world’s most acclaimed musicians, including the Oscar-winning composer Hildur Guðnadóttir on scores for Joker and Chernobyl – both of which won him Grammy Awards. Katie, meanwhile, has released 8 UK Top 10 albums over a 20-year career littered with modern standards including ‘Closest Thing To Crazy’ and ‘Nine Million Bicycles’.

His latest album, album #8, was released in 2020 to huge acclaim and the accompanying acoustic album #8 was released in 2021 with contributions from Simon on “Remind Me To Forget” and “Maybe I Dreamed It”.

After that first collaboration on Katie’s album, the pair agreed that they immediately wanted to test the limits of what a collaboration could look like from a blank canvas.

An exhibition the pair attended at the iconic brutalist König Gallery building in Berlin was the catalyst for the album’s thematic terrain. A discussion of the emotional effects of different spaces and architectures sparked an exploration of landscapes, both man-made and natural, and blossomed into experimental compositions that move, moment by moment, between Katie’s song spaces and Simon’s immersive melodies.

With Simon at the musical helm and Katie’s imagination and lyrical freedom addressing how environments shape her thinking and state, this six-track collaboration disc is an exploratory project by two artists seeking beyond their borders. usual musical performances in unknown places.

On the album, Simon says: “The process of creating this album was a process of discovery and of exchanging space. The sensitivity necessary for this type of process has allowed many things to surface, from us discovering the differences in how we listen to and hear music and lyrics, to our own deeply personal life experiences. For me, the record is a representation of us exploring the space that exists between us and discovering a common voice within it.

Katie says “I was lucky enough to work with Simon when he appeared as a guest on an acoustic album I released late last year. During those sessions, and as As creator of immersive musical landscapes, Simon spoke to me about creating records that make the The listener feel like they’re inside the orchestra We agreed that we needed to create something new together – with a focus on how different environments affect the human condition.

She continues: “On Aerial Objects, the universes of our two artists have merged to create a new space: Simon on the violin, analog processing and synths, mingling with my universe of traditional records anchored around pop song. On a lyrical level, this work has allowed me the imaginative freedom to address how environments shape my thinking and my state; how the use of language and storytelling influences me; as well as the opportunity to finally reflect on a time in my life when I was recovering from a very difficult psychiatric illness.”
The album’s lead single, “Hotel Stamba”, was the second song the pair wrote for Aerial Objects and is a love song at the eponymous hotel in Tbilisi, Georgia, where Katie spent the first eight years of his life.

The accompanying video celebrates architecture, drawing inspiration from man-made spaces and spotlighting one of nature’s great architects, bees.

Katie describes the single as “an attempt to create a piece of music that makes me feel what this space made me feel when I walked into it”.

She continues: “‘Hotel Stamba’ is about a hotel in Tbilisi that radically changed my opinion of what was happening culturally in Georgia from 2017 to 2019. This building symbolizes both the past and the future of Tbilisi, a place where the streets are named after poets and writers.I’ve spent a lot of time in hotels and couldn’t believe my hometown had managed to create this beautiful hotel, both culturally sensitive, cool, comfortable and truly killer on the world stage.And that’s how this hotel made me feel.

PRE-ORDER THE AIR ITEMS HERE

Moby Launches New Record Label — “The Goal Is…to Make Emotional, Atmospheric, and Potentially Beautiful Music”

Legendary electronic artist Moby has launched a new label: always centered on the night.

“The goal for forever centered at night is to do something uncompromising,” the musician said. “Making emotional, atmospheric and potentially beautiful music. And what better use of this strange privilege of mine than to try to foster creative expression that has uncompromising integrity? »

According to a press release, the multi-platinum, award-winning songwriter and animal rights activist “will not be going for a billion streams on Spotify.” (Though the label is accessible through Spotify and other digital and social media platforms.) Plus, he says, there’s a constant subtext in the label’s DNA, its disdain for “our current culture , based on fear and algorithm. ”

Moby added: “There is so much fear out there. I talk to my friends who are creative and it breaks my heart because they don’t trust each other anymore. It seems that the only criterion is: “Can I sell this to a company?” Will a company pay me to make it? Will I get enough ‘shares’ and ‘likes’? “What happened to the idea that art and culture should be a contemptuous refuge from the mainstream, as opposed to this dog licking that directs dog sheltering into the mainstream? And so what I have to say to artists that I want to work with is, ‘Look. We try to do something unique, idiosyncratic and personal and the music and lyrics are self-explanatory. They can be obscure, they can be anything you want them to be.

As part of the new label launch, Moby and Aynzli Jones have released a new single, “Medusa”, which you can check out below.

Moby wants to showcase the tactile, face-to-face music culture he fell in love with decades ago.

“I fell in love with Sly & Robbie, Grace Jones, Soul, electronic records and early hip hop records, realizing that those musical traditions were so much more interesting than the music I was listening to,” he said. .

“There was something about the crate digging process when you found that rare record that hooked you, and you weren’t even thinking to share it with a billion people. The lack of ubiquity at the time always seemed precious to me. Much of the New York music that I grew to love had this kind of unconventional beauty, and I hope to pay homage and honor that idea; that music can be beautiful, melodic, but also atmospheric and sometimes stimulating.

He adds that he is dedicated to discovery.

“Part of my job, in addition to writing music, is to do whatever I have to find voices that I like,” Moby explained. “Whether it’s Spotify, Soundcloud or YouTube, just as I used to rummage through record bins, I obsessively search for unique and extraordinary talent. always centered the night is a place where an emerging and fascinating variety singers join me to make music that they might not have been able to make elsewhere.

“I love the idea of ​​creating a record company that creates music that’s not for everyone. I’d rather make and release music that’s special to ten people than ubiquitous to millions. Life is ridiculously short and random, might as well do something interesting with your time here.

Photo by Scott Dudelson/Getty Images

City Life Org – Metropolitan Museum of Art announces return of free valet program this summer

The facade of the Met © The Met

Valet parking is one of many Museum initiatives celebrating the return of summer, including the continuation of its popular A romantic date parties, reopening of the Cantor Roof Garden and inauguration Sunsets rooftop performance series.

The Metropolitan Museum of Art has announced advanced details on the return of its Bike Valet Program, a free service offering guests convenient storage of their bikes when visiting the Museum’s Fifth Avenue location this summer. The service will be available every Saturday and Sunday until Labor Day (September 5), including the July 4 holiday Monday. For more information on valet hours, visit the Met’s website.

“The only thing better than a visit to the Met is a visit to the museum via a bike ride,” said Kenneth Weine, vice president of external affairs. “The growing momentum of bicycle commuting in New York City is an important and positive development, and we are honored to offer free valet parking at our place.

The Museum will also continue its success Date at the Met program – with two-for-one drink specials and music on Friday and Saturday nights – and welcomes visitors to the now open Iris and B. Gerald Cantor Roof Garden and Roof Garden Bar. From July 1, the Roof Garden will serve as the site for the weekly Sunsets series of performances, featuring live electronic music, drinks and small bites on Friday and Saturday nights. All Roof Garden programs are complimentary with Museum admission and are on a first-come, first-served basis (weather permitting).

Visitors to the Museum this summer will also have the opportunity to explore a diverse range of new exhibits, including the recently opened In America: A Fashion Anthology and upcoming exhibitions such as Kimono Style: The John C. Weber Collection (opening June 7), which will trace the evolution of the kimono from the end of the 18th century to the beginning of the 20th century, and Chroma: ancient sculpture in color (opening July 5), which will feature new discoveries of ancient surviving colors on artwork from the Met’s world-class collection; included is a series of color reconstructions of ancient sculptures presented alongside original Greek and Roman works depicting similar subjects. For more information on upcoming exhibits, visit the Met’s website.

Bike valet service, provided by Transportation Alternatives (TA), will be available free of charge. Visitors arriving by bike who wish to check their bikes will be met by TA staff at a dedicated tent in the Met’s Fifth Avenue plaza near 83rd Street.

20+ Louisville Shows and Concerts to See in June 2022

This arts and entertainment calendar is updated weekly and lists events happening in and around Louisville, from concerts and comedy shows, to theater productions, musicals, and more.

SATURDAY JUNE 4

For Culture. The Keen Dance show speaks of the multiple phases of growth, pains and stories of life through distinct movements and narratives through dance. , 6 p.m., Bomhard Theater, Kentucky Center, 501 W. Main St. Tickets start at $22.50, children $17.50. kentuckyperformingarts.org.

Big KRIT – Digital Rose Tour. 8 p.m., Mercury Ballroom, 611 S 4th St. Tickets start at $29. mercuryballroom.com.

“Always ready.” The Actors Theater of Louisville show blends Ken’s inspired original songs with Christina’s evocative artwork and spoken word poetry, celebrating the faith, family and joy of expansive Black and Afro-Latina art. Saturday, 2 p.m. and 7 p.m.; Sunday, 2 p.m., Bingham Theater, 316 W. Main St. Attendees must present a vaccination card or a negative COVID test within 72 hours. Mandatory mask. Ends June 5. Tickets start at $20. actorstheatre.org.

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“Lizzie the Musical.” Mind’s Eye Theater Company presents the story of Lizzie Border, the prime suspect in the brutal murder of her father and stepmother in 1892. She was acquitted, but Lizzie became a tabloid sensation and the most controversial figure in her time. 7:30 p.m., Martin Experimental Theater, Kentucky Center, 501 W. Main St. Recommended for ages 18 and older. Contains violence, adult content, language and depiction of sexual assault. Tickets start at $26. kentuckyperformingarts.org.

“Steel Magnolias.” Derby Dinner Playhouse presents the story of a circle of friends at Truvy’s Beauty Shop each week as they lean on each other for support through life’s tragedies and triumphs. Saturday, Tuesday, Thursday-Saturday following, 7:45 p.m.; Sunday, 1.30 p.m. and 7.45 p.m.; Wednesdays, 1 p.m. and 7:45 p.m., at the theater, 525 Marriott Drive, Clarksville, Indiana. Ends July 3. $39-$49. 812-288-8281. derbydinner.com.

“Twelfth Night.” The Kentucky Shakespeare Festival presents Shakespeare’s classic romantic comedy about mistaken identity, music and the madness of love, where no one is quite what they seem and anything is possible. Saturday and Sunday, Wednesday-Next Saturday, 8 p.m., Central Park, 1340 S 4th St. Food trucks, 6 p.m.; Kids’ Globe, Will’s Gift Shop and Will’s Tavern, 7 p.m.; performance, 8 p.m. Until July 22. Free. kyshakespeare.com.

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Great Podversations Episode 40. Great Podversations is produced by the Kentucky Author Forum and distributed by Louisville Public Media and available on all podcast apps including iTunes, NPR, Google, Stitcher and Spotify. The podcast features author Anna Quindlen and writer Amy Bloom discussing Quindlen’s book “Write for Your Life.” Anna Quindlen is a Pulitzer Prize-winning journalist, novelist and opinion columnist. Amy Bloom is the author of four novels and three collections of short stories. Free. For more information: kentuckyauthorforum.com.

Great Podversations Episode 39. Great Podversations is produced by the Kentucky Author Forum and distributed by Louisville Public Media and available on all podcast apps including iTunes, NPR, Google, Stitcher and Spotify. The podcast features journalist and author Moises Naim discussing his book, “The Revenge of Power: How Autocrats Are Reinventing Politics for the 21st Century” with radio host Ari Shapiro. Naím is an internationally syndicated columnist and bestselling author. Ari Shapiro has been a host of All Things Considered, NPR’s award-winning afternoon news magazine since 2015. Free. For more information: kentuckyauthorforum.com.

Ari Shapiro, New NPR Host

Great Podversations Episode 38. Great Podversations is produced by the Kentucky Author Forum and distributed by Louisville Public Media and available on all podcast apps including iTunes, NPR, Google, Stitcher and Spotify. The podcast features Congressman Jamie Raskin and Russian expert Dr. Fiona Hill discussing their two books. Jamie Raskin represents Maryland’s 8th congressional district in the United States House of Representatives. Fiona Hill was the lead impeachment witness during the U.S. House of Representatives’ Trump-Ukraine impeachment inquiry and investigation into presidential misconduct charges. Free. For more information: kentuckyauthorforum.com.

SUNDAY JUNE 5

Martina McBride

Martina McBride. She has won more than 15 major music awards, including four wins for Country Music Association Female Vocalist of the Year and three Academy of Country Music for Best Female Vocalist. 7 p.m., Iroquois Amphitheater, 1080 Amphitheater Road. Tickets start at $36. amphitheateriroquois.com; ticketmaster.com.

Podcast but outside but inside live. 7 p.m., Zanzabar, 2100 S. Preston St. Tickets start at $20. zanzabarlouisville.com.

Kentucky Chamber Orchestra. “We are Kentucky.” With Poetry Is, a mix of local poets who will explore the full meaning of this program in their own words. 2-4 p.m., Shelby Park, 600 E Oak St. Sponsored by Metro Council President David James. Free.

MONDAY, JUNE 6

Mess Esque. 8 p.m., Zanzabar, 2100 S. Preston St. Tickets start at $12. zanzabarlouisville.com.

TUESDAY JUNE 7

PNC Broadway in Louisville touring production of

“Hamiltons”. PNC Broadway in Louisville presents the story of American Founding Father Alexander Hamilton and has created a groundbreaking moment in theatre. The story of America then, told by America today. Tuesday-Thursday, 7:30 p.m.; Friday, 8 p.m.; Next Saturday, 2 and 8 p.m., Whitney Hall, Kentucky Center, 501 W. Main St. Recommended for ages 10 and up. Ends June 19. Tickets start at $98.99. kentuckyperformingarts.org.

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Tomberlin. 8 p.m., Zanzabar, 2100 S. Preston St. Tickets start at $18. zanzabarlouisville.com.

WEDNESDAY JUNE 8

Muscadine Bloodline is Charlie Muncaster and Gary Stanton.

Muscadine Bloodline: Country Band Tour. 8 p.m., Mercury Ballroom, 611 S 4th St. Tickets start at $20. mercuryballroom.com.

Cut the worms. 8 p.m., Zanzabar, 2100 S. Preston St. Tickets start at $15. zanzabarlouisville.com.

THURSDAY JUNE 9

Neil deGrasse Tyson

Dusty Bo, Revelry, Ace Monroe, Normac. 8 p.m., Zanzabar, 2100 S. Preston St. Tickets start at $10. zanzabarlouisville.com.

Dr. Neil deGrasse Tyson: Cosmic Collisions. 7:30 p.m., Louisville Palace, 625 S. Fourth St. Tickets start at $49. louisvillepalace.com.

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FRIDAY JUNE 10

WORCESTER - Country singer Billy Currington performs outside the Palladium on Friday night.  Friday 08 October 2021 [Photo/Dylan Azari]

Cane Hill. 7:30 p.m., Zanzabar, 2100 S. Preston St. Tickets start at $18. zanzabarlouisville.com.

Mamma Said String Band with Blakeley Burger Trio. Part of the Bicentennial Park Summer Concert Series. 6:30 p.m., Bicentennial Park, corner of Spring and Pearl streets. Sponsored by the City of New Albany, CLLB Law, WFPK and Caesars Foundation of Floyd County. Free.

Sheryl Rouse and the Unlimited Band, DaMudcats. Performer of oldies, R&B and blues. Part of the FridayFest concert series. 6 p.m., Highview Park, 7201 Outer Loop. Local vendors will have food options. Bring a chair or blanket. Sponsored by Metro Council members James Peden, Madonna Flood and Mark Fox. Free.

Billy Currington. As part of Hot Country Nights. 8 p.m., Fourth Street Live!, 411 S. Fourth St. $25. 4thstlive.com.

NEXT SATURDAY JUNE 11

The Experience of Princes. 9 p.m. Mercury Ballroom, 611 S 4th St. Tickets start at $20. mercuryballroom.com.

Born Cross Eye. 8 p.m., Zanzabar, 2100 S. Preston St. Tickets start at $15. zanzabarlouisville.com.

Reach introduces news clerk Gege Reed at [email protected]

How Small Businesses Can Benefit From Debt Consolidation

Small businesses in Nigeria and all over the world are grappling with the problem of refinancing their already existing loans. Not only that, in tough business environments like Nigeria, many small businesses have had to take out loans in order to keep the business afloat.

It sounds like a good idea in the short term, but macro-economic factors like inflation, which generally increase the cost of sales for these small businesses and ultimately make it difficult for these businesses to repay their loans. This is because they are small, which means they have very little leeway to pass their costs on to their customers without risking losing them to other alternative services or products or to a larger competitor who owns a very well established market share. This then affects their potential profits which would have been used to refinance their loans.

That is why in a country like Nigeria, in addition to getting loans from loan sharks, who give loans with high repayments to their customers and not to mention the recent trend of how these platforms share the personal information of those who have defaulted on their payment obligations. general public with the aim of embarrassing them to repay their loans, it is quite difficult to obtain loans at reasonable prices from banks and microfinance banks.

As a small business owner who has now taken out various loans from different sources, it becomes very difficult to keep track of it all. Here’s why debt consolidation is very important for small business owners to know.

What is debt consolidation?

Debt consolidation is a smart financial strategy for small business owners who have incurred multiple debts from different sources. Consolidation merges multiple bills into one debt that is paid off monthly through a debt management plan or consolidation loan.

Debt consolidation lowers the interest rate on your debt and lowers monthly payments. This debt relief option unravels the mess that business owners face every month trying to cope with multiple bills and multiple deadlines from multiple card companies. In its place is a simple remedy; a payment to a source, once a month.

How it works

Debt consolidation is the use of different forms of financing to pay off other debts and liabilities. If you are struggling with different types of debts, you can apply for a loan to consolidate these debts into one liability and pay them off. Payments are then made on the new debt until it is fully paid off.

Most people apply for a debt consolidation loan through their bank, credit union, or credit card company. It’s a good place to start, especially if you have a great relationship and payment history with your institution. If you are denied, try exploring private mortgage companies or lenders. Creditors are also willing to do so for several reasons.

For the borrower, debt consolidation maximizes the probability of collection from a debtor. These loans are usually offered by financial institutions such as banks and credit unions, but there are other companies that specialize in debt consolidation services that offer these services to the general public.

An important point to note is that debt consolidation loans do not erase the original debt. Instead, they simply transfer a consumer’s loans to another lender or type of loan. For true debt relief or for those who do not qualify for loans, it may be best to consider debt settlement rather than or in conjunction with a debt consolidation loan.

Going deeper, there are two major types of debt consolidation loans; secured and unsecured loans. While secured loans are backed by one of the borrower’s assets, such as a house or car, unsecured loans, on the other hand, are not asset backed and can be more difficult to obtain. Unsecured loans also tend to have higher interest rates and lower qualifying amounts. Regardless of the type of loan, interest rates are always generally lower than the rates charged on credit cards. And in most cases, the rates are fixed, so they do not vary over the repayment period.

Why it matters to you and your business

Debt consolidation is a great tool for people who have multiple debts with high interest rates or monthly payments, especially for those who owe N10 million or more. By negotiating one of these loans, you can enjoy one monthly payment instead of multiple payments, not to mention a lower interest rate.

As long as you don’t incur any additional debt, you can also expect to be debt free sooner. Going through the debt consolidation process can reduce calls or letters from collection agencies, as long as the new loan is kept up to date.

However, it’s important to remember that while the interest rate and monthly payment may be lower on a debt consolidation loan, its payment schedule may be another Pandora’s box you don’t want to open. Indeed, longer payment schedules mean paying more in the long run.

Best Debt Consolidation Loans for Bad Credit of 2022 – Forbes Advisor

A debt consolidation loan for bad credit may not be the best choice for everyone. If your credit is preventing you from qualifying for a lower interest rate than you are currently paying, you may want to consider the following alternatives to debt consolidation.

Improve your credit first

Good credit has many benefits, including the ability to qualify for better financing. If you can’t get a good interest rate on a debt consolidation loan right now, working to improve your credit might give you more options in the future.

When creating your credit improvement plan, remember: You may want to adjust your approach depending on whether you are building credit from scratch or working to rebuild damaged credit. Either process can take time, but getting better credit can make your hard work worthwhile in the long run.

Use a debt repayment strategy

If you have some wiggle room in your monthly budget, a debt repayment strategy might be right for you. Do-it-yourself strategies like the snowball or debt avalanche method lead you to restructure how you pay down your debt each month. Ultimately, each approach has the potential to save you time and money in the debt elimination process.

Get professional help

Credit card debt and other high interest debt can sometimes spiral out of control. If you’re struggling to meet minimum payments on your monthly credit obligations, it might be time to talk to a financial professional about your situation.

A non-profit credit counseling company may have solutions that could help you, including a debt management plan. In extreme cases, you may even want to seek advice from a bankruptcy attorney regarding plans that can provide you with protection from your creditors.

Wrestling Star joins fight in video for new Amon Amarth song

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Amon Amarth has just announced his new album, The Great Heathen Armyand to coincide with the news, they’ve also dropped a music video for new single “Get in the Ring”, which features a cameo from AEW (All Elite Wrestling) star Erick Redbeard.

“I really like ‘Get In The Ring’ which was written for our friend Erick Redbeard the pro wrestler as an ‘entrance’ song for him,” guitarist Olavi Mikkonen comments on Amon Amarth’s latest track. “The lyrics are obviously written to fit both viking and wrestling themes,” he continues, “and you can also see Erick as the main character in the new video for the song. We shot the video in Wroclaw , in Poland, with our friends Grupa 13 and they helped us create this dark and epic film. madmax meets the super brutal underground Viking fight club for the music video.”

Amon Amarth fans might be surprised to see modern visuals in the music video, such as gas-powered vehicles, heavy guns, and industrialized buildings, but rest assured, that’s pretty much it. even Amon Amarth whom you have known for more than 25 years. The band lays down beefy rhythmic riffs against pervasive melodies that align perfectly with the thrill of a one-on-one battle.

Speaking about the album, singer Johan Hegg said: “Overall The Great Heathen Army is one of the heaviest albums we’ve done. There are some dark and heavy songs that are really powerful and in your face, but obviously we also have melodic songs from Amon Amarth, and some surprises too. It’s a really well balanced album. It sounds good. [Producer] Andy Snap is awesome. It was great to be able to work with him again. »

“We left to make new music and we’re back with a darker, more death-metal new album. If Berserker was our ‘heavy metal’ album, so The Great Heathen Army is our ‘death metal’ album. But having said that, it’s still very contemporary Amon Amarth, but maybe style-wise we’ve gone back to our roots a bit,” adds Mikkonen.

Watch the music video for “Get In the Ring” below and check out the album art and track listing for The Great Heathen Army, due out August 5 on Metal Blade, further down the page. To pre-order the album, go here.

Amon Amarth, “Get in the Ring” lyrics (via Genius)

You smile at me through lying teeth
Then you talk behind my back
You think I’m blind, that I can’t see
The mask you wear is starting to crack
Your words bore me to death
You are a wasp without a sting
When you’re done losing your breath
You can find me in the ring

Bring it on
If you dare
are you going to run
are you scared

I’m waiting here so come to me
Let’s fight man to man
If you run away your fate is sealed
Get in the ring, take a stand

The coward thinks he’ll live forever
If he avoids conflicts
But old age does not leave him in peace
Though spears may spare his life
The fool thinks he knows everything
As he sits in a sheltered nest
Lost for words when reality calls
As he is tested

Your slander shows your inner fear
Hiding behind words of spite
But the pagan law is clear
I challenge you to fight
Choose a blade, sword or ax
No matter what you bring
When the sun starts to shine
Come find me in the ring

Bring it on
Nowhere to hide
It’s time to face
Your disappearance

I’m waiting here so come to me
Let’s fight man to man
If you run away your fate is sealed
You will die by my hand

You are a dog without a bite
And your taunts are uninspired
It’s better that you stay up and fight
‘Cause if you run, you’ll only die tired

Amon Amarth, “Get in the Ring” Music Video

Amon Amarth, The Great Heathen Army Album cover + track list

Amon Amarth, “The Great Heathen Army”

metal blade

01. “Get in the Ring”
02. “The Great Heathen Army”
03. “Heidrun”
04. “Oden Belongs to You All”
05. “Find a way or make one”
06. “Dawn of the Normans”
07. “Saxons and Vikings”
08. “Skagul Ride With Me”
09. “The Snake Trail”

The best metal album of each year since 1970

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Maria BC: Hyaline Album Review

Maria BC is a classically trained singer, skilled guitarist and composer with an innate gift for vast and majestic melodies, but the defining force of their music is the mood: an overarching melancholy that darkens everything like heavy clouds. thunderstorm. The debut EP from the Oakland-based artist, Devil’s Rain, which arrived in the heart of winter 2021, and its five songs – composed entirely of electric guitar and vocals, recorded alone in their apartment, in low voices so as not to disturb their roommates – sounded like a collection of demos stripped down to a dream-pop band. Ghostly and stripped down, the songs leave you imagining how they might blossom if stripped of the cobwebs and brought to light.

Their first feature film, Hyaline, does not extend their approach. Instead, Maria BC further deconstructs and distorts the music to make it even hazier. In the most fleshed out songs, like the mind-blowing ‘The Only Thing’, their vocals and guitar are accompanied by distant roar, layered harmonies and slamming percussion – never quite reaching the heights of a song. pop but showing hints of what would be the emotional climax. “I find I can’t think back so far / Fogging up car windows,” they sing in the chorus, describing the limits of memory and offering a visual representation of how these songs feel: familiar and opaque, distant and bittersweet.

The abstract approach, ironically, brings us closer to the spirit of the music, helping the songs stick in your head. Maria BC has a knack for wordless hooks – the opera ah in “April”, the curious eh of “Rerun” – and they gravitate towards textures that reward a good pair of headphones: gasps and whispers, clicks and scratches, amplifier fuzz and room tone. And while the lyrics are rarely the focal point and sometimes indecipherable, the loudest ones resonate without building anything close to a narrative. In “Good Before,” their portrayal of an internal transformation is reflected in a few key images: a swarm of locusts, the drifting stars, “travelling alone as the trees stretch out in the morning light.”

Hyaline is a beautiful record, but these lines hint at an undercurrent of horror – the quality which, together with their subtly catchy songcraft, sets Maria BC apart from other artists making dreamy ambient pop in the shadow of Grouper and Cocteau. Twins. From time to time, they outright summon ghosts. The cut, orchestral beats of “Keepsakes” suggest chilling film music, while their low, tremulous vocals in “The Big Train” have the unsettling quality of someone about to burst into tears or a primal scream. . As for the spectral performances on Devil’s RainMaria BC Registered Hyaline alone in their apartment. The difference is that these songs refuse to stand still: they drift down the hallways, restless and disoriented, drawing your attention to the empty space around them.

Kyle Abraham’s AIM review – a gender-defying image of life and hope | Dance

Vvery few choreographers can transition so deftly between the lofty and the familiar in a single phrase, from pirouette to punch with total authenticity. But Kyle Abraham can. The linguistic versatility of the New York-based choreographer – absorbing elements of classical, contemporary, street and social dance – is matched by the thematic variety of his decade-long output, exquisite collaborations with ballet companies (most recently The Weathering by The Royal Ballet) to hard-hitting dances of social commentary and activism with his own company AIM.

Now this piece, Requiem, is something else again, although it’s hard to say what. It’s a leap into Afrofuturism, punctuated by a version of Mozart’s Requiem renovated by electronic composer Jlin in sampled strings and reverberating bass. Ten dancers are dressed in silky, flowing tunics and skirts by Giles Deacon. At times, their behavior suggests courtly manners or the games of mythical gods, amused with combat and performance rituals. A circle of neon lights up on the far wall, inside a film showing ink swirling in water. Circles are ubiquitous in the choreography – gently waving and twirling – and also in one of the ideas behind the piece: reincarnation and the circularity of life. Sometimes the bodies tremble and fall to the ground, but they are revived and return to dance, regenerated. It is a deliberate counterpoint to Abrahams’ earlier works that dealt with violence against black bodies; it is a picture of life and hope and possibility.

The hour-long piece feels rather formless, however, with subtle shifts in tone between musical chapters. It’s meandering at times, but there’s an enigmatic plot. Choreography often lives in a middle ground between earth and air, not sending its energy deep into the ground nor stretching or leaping skyward: it sweeps and swoops with flexible joints .

There are strong solos from individual dancers: Dymon Samara has a distinct presence, Logan Fernandez throws in some breaking moves, there’s the supple muscle and purpose of Jae Neal, and a Queen Tamisha Guy, catching the eye with a hypnotic sweetness. Requiem conveys feelings of community, connection, playfulness, humor and flirtation – all facets of a rich life – but it’s an exploratory piece rather than a triumphant one.

The dazzling and provocative return of Sky Ferreira and 11 other new songs

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The nine long years since Sky Ferreira’s cult classic 2013 album “Night Time, My Time” disappears in the opening moments of “Don’t Forget,” a dazzling return to form set to appear on the Ferreira’s much-delayed second album, “Masochism.” In his nearly decade (mostly) away from music — in part due to disagreements with his record company — Ferreira’s grungy synth-pop sound has barely changed. But “Night Time, My Time” still sounds odd enough that “Don’t Forget” (which she co-produced with Jorge Elbrecht and co-wrote with Tamaryn) is comfort rather than disappointment. It’s refreshing to hear the 29-year-old pick up exactly where she left off, inhabiting the dull, resonant atmosphere of a song with its breathless intensity and blotchy glamour. “Keep in mind, no one here is a friend of mine,” Ferreira sneers, proving that his melodramatic provocative side is still intact. LINDSAY ZOLADZ

Philadelphia-based freelance artist Alex G has both an easily recognizable aesthetic sensibility and a playful, springy sense of self. On his excellent 2019 album ‘House of Sugar’, Alex (surname: Giannascoli) occasionally shifted and distorted his vocals as if embodying different characters – then on the next track he sang a twangy and seemingly serious ditty of acoustic guitar that could break your heart in two. Its predictable unpredictability strikes again on “Blessing,” which contrasts quasi-spiritual lyrics (“Everyday/Is a Blessing”) with a sound that borrows from the moody, alt-rock/nu-metal sound of the late 90s. Alex sings in a menacing whisper, and an explosion of apocalyptic synths completely transforms the song midway through. As inscrutable as it may be, the whole thing is eerie, hypnotic and, in a way, oddly moving. ZOLADZ

London band Superorganism turn boredom and monotony into something almost perky in ‘On & On’. “No more space, press replay / It goes on and on and on,” Orono sings with brooding nonchalance, then repeats “and on” another 16 times. The track is gummy bubble pop with a hint of reggae, and it’s filled with ever-changing little hooks and effects, but nothing breaks the boredom. JON PARELES

As she got older, Wynonna Judd sang with an assured voice, cutting through the crisp country she played for decades with just a hint of blues. Waxahatchee’s Katie Crutchfield, over a career that began in DIY warehouses, found her bridge to American roots music. The two singers meet on “Other Side”, a gentle reflection on impermanence. For Judd – whose mother and longtime singing partner Naomi died last month – it’s a solid, low-key but invested breeze. For Crutchfield, it’s a soft landing in a new home. JON CARAMANICA

“Empathy for Bethany” continues to squirm without expectations. Saya Gray, a Canadian songwriter who played bass in Daniel Caesar’s band, begins the song folksy, picking triplets over an acoustic guitar. But almost immediately, the chord progression begins to wander; then his voice twists into multitrack and pitch shifting, and soon a breathless trumpet drifts from the realm of jazz; by the time the track ends, it has become a loop of electronic sequels. “Honestly, if I get too close, I’ll go ghost,” Gray sings, and the track backs it up. Talk

Bruce Hornsby has remained productive and exploratory during the pandemic, doubling down on his musical craftiness and structural ambition. His new album, “’Flicted”, brings together sharp dissonances and folk warmth, chamber orchestrations and electronic illusions, modesty and benevolence. “Fun and games in the plague / We could use, use some caring kindness,” he sings in “Tag,” adding, “Always shake your fist / Some kind of gritty bliss.” The music oscillates between rumbling, dissonant piano over a funky backbeat and richly chiming folk-rock, deftly juggling skepticism and hope. Talk

The songs from Maria BC’s debut album, “Hyaline”, are daydreams built around patiently chosen guitar patterns and quiet melodies, though they may at any time sprout electronics, percussion or orchestrations from chamber music. In “April”, the voices overlap and multiply in cascading chords while unexpected sounds are heard behind the guitar. “Listen to me / Anything you want,” the lyrics promise. Talk

Experimental artist Kaitlyn Aurelia Smith and Oscar-nominated film composer Emile Mosseri struck gold with their collaborative album, “I Could Be Your Dog/I Could Be Your Moon.” It’s only two minutes long, but “Amber,” from the second half of the project, works like a spaced-out symphony. On bubbling synth tones, Smith’s aerial vocalizations turn into diverted entanglements, metamorphosing into oceans of cosmic wrecks. The effect is appropriately cinematic, like a long-lost Pipilotti Rist immersive video. ISABELLE HERRERA

New label Blue Note Africa’s debut album, “In the Spirit of Ntu”, is South African pianist Nduduzo Makhathini’s tribute to the universal energetic force known in Bantu cultures as “ntu”. It includes this melancholy but fast tune, “Mama”, written by Makhathini’s wife, Omagugu, in memory of his recently deceased mother. Omagugu sings in a broad, bushy tone, holding his syllables open, while Makhathini surrounds him in a pattern of rising and rising chords. GIOVANNI RUSSONELLO

Falling somewhere between gritty hardcore and warped jungle, Rico Nasty’s “Intrusive” scrapes like metal through a meat grinder. With her latest single, the Maryland rapper continues her return to music after her 2020 album “Nightmare Vacation.” On “Intrusive,” she harnesses punk verve and raps over a distorted breakbeat, letting her intrusive impulses and fiercest desires flow in a torrent of consciousness. It’s bratty, rambunctious and delightfully cathartic, like a childhood tantrum. “Mom, if you hear that, I’m sorry,” she raps. Hey, at least she warned you. HERRERA

There’s not much to Kansas City rapper SleazyWorld Go’s “Sleazy Flow”: a few piano tinkles, growling bass beats, a sleepy, ominous tempo and, most importantly, chosen lyrics mixing street beef. and sexual conquest: “How you mad she choose me? / I like what she does to me / She says she feels safer here where the shooters are. This excerpt became an earlier TikTok escape this year, and Lil Baby picks up that smirking theme on the song’s official remix. His verse is almost shredded: “Act like I’m chasing her or something, she’s chasing me / Can’t hold her back, she’s chasing me says all the time that she wishes you were me.” CARAMANIC

David Virelles has nothing against the piano. A virtuoso improviser and classically trained pianist from Santiago de Cuba, he doesn’t seem to have any intention of turning the instrument upside down as Thelonious Monk did; or throw it away entirely, like a John Cage; or turning him into an android, like some of his contemporaries. Virelles is a more subtle expander. He plays the grand piano with sensitivity and deference, working with and not against. He weaves dense harmonies into other harmonies, shading his music with deep browns and grays – like an island sky darkening before a storm. And on “Al Compás De Mi Viejo Tres” (“By the Compass of My Old Guitar”), from his masterful new album, “Nuna”, he celebrates the rhythm of the classic Cuban danzón playing with total elegance and clarity – stopping every so often to get in its own way with a few irruptive slashes or serious, caustic chords. RUSSONELLO

How Mike Myers got Beyonce into Led Zeppelin

Led Zeppelin are one of those bands whose music continues to be passed down from generation to generation, and according to actor Mike Myers, they helped introduce hard rock icons led by Robert Plant to music superstar Beyonce. .

Myers recalled how success happened in a Vanity Fair video (see below) in which he shares stories related to some of his film roles, and as many will recall, a young Beyonce played alongside Myers as Foxxy Cleopatra in the 2002 film. Austin Powers in Goldmember. At this point in her career, Beyonce had yet to go solo and was just beginning to see Destiny’s Child’s career skyrocket.

As Myers reflects on the making of the film, one example he recalls is how Beyonce shared an interest in what he was listening to at the time.

“Beyoncé was a dream. She was the most lovely person in the world and she just knocked it out of the park,” Myers recalled. are you listening at the moment?’ And I said, “Oh, I’m just listening to Led Zeppelin right now. And she said, “I think I’m going to listen to this Led Zeppelin.” She had never heard of it. She was so young , and the crew was all, ‘Awww!’ »

He adds: “And then the next day she was doing this [miming holding onto headphones], and I said, ‘What are you listening to?’ She said, ‘Led Zeppelin! They are awesome!'”

Since then, Beyonce has become one of the biggest stars on the planet with a string of pop hits, first with Destiny’s Child and then as a solo artist. And that Led Zeppelin love, first acquired by Myers, paid off years later when Beyonce sampled “When the Levee Breaks” for her 2016 track “Don’t Hurt Yourself” with Jack White. Lemonade album.

Mike Myers remembers introducing Led Zeppelin

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Indie icon Perfume Genius performs at Vivid Sydney and releases new album Ugly Season

Less than five minutes into our conversation, Perfume Genius encountered an obstacle. The Seattle-based, Los Angeles-based musician tries to describe how his performance style has changed over the years — and, more specifically, how it’s changed since he started playing shows again in late 2021, after two years of live music events are canceled or delayed — but he can’t find a way to verbalize the sentiment that’s particularly sure to imprint: “I keep thinking of naughty ways to say what I’m saying!” »

It’s not uncommon throughout our conversation for Perfume Genius, real name Mike Hadreas, to get stuck at a time like this. Often when he tries to articulate some kind of delightful musical experience, he falters, trying to find a metaphor for his process that isn’t tied to the profane or the carnal. Eventually, he finds a way to explain what he means, without resorting to anything particularly blue.

Perfume Genius: “I have more idea of ​​where I want to go on stage and how I want to feel on stage.”

“Each album cycle, each tour, I feel a little more settled in [performing], and I can kind of be more present and stay in the zone,” he explains. “Sometimes at first it was that if I was more present I was completely thrown into an anxious place – so I had to act like I wasn’t playing much. And now I don’t have to at all. to pretend.

As we speak at the end of April, Hadreas is between tours, at his home in Los Angeles – he’s just finished a jaunt to the United States and is preparing to tour Australia for VIVID and Dark Mofo. Dressed in a plain black shirt and occasionally interrupted by his chihuahua Wanda, Hadreas looks pretty much like he’s done for most of his career – boyish for 40 and effusive, slipping freely between arch-isms in line and moments of deep and curious seriousness.

“It was very overwhelming for me. When I’m on stage dancing and screaming and thrashing, I [always] I felt like I was the only one doing this.

At this point, Hadreas has been releasing music as Perfume Genius for nearly 15 years, during which time he has become one of the most revered and acclaimed figures in modern indie rock. Over the past decade and a half, the scope of his music has expanded dramatically, from the sparse lo-fi folk of the 2010s Learning eventually giving way to slick, metallic electronic music experiments on the 2014 breakthrough too brightbaroque pop nominated for the 2017 Grammy Awards no shapeand 2020s americana-tinged supple art rock Set my heart on fire immediately. The trajectory of Hadreas’ music, from achingly intimate island folksong to avant-garde spectral pop, seems to reflect the transformation he identifies within himself – an almost paralyzing anxiety giving way to a powerful embrace. of physicality.

Now Hadreas is getting ready to go out ugly season – an album very different from anything he’s done before. The score of a contemporary dance piece entitled The sun still burns herein which Hadreas and his romantic and musical partner Alan Wyffels starred with Seattle choreographer Kate Wallich in 2019, ugly season is amorphous and strange, a long-running compositional project that forced Hadreas to completely reframe his way of making music.

“Collaborating is a hard thing for me to do – like I can meet someone halfway, and bring them something and then we finish it together, or they bring me something and I add some stuff,” he said. “But starting something from scratch with someone else is really difficult for me because it takes a lot of communication and you have to kind of try to explain things that are very difficult to explain.”

The new album Ugly Season includes songs Hadreas wrote for his dance piece The Sun Still Burns Here.

The new album Ugly Season includes songs Hadreas wrote for his dance piece The Sun Still Burns Here.

So the natural solution was to find an entirely new vernacular to collaborate with. From the design of The sun still burns hereHadreas, Wyffels, Wallich, and Wallich’s company, The YC, would engage in intensive improvisational dance sessions together, moments of extreme intimacy that gave Hadreas a new sense of physical and tactile performance.

“I don’t really have a reference for [contemporary dance], so it was really a crazy thing to do. One of the first rehearsals we ever did — and that’s even before we knew what we were doing, just us all meeting — was, like, an improvised move,” he recalls. “I had never danced with anyone else, and then suddenly I find myself in a pile of eight people rolling around, rocking that I later realized it was Laura, but that I didn’t know at the time – before I hadn’t even really talked to her, I was like I was rocking her.

For Hadreas – who, even when surrounded by a band on stage, often seems caught up in an intensely personal state of rapture – this represented entirely new territory. “It was very overwhelming for me. When I’m on stage dancing and screaming and thrashing, I [always] I felt like I was the only one doing this,” he says. “I never had anyone touch me on stage. I never had anyone say anything – I felt like I was always the one to say everything. So that was crazy to be on stage and playing where everyone is saying something in equal measure.

“Also, just being held and lifted and lifting other people – I got really strong and it was very physical. I lost my mind, I lost my mind completely,” says Hadreas: The Physical Character of the Rehearsals and Performances of The sun still burns here marked him, greatly influencing the immediate and rhythmic feeling of Set my heart on fire immediately.

Where the music of Perfume Genius saw Hadreas struggle with his own body, whether in the form of his anxiety or his struggle with Crohn’s disease, ugly season and Set my heart on fire immediately are tactile, embodied, powerful. Even the song titles on Set my heart on fire immediatelyOn the floor, Just a touch, Your body changes everything – seem to indicate the new point of view of Hadreas.

Despite the impact The sun still burns here had on him, however, writing the score for the play, Hadreas says, was one of the most difficult projects he had ever undertaken. After laying out the general structure of the piece with Wallich and the YC, he, Wyffels and his longtime producer Blake Mills decamped to a studio to flesh out the sound of the music. Resolved that he didn’t want to record a purely ambient track (“I didn’t want you to feel like you were missing something while listening to ugly season alone,” he says), Hadreas decided to create a long-running sequel that still had structure and vibrancy.

“Me, Blake and Alan specifically did improv stuff together, which is new to me in the studio. It was kind of exciting not having to do pop music – it’s not like that was crazy experimental, but it’s less about trying to fit it into a three-and-a-half-minute structure with a verse and a chorus and all that,” Hadreas says. “But I also like that a lot too, so we were doing these 10 minute jams and then I would try to force a verse and chorus over it which was infuriating I’ve never had more trouble in the studio [than] try to do that, because everything was improvised.

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The result is an album that features all the hallmarks of a Perfume Genius record – Hadreas’ voice, a supple, rubbery instrument liable to turn into a glassy falsetto at any moment; sultry, sultry basslines that seem to be passed down from the Black Lodge in twin peaks; lyrics that draw lines between the spiritual, the surreal and the profane – and twist them into new shapes, lengthen and mattify them, turning them into veritable dance floors and angular, arrhythmic walls of sound.

It’s a record that clearly changed the way Hadreas operates as a writer and performer. “By doing the dance, meeting Kate and working with the dancers, I have more of an idea of ​​where I want to go on stage, and how I want to feel on stage, and also what I could feeling good on stage – I never really thought about that,” he says. “It was such a powerful experience – it’s never really going to leave me.”

Perfume Genius will perform at the Melbourne Recital Center on June 9-10; Carriageworks as part of Vivid Sydney on June 11 and Dark Mofo Festival in Hobart on June 17.

ugly season will be released via Matador/Remote Control on June 17th.

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Personal and Corporate Debt Consolidation Market is Booming Worldwide | Goldman Sachs, OneMain Financial, discover personal loans

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Secondary Research on Consumer and Business Debt Consolidation was carried out to obtain crucial information about the company’s supply chain, the company’s monetary system, the global company pools and the sector segmentation, with the lowest point, the regional area and the technology-oriented outlook. Secondary data was collected and analyzed to reach the total Consumer and Business Debt Consolidation market size which the first survey confirmed.

In addition, the years considered for the study are as follows:

Consumer and Business Debt Consolidation Industry Historical Year – 2015-2020

Consumer and Business Debt Consolidation SectorReference year – 2021

Consumer and Business Debt Consolidation Sector Forecast Period** – 2022 to 2030

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Can you mix? A group of fast-footed dancers wants to show you how

With their fluid movements and fluid footwork, the Ottawa Shufflers community makes dancing old and new easy.

The group of around 20 years old meet for weekly outdoor “shuffle and flow” get-togethers at Lansdowne Park.

Members say that thanks to the lockdowns of the COVID-19 pandemic and a deluge of social dancing tutorials, a whole new generation is dusting off their dancing shoes and pulling off the running man and other signature moves.

“One in two social media accounts you follow are probably doing some sort of random dance or TikTok trend that incorporates random dance moves,” explained Sydney Switzer, one of the community’s organizers.

From left, Valerie Daoust, Laurah Le and Sydney Switzer show off new shuffling moves at a recent get-together at Lansdowne Park in Ottawa. (Alexander Behne/CBC)

The 24-year-old Swiss dove into the shuffling in 2019 to exercise while trying something new.

“I had a shoulder injury and I couldn’t go to the gym anymore,” Switzer recalled. “I started mixing because I thought it was really cool.”

Switzer said she found her groove when she started connecting with other shufflers around town. Then, during the pandemic, she helped organize outdoor sessions where dancers could find their groove – sometimes from a distance – behind the Aberdeen Pavilion.

In fact, shufflers said the lockdowns actually helped the community grow because people spent so much time stuck indoors, browsing social media.

“There are endless tutorials, and people learn how to do certain moves. I’ve seen it really amplifies the community here,” said Laurah Le, who started the Ottawa Shufflers Community group in 2018.

“We like to show each other the moves we’ve learned on the internet and teach each other so we can level up together.”

Richard Li, in the foreground, performs some dance moves during a recent encounter. People can find out more about Ottawa Shufflers community meetups by following them on Instagram or TikTok. (Alexander Behne/CBC)

What is brewing?

The dance style is called shuffling because of the way the dancers slide their feet against the floor. It has its roots in the 1980s, with the stomping and quick heel-to-toe dance moves of artists like MC Hammer, Paula Abdul and Janet Jackson.

“Shuffling technically borrows from other dance styles,” Le said, describing it as a kind of street dance that looks different depending on who’s doing it.

But there is a basic movement that they all share.

“It all starts with the man running,” Switzer explained, describing it as a cross between running in place and moonwalking.

“Once you get a little more comfortable, you can kind of just sink,” she said, adding spins, hand push-ups, stomps, slides and other flourishes. .

Colin Post, aka DJ Collins, says that while he likes to spin the music to energize the shufflers, he’s better off behind the turntable than on the dance floor. (Alexander Behne/CBC)

EDM music to mix

Also known as “shape-cutting”, shuffling later became popular in the rave and festival scenes of the 1990s. Now, shufflers mostly dance to upbeat EDM music.

In Ottawa, this has led the group to invite a rotation of local DJs to their outdoor dance floors, both to showcase their skills and to support those who have been out of work during the pandemic.

Colin Post, aka DJ Collins, says it’s a different challenge to make music outside of the usual club venue.

“When we DJ outside, it’s cooler music and nicer vibes,” he said. “[At Lansdowne there are] people around with kids, so it’s more family-friendly.”

Despite the welcoming atmosphere, Post says he won’t be jumping behind the deck anytime soon.

“It takes so long to get super fast. So I have to dance really slow. I feel like I should keep practicing DJing instead of dancing,” he laughed.

Marysol Madraza says her dog, Mr. Toby, is the unofficial mascot of the Ottawa Shufflers community. He attends all meetings. (Ash Abraham/CBC)

Learn the shuffle with these tips from the Ottawa Shufflers community

  • To slow down! Choose slower songs with fewer beats per minute.
  • Be dramatic! The more exaggerated the movements, the cooler it looks. For example, try to bring your knee to waist height or higher.
  • Practice often! To get better at something, you need a lot of repetition. Practice in the kitchen, in the bathroom, anywhere – and that’s how you’ll really progress.
  • Work on the basics and be kind to yourself! Everything is difficult at first.
  • Meet shufflers and learn tricks in real life! The best growth comes with community, so come to a meeting.
WATCH | Want to know how to mix? Start with the running man

Want to know how to mix? Start with the running man

Sydney Switzer, one of the organizers of the Ottawa Shufflers community, showed CBC Ottawa how to do the running man, one of the essential moves seen in social media dance tutorials.

Ready to make a move?

If you want to get into shuffling, Switzer says their dating caters to all walks of life, and professional shufflers are ready to give beginners a helping hand.

“There’s always someone out there willing to show you a new move,” Switzer said. “[Whether you’re a] super beginner or more advanced, we have people of all levels.”

As Le notes, it can be scary trying to mix for the first time, but everyone in the band “started somewhere.” The best part, she says, is having fun with new friends.

“We see the same people every week. We build these relationships with each other and we can just hang out and have a good time,” Le said.

“So come have fun! There’s nothing but good vibes here.”

The “female brothers” of Indigenous electronic music play with the OSM

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“It feels like taking the stairs and not the lift,” says Michael Ross, one half of Adelaide’s Electric Fields soultronica duo. “We became known more by word of mouth than by radio.”

Indeed, the band and the unapologetically uplifting vibes they convey failed to catch the attention of Triple J’s Guardians.

Electric Fields performs in Adelaide.Credit:Jiayuan Liang & Xplorer Studio

Do not worry. Electric Fields have succeeded without the traditional help of the national youth broadcaster: and now they have been tapped by the Melbourne Symphony Orchestra for a massive gig at Hamer Hall for NAIDOC week.

“Our jaws dropped when we found out,” Ross says. But it’s not as strange a combo as it sounds: Ross wrote his first classical piano sonata at age 19.

The self-proclaimed “female brothers” fuse ancient Anangu culture (from Australia’s Western Desert) with reassuring, futuristic rhythms. For the MSO show, they collaborate with composer Alex Turley, exchanging ideas on the Internet. “Alex developed the orchestration and sent it to me in separate parts and I add some ideas to it,” Ross explains.

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“I’m interested in the incomparable organic textures that the orchestra can create. We will work with these natural elements to develop the hue of harmony… We will also add some trippy twists to the arrangement.

Electric Fields’ most recognizable track Do not worry is a defiant and victorious banger, generally. That could change.

“I actually think Do not worry could become more of a blues ballad with the MSO,” Ross muses. “We’ve played it a number of times just on the two-part piano and it sounds great that way. In our dance tracks, the way the rhythm hits the body is definitely a focal point.

“Do we want music to be an activity reserved for the rich? Anger grows over PRS Foundation cuts | Music

One of the UK’s biggest funders of new and emerging music, responsible for nurturing the careers of artists such as Sam Fender, Little Simz and 2021 Mercury Prize winner Arlo Parks, this week saw its budget reduced by 60%.

The PRS Foundation, which funds hundreds of budding artists and music organizations across the country — including a number of artists from bands underrepresented in the music industry — announced Wednesday that its revenue would be reduced from £2.75m to £1m from 2024, citing financial necessity. The decision was made by its parent company and main funder PRS for Music, which collects royalties for musicians when their music is streamed or performed in public.

Industry professionals and artists greeted the news with dismay, foreseeing potentially disastrous consequences for the UK music industry. “We are extremely disappointed,” says Annabella Coldrick, general manager of the Music Managers Forum. “The artists just went through two years in which they had no live income. The cost of tours has gone up, tickets are not selling due to the cost of living crisis. And yet their collecting society, which sits on huge revenues, cuts their funding.

“Established artists don’t come from nowhere – often it’s years and years of hard work for very little money,” says keyboardist Dan Leavers of London jazz trio Comet Is Coming, who counts Shabaka Hutchings among his members and was supported by a PRS Foundation Career Fellowship. “When we were signed to a smaller, tight-budget independent label, PRS accepted our application and saw something in us: that belief drove us to make our greatest music ever.”

Acting on behalf of its 160,000 members, PRS for Music raised over £650m in 2020 from broadcasters, licensed premises such as pubs and nightclubs, radio stations and streaming platforms, spending £80 million for their own administrative and staff costs and £2.75 million for the PRS Foundation.

In a statement, PRS for Music said, “PRS for Music donations are generated separately from royalties paid to our members. These revenues have decreased significantly in recent years. As such, the difficult decision was made to reduce our donations.

PRS Foundation chief executive Joe Frankland said the cuts were “disappointing given that PRS’s overall collections are on an upward trajectory and the Society is on track to raise £1billion a year. “.

Black Country, New Road. Photography: Rosie Foster

Eight of the 12 artists nominated for the 2021 Mercury Prize have received funding from the PRS Foundation, including acclaimed Black Country indie band New Road. “Without the support of the PRS Foundation, it would have been extremely difficult to break even playing gigs outside the UK,” says guitarist Luke Mark. “It’s an even bigger issue for new artists today with the rising costs of European touring since Brexit. It’s also validated our expertise as songwriters and producers. This belief means so much to emerging artists.

Demand for funding has increasingly outstripped supply, with requests more than doubling since 2014. fairer game,” says The Comet is Coming.

The women and artists of color who rely most on the PRS Foundation stand in stark contrast to the leadership of PRS for Music. On the 25-member Council of Members, which reviews the work of the PRS Board of Directors, there are eight women and only two people of color, with the majority of those elected and appointed coming from major labels, not popular music. An unprecedented number of black and minority ethnic candidates, including another Mercury Prize nominee in Laura Mvula, have come forward as candidates for the Council this week. PRS members rejected them all, electing seven white men and one white woman.

“It’s so tone deaf,” says an exasperated Coldrick, who attended the AGM where board members were elected and funding cuts announced. “They basically stood up and said, ‘We know we have a diversity issue on our board,’ and then cut the fund by taking steps to build that diversity.”

The post-Covid comeback of live music has seen PRS for Music’s revenue rise by nearly a quarter to £780m in 2021, and a thriving live scene following the full lifting of pandemic restrictions will continue to swell its revenue . But according to music PR Jess Partridge, “the number of people who can afford to make music is going to be drastically reduced” by PRS for Music’s decision. “Don’t you just want to see an industry in which people from different backgrounds are empowered to participate? Because it really is.

Haai: Baby, We’re Ascending review – rich, haunting vibe from a party star | Electronic music

Over the past few years, Sydney-born DJ, producer and songwriter Haai – real name Teneil Throssell – has become something of an underground star in her adopted hometown of London.

A two-year resident at Brixton club Phonox, Throssell’s sets are renowned for their blistering pace and euphoric peaks, largely comprising house and breakbeat techno, with stints in other more idiosyncratic styles. Perpetually wearing sunglasses and seemingly always sporting a cheeky smile, she’s a supernaturally talented party starter, an intuitive, crowd-focused DJ with an expansive taste.

‘A supernaturally talented party-starter’ … Haai. Photography: Imogene Barron

The many dance music institutions that have praised her (she broadcast on Rinse FM, had her BBC Essential Mix named the Essential Mix of the Year and broadcast a set live on Boiler Room) are a testament to her reputation. growing as a player, fleet -foot selector. So it only makes sense that her debut album, Baby, We’re Ascending, arrives with uncommon anticipation, both in the UK and Australia.

Any good DJ, however, knows it’s good to keep the audience guessing – and the album represents something of a left turn. While it still has its fair share of breathless, high-frequency techno, the best moments are watery, overwhelming you with the invigorating coolness of morning tides. Reflecting the loneliness Throssell felt after his difficult touring slate went blank in the early months of the pandemic, it’s a record that finds its highest points when it does the least, with the ambient interludes offering a new Seductive ride in Haai’s reputation in the club scene.

The final song on the album, Tardigrade, is a high point: above a wash of distorted trance synths and cavernous, crackling drums, it sings of a relationship that seems halfway between fracture and repair: “No one knows / No one cares / We’re both breathing is reason enough for you to love me back…” Vast and rich, it’s a ballad without excess, Throssell’s lyrics being left suspended in the air as vapour. Equally haunting is Bodies of Water, in which Throssell sings to a dizzying, dull house beat: “Somewhere, on a brand new day / In a pool of love / I lay / From this I take / The loneliness has spared you”.

There are floor-filling dance floor signifiers here – vocal samples set at warp speed, a denouement with a frenetic breakbeat – but for the most part, Throssell holds back in favor of open space. These songs, along with the record’s equally fuzzy title track, are smart and seductive, creating something organic and naturalistic that mirrors the impressionistic feel of Throssell’s lyrics, which use references to oceans, forests and lakes. to channel the serenity and comfort of nature. world. Throssell uses simple metaphors that are often vivid and effective; on the title track, for example, she compares a lover’s attraction to the tides: “I’m caught in your wave / They’re crashing on me.”

This icy, botanical approach to electronic music places Throssell in a burgeoning milieu of young producers – many of them women – looking to explore the natural world through techno. Recent records such as Kelly Lee Owens’ Inner Song and Kedr Livanskiy’s Liminal Soul have attempted to reach similar places, with Owens attempting to address the climate crisis on her record, and Kedr Livanskiy’s producer Yana Kedrina seeking to encourage communion with the natural world on its own. .

On songs like Bodies of Water and Baby, We’re Ascending, Haai’s music is also explicitly nature-focused — and undeniably one-track. But it creates a kind of tension in the album as a whole, between the focused, vibe-oriented tracks and the more boilerplate dance heaters like Pigeon Barren and FM. When it reaches its maximum pumping, Baby, We’re Ascending tends to sag; these songs sound slightly free, even unenthusiastic, next to their fiery, amorphous cousins.

Occasionally, Throssell strikes a balance between the two warring halves of Baby, We’re Ascending. Orca, one of the last songs on the disc, pits minimal racing techno against a jaw-dropping ambient coda. Gilded with jarring strings, it feels like the sunrise after a long night, Throssell’s ultra-saturated synths sweetening the song’s frozen intro. It’s a track that finds Throssell bringing together the best parts of every side of her music – ascending, as she promised.

Upcoming Trends of Electronic Dance Music Market Segmented by Type, Application, End-User and Region

The Global”electronic dance music market“The report provides insight into the global industry, including valuable facts and figures. This research study explores the global market in detail such as industry chain structures, raw material suppliers, and manufacturing. The electronic dance music sales market examines the major segments of the market scale. This smart study provides historical data as well as a forecast from 2022 to 2028.

The entire value chain and the critical downstream and upstream elements are examined in this report. This market report covers the technical data, manufacturing facility analysis, and raw material supply analysis for Electronic Dance Music industry and also explains which product has the highest penetration, its profit margins and market share.

Main Drivers and Obstacles:

High-impacting factors and driving forces have been studied in the Electronic Dance Music market report to help readers understand the overall development. Additionally, the report contains restrictions and challenges that may hinder players. This will help users pay attention and make informed trading decisions. The specialists also looked at the next business prospects.

In its latest report, ReportsGlobe offers a comprehensive overview of Electronic Dance Music Market with emphasis on keyword dynamics including driving forces, restraints, opportunities, trends and detailed information on the structure of the electronic dance music market. Sales of Electronic Dance Music in the global market will increase as business and advanced technologies increase. With the covid-19 epidemic, companies have become very dependent on digital platforms to survive.

Electronic Dance Music Market Segmentation:

Electronic Dance Music Market, By Application (2016-2027)

  • clubs
  • DJs and live artists
  • Other

Electronic Dance Music Market, By Product (2016-2027)

  • Dubbing
  • hip-hop
  • Disco
  • house music
  • Other

Key Players Operating in Electronic Dance Music Market:

  • Spinnin’ Records
  • crazy decent
  • Ultra Music
  • Armada Music
  • OWSLA
  • monster cat
  • Ministry of Sound
  • Recordings revealed
  • Sun Mak
  • Defective

Electronic Dance Music Market Segment Analysis

The market researcher explores new data in the Electronic Dance Music Market report. It examines the market size in terms of the value of each segment, as well as how market dynamics are likely to change over time. The report then divides this information into types and proposed applications, with a geographical breakdown (North America, Asia, Europe, and Rest of the World). In addition, the report examines the structure of the industry, offers estimates of growth, forecast period, revenue value, and volume in industrial applications, and sheds light on industry competition.

Scope of the Electronic Dance Music Market Report

ATTRIBUTES

The description

ESTIMATED YEAR

2022

YEAR OF REFERENCE

2021

FORECAST YEAR

2022 to 2028

HISTORICAL YEAR

2020

SECTORS COVERED

Types, applications, end users, and more.

REPORT COVER

Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends

BY REGION

North America, Europe, Asia-Pacific, Latin America, Middle East and Africa

Regional Analysis For Electronic Dance Music Market:

The Electronic Dance Music Market research report details current market trends, development outline, and several research methodologies. It illustrates the key factors that directly manipulate the market, for example, production strategies, development platforms, and product portfolio. According to our researchers, even minor changes in product profiles could lead to huge disruptions in the factors mentioned above.

  • North America includes the United States, Canada and Mexico
  • Europe includes Germany, France, UK, Italy, Spain
  • South America includes Colombia, Argentina, Nigeria and Chile
  • Asia Pacific includes Japan, China, Korea, India, Saudi Arabia and Southeast Asia

Goals and Objectives of Electronic Dance Music Market Research

  • Understanding the opportunities and advancements in Electronic Dance Music determines the market strengths, along with the key regions and countries involved in the market growth.
  • Study the various segments of the Electronic Dance Music market and the dynamics of Electronic Dance Music in the market.
  • Categorize the Electronic Dance Music segments with increasing growth potential and assess the futuristic segment market.
  • Analyze the most important trends related to the different segments that help to decipher and convince the electronic dance music market.
  • Check region-specific growth and development in the Electronic Dance Music Market.
  • Understand the major players in the Electronic Dance Music market and the competitive image value of the Electronic Dance Music market leaders.
  • To study the key plans, initiatives, and strategies for the development of the Electronic Dance Music Market.

The study thoroughly examines the profiles of major market players and their key financial aspects. This comprehensive business analysis report is useful for all new and existing participants when designing their business strategies. This report covers KEYWORD production, revenue, market share and growth rate for each key company and covers the breakdown data (production, consumption, revenue and market share) by regions, type and applications. Electronic dance music historical breakdown data from 2016-2021 and forecast for 2022-2028.

Global Electronic Dance Music Market Research Report 2022-2028

Chapter 1 Electronic Dance Music Market Overview

Chapter 2 Global Economic Impact on Industry

Chapter 3 Global Market Competition by Manufacturers

Chapter 4 Global Production, Revenue (Value) by Region

Chapter 5 Global Supply (Production), Consumption, Export, Import by Regions

Chapter 6 Global Production, Revenue (Value), Price Trend by Type

Chapter 7 Global Market Analysis by Application

Chapter 8 Manufacturing Cost Analysis

Chapter 9 Industrial Chain, Sourcing Strategy and Downstream Buyers

Chapter 10 Marketing Strategy Analysis, Distributors/Traders

Chapter 11 Market Effect Factors Analysis

Chapter 12 – Global Electronic Dance Music Market Forecast

How Reports Globe is different from other market research providers:

The creation of Reports Globe has been underpinned by providing clients with a holistic view of market conditions and future possibilities/opportunities to derive maximum benefit from their business and assist in decision making. Our team of in-house analysts and consultants work tirelessly to understand your needs and provide the best possible solutions to meet your research needs.

Our team at Reports Globe follows a rigorous data validation process, which allows us to publish publisher reports with minimal or no deviation. Reports Globe collects, separates and publishes over 500 reports each year covering products and services in many areas.

Contact us:

Mr. Mark Williams

Account Manager

WE: +1-970-672-0390

E-mail: [email protected]

Website: Reportsglobe.com

Artist Spotlight: Elliot Lee gives voice to the voiceless

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Elliot Lee is an electronic pop singer based in Brooklyn. They started streaming music on Spotify in 2018. It was then that they released many singles that would ultimately help launch their music career. Songs such as ‘Cruel’, ‘SRY ILY’, ‘Earthworms’, ‘Sleepwalking’ and ‘TV Head’ were considered relevant to listeners, especially young adults, as each dipped into feelings of loneliness and existentialism. Since then, Lee has gained a steady following, with 222,496 monthly Spotify listeners.

The singer stands out from the crowd as an artist open to discussing his autism diagnosis, as well as his struggles, and being a voice for those like him. As I sat down to talk with Lee, they provided insightful thoughts on what it means to be autistic and a musician, as well as their following and musical themes.

The Post: How did being constantly on the move as a child influence your career as a musician?

Li: I’ve lived all over the United States, which in itself was a cool experience because I moved around a lot as a kid. I have experienced many cultures. I went to high school in Florida, was born in Washington State, then lived in Hawaii and Michigan. I think the nomadic lifestyle helped me a lot to find a connection with music because it helped me stay connected to something during all the tumultuous travels.

TP: As an artist who has spoken a lot about your autism diagnosis and the challenges that come with it, why do you think it’s important to raise awareness among autistic musicians?

Li: I think it’s important because people often have a stereotype about what autism is. It can be harmful for every autistic person because it puts us all in that little box of what we’re supposed to look and act like, and it also makes people [unable to] getting diagnoses and preventing people from getting the help they need when they have autism and have these different special needs that we have. I think it’s important to have role models who are like you, and I know a lot of autistic people who don’t really have someone to look up to in the industry who is openly autistic. I’m sure there are autistic musicians out there, I’m sure there are, but few are open to talking about it. I think for me it’s a call to be there and to be the voice for some of us who can’t even speak and I think to be a spokesperson for all of us.

TP: Your fan base is called the “chewing gum army”, how did this come about?

Li: I wanted to give them a name because they deserved it. I don’t necessarily like to call them my fans because it’s a little too self-aggrandizing to call them fans. There are people who like my music, so I want to give them a nice name. At first I was called ‘the voice of the voiceless, the soldier of the different’ so I was like we can all be soldiers together and this movement towards the voice of the voices and be the spokespersons for one another of others and also get our stories out there. I think it’s just important to think about it that way, and I think we have a movement as gum soldiers.

TP: How important are your listeners to you?

Li: I think they’re the only reason I’m even here honestly, and the reason I keep doing what I do. Sometimes it’s hard to balance what people expect of you in the industry versus what you think is right, and they’ve helped me stay on track because I only think about what that they need. For me, that’s what’s important. If the label pushes me to write a love song or whatever, I’m like, ‘Well, that’s not really what I’m here for.’ They helped me stay on track and understand where I needed to go in the future. It can be hard to stay on track when all the sides are pushing in different directions, so I feel like they’re my anchor that way.

TP: From what I’ve read, a lot of your music centers around feelings of loneliness and young adult experiences. Why do you like to write on these themes?

Li: For me, I think it’s especially important to write about the feelings you have as a teenager, because when I was a kid, I had no one for me. I kind of always felt lonely and I was always an outcast, and I had no one to turn to, to talk about my feelings, and so I think it’s important to give those people like me to give them someone to turn to “Oh, I’m not alone in these things I feel and it’s okay to have all these worries about the world.” For some of us, it’s normal to think about death and all that and that’s okay and you’re not alone. It’s part of life. You have nothing to be ashamed of because we are here for each other, which is why it is important for me to talk about it.

TP: Do you have any current music that you are working on?

Li: “I have a song coming out on June 24th. It’s a new song called ‘5,4,3,2,1’. I started promoting it on TikTok and it’s really It’s about being lied to and putting your foot down and saying “I know you’re lying to me, I won’t take it anymore.”

grace_koe

[email protected]

Artists who explore how technology affects our daily lives

The last episode of Open studio with Jared Bowen revisits conversations he had with artists about technology and art.

First, Bowen interviews artist Tabitha Soren, whose work explores our transactional relationships with electronic devices. She sees the finger swipes we leave on our screens as a roadmap of our digital selves. His photographs of these stained surfaces show how captive we are to technology. Bowen met Soren in 2019, when his exhibit, “Surface Tension,” was on display at the Davis Museum at Wellesley College.

Next, Bowen goes to the Boston Museum of Fine Arts, which has renovated and relocated its Greek and Roman galleries. While the objects in these galleries date back thousands of years, everything old is new again. The MFA uses augmented reality, 3D computer modeling, sound design and other technologies to give visitors a better understanding of how the ancient works they are viewing were made.

Then Bowen looks at the art of Fatimah Tuggar. The multidisciplinary artist uses technology both as a medium and as a subject in his work. Bowen revisits the artist’s 2019 exhibition, “Fatimah Tuggar: Home’s Horizons”, which was on view at the Davis Museum at Wellesley College.

Finally, Jared Bowen meets photographer Steve Koppel. Koppel found that for many people suffering from cancer, addictions and the like, expression can help people heal. Koppel founded the EDI Institute, a nonprofit organization dedicated to promoting recovery through imagery, which people create on mobile devices. Bowen spoke with Koppel last year about expressive digital technology.

Watch the latest Open Studio tonight at 8:30 p.m. on GBH 2, or stream live right here on our website. Subscribe to our Youtube channel to receive notifications of upcoming episodes.

Belfast electronic duo Bicep to headline hometown AVA festival

Double Brit Awards nominees Bicep have spoken of their excitement at playing their biggest festival homecoming show in Belfast next month.

London-based dance duo Matt McBriar and Andy Ferguson will bring their full festival experience to Titanic Slipways as part of this year’s AVA event, celebrating the best in local and international electronic music.

Help the kids celebrate all that makes them great on June 24 at Penn Meadows Park

Head to Penn Meadows Park on Friday morning June 24 to deck out your wheels and celebrate being exactly who you are at the Freedom Roll.

The five Ws

  • Who: All ages are welcome, but intended for children from birth to elementary school.
  • What: Come decorate your bikes, blades, strollers, carts, wheelbarrows, wheelchairs and anything that rolls. North Liberty Community Center staff will have colorful bike spokes, streamers, stickers, pennants and more to help you customize your wheels.
  • Where: Penn Meadows Park Pavilion, 310 N Dubuque St.
  • When: Decorating begins at 9 a.m., followed by a group parade throughout the park to show off your creations. Then stick around to dance and sing at a children’s concert with Little Miss Ann at 10:30am.
  • Why: There has never been someone quite like you in the world, so let’s celebrate the one and only you!

What to bring

  • Bikes, paddles, carts, wheelbarrows, wheelchairs and anything that rolls to decorate the Freedom Roll at 9 a.m. Decorations will be provided, while stocks last, but feel free to bring your own too.
  • Lawn chairs and blankets to relax while enjoying the Little Miss Ann show.
  • Snacks, water, sunscreen and anything else your group might need.

How to get there

  • Penn Meadows Park is located at 310 N Dubuque St.
  • Forget the car and walk, cycle or rollerblade to the show!

You might also be wondering

  • Penn Meadows Park has permanent restrooms on site.
  • Dogs are welcome as long as they are on a leash and you clean up after them.
  • The use of tobacco, nicotine, vaping, and other electronic smoking devices is prohibited in North Liberty parks, trails, and public recreation areas.
  • Since this event is taking place outdoors, there is no additional COVID mitigation.

stay in the loop

  • In the event of inclement weather, this event will be moved inside the recreation center gymnasium. Follow the facebook event for updates.
  • Share your photos with us by tagging the City of North Liberty and North Liberty Library on Facebook or Instagram.
  • Stay connected with the city by subscribing to the North Liberty Bulletin or signing up for news alerts.

Accessibility

We are committed to providing access, equal opportunity and reasonable accommodations at our events for people with disabilities. For accommodation, please contact [email protected] or call (319) 626-5755.

More fun on the town slate

This event is part of the City Slate, a compilation of the largest, free events produced by the City of North Liberty, with over 40 events scheduled for 2022. The year-long program of events is made possible by Adam Schechinger State Farm, Centro, Inc, The Eastern Iowa Airport – CID, GEICO Philanthropic Foundation, Hills Bank, MidWestOne Bank, Shive-Hattery, South Slope Cooperative, University of Iowa Hospitals & Clinics, and Veridian Credit Union. Explore the calendar at northlibertyiowa.org/cityslate.

Consumer and Corporate Debt Consolidation Market Report SWOT Analysis by 2030

United States, New Jersey– The Global Personal and corporate debt consolidation market The 2022-2029 research report is a valuable source of insightful data for business strategists. It provides an overview of the industry with growth analysis and historical & future cost, revenue, demand and supply data (as applicable). Research analysts provide an elaborate description of the value chain and its analysis of distributors. This market research provides comprehensive data which enhances the understanding, scope and application of this report.

The research focuses on global players operating in the Consumer and Corporate Debt Consolidation market and includes information such as company profiles, product pictures and descriptions, capacity, production, value, income and contact details. This research provides essential statistics on the state of the industry and is a valuable source of information and knowledge for companies and individuals working in the market. Along with the CAGR projection, additional metrics such as year-over-year market growth, qualitative and quantitative data are provided. Market size, value, volume, product portfolio, market description, and categorization are all highlighted. Further, current trends and technical advancements in the Consumer and Business Debt Consolidation market are highlighted.

Click the link for a sample copy of the report: https://www.marketresearchintellect.com/download-sample/?rid=333933

Market segmentation :

Key players:

  • Discover personal loans (USA)
  • Lending Club (USA)
  • Payment (US)
  • SoFi (US)
  • FreedomPlus (US)

Segment by types:

  • Credit card debt
  • Overdrafts or borrowings

Segment by applications:

Scope of Consumer and Corporate Debt Consolidation Market Report

Report attribute Details
Market size available for years 2022 – 2029
Reference year considered 2022
Historical data 2015 – 2020
Forecast period 2022 – 2029
Quantitative units Revenue in USD Million and CAGR from 2022 to 2029
Segments Covered Types, applications, end users, and more.
Report cover Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends
Regional scope North America, Europe, Asia-Pacific, Latin America, Middle East and Africa
Scope of customization Free report customization (equivalent to up to 8 analyst business days) with purchase. Added or changed country, region and segment scope.
Pricing and purchase options Take advantage of personalized purchasing options to meet your exact research needs. Explore purchase options

Get | Discount on the purchase of this report @ https://www.marketresearchintellect.com/ask-for-discount/?rid=333933

Regions are covered in Consumer and Corporate Debt Consolidation Market Report 2022 to 2029

For a comprehensive understanding of market dynamics, the global Consumer and Business Debt Consolidation Market is analyzed across key geographies, namely; North America (United States, Canada, and Mexico), Europe (Germany, France, United Kingdom, Russia and Italy), Asia-Pacific (China, Japan, Korea, India and Southeast Asia), South America (Brazil, Argentina and Colombia), Middle East and Africa (Saudi Arabia, United Arab Emirates, Egypt, Nigeria and South Africa). Each of these regions is analyzed based on market findings across major countries in these regions for macro-level market understanding.

Report Highlights

– Quantitative market information and forecast for the global consumer and corporate debt consolidation industry, segmented by type, end-use and geographical region.

– Expert analysis of the key technological, demographic, economic and regulatory factors driving Consumer and Business Debt Consolidation growth through 2029.

– Market opportunities and recommendations for new investments.

– Growth prospects for emerging countries until 2029.

For more information or a query or customization before buying, visit: https://www.marketresearchintellect.com/product/global-consumer-and-corporate-debt-consolidation-market-size-and-forecast/

There are 13 Sections to show the global Consumer and Corporate Debt Consolidation market:

Chapter 1: Market Overview, Drivers, Restraints and Opportunities, Segmentation Overview

Chapter 2: Market Competition by Manufacturers

Chapter 3: Production by regions

Chapter 4: Consumption by Regions

Chapter 5: Production, by Types, Revenue and Market Share by Types

Chapter 6: Consumption, by Applications, Market Share (%) and Growth Rate by Applications

Chapter 7: Comprehensive Profiling and Analysis of Manufacturers

Chapter 8: Manufacturing Cost Analysis, Raw Material Analysis, Manufacturing Expense by Region

Chapter 9: Industrial Chain, Sourcing Strategy and Downstream Buyers

Chapter 10: Marketing Strategy Analysis, Distributors/Traders

Chapter 11: Market Effect Factor Analysis

Chapter 12: Market Forecast

Chapter 13: Consumer and Business Debt Consolidation Market Research Findings and Conclusion, Appendix, methodology and data source

Finally, the researchers shed light on the accurate analysis of the global consumer and business debt consolidation market dynamics. It also measures enduring trends and platforms that are driving market growth. The degree of competition is also measured in the research report. With the help of SWOT and Porter’s five analyses, the market has been thoroughly analyzed. It also helps to deal with the risks and challenges faced by businesses. Also, it offers in-depth research on sales approaches.

Note: All of the reports we list have tracked the impact of COVID-19. The upstream and downstream of the entire supply chain were taken into account during this operation. Additionally, where possible, we will provide an additional COVID-19 update supplement/report to the third quarter report, please check with the sales team.

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Debt Consolidation Market Size, Share and Trends 2022-2028, Forecast by Key Players

The Global”debt consolidation market“The report provides insight into the global industry, including valuable facts and figures. This research study explores the global market in detail such as industry chain structures, raw material suppliers, and manufacturing. The debt consolidation sales market examines the major segments of the market scale. This smart study provides historical data as well as a forecast from 2022 to 2028.

The entire value chain and the critical downstream and upstream elements are examined in this report. This market report covers technical data, manufacturing facility analysis, and raw material supply analysis for Debt Consolidation industry and also explains which product has the highest penetration, its margins beneficiaries and its market shares.

Main Drivers and Obstacles:

High-impacting factors and driving forces have been studied in the Debt Consolidation market report to help readers understand the overall development. Additionally, the report contains restrictions and challenges that may hinder players. This will help users pay attention and make informed trading decisions. The specialists also looked at the next business prospects.

In its latest report, ReportsGlobe offers a comprehensive overview of Debt Consolidation Market with emphasis on keyword dynamics including driving forces, restraints, opportunities, trends and in-depth information on the structure of the debt consolidation market. Debt Consolidation Market sales in the global market will increase as business and advanced technology increase. With the covid-19 epidemic, companies have become very dependent on digital platforms to survive.

Debt Consolidation Market Segmentation:

Debt Consolidation Market, By Application (2016-2027)

Debt Consolidation Market, By Product (2016-2027)

  • Credit card debt
  • Overdrafts or borrowings
  • Others

Key Players Operating in the Debt Consolidation Market:

  • Marcus of Goldman Sachs (USA)
  • OneMain Financial (USA)
  • Discover personal loans (USA)
  • Lending Club (USA)
  • Payment (US)

Debt Consolidation Market Segment Analysis

Market research explores new data in the Debt Consolidation Market report. It examines the market size in terms of the value of each segment, as well as how market dynamics are likely to change over time. The report then divides this information into types and proposed applications, with a geographical breakdown (North America, Asia, Europe, and Rest of the World). In addition, the report examines the structure of the industry, offers estimates of growth, forecast period, revenue value, and volume in industrial applications, and sheds light on industry competition.

Scope of Debt Consolidation Market Report

ATTRIBUTES

The description

ESTIMATED YEAR

2022

YEAR OF REFERENCE

2021

FORECAST YEAR

2022 to 2028

HISTORICAL YEAR

2020

SECTORS COVERED

Types, applications, end users, and more.

REPORT COVER

Revenue Forecast, Business Ranking, Competitive Landscape, Growth Factors and Trends

BY REGION

North America, Europe, Asia-Pacific, Latin America, Middle East and Africa

Debt Consolidation Market Regional Analysis:

The Debt Consolidation market research report details current market trends, development outline, and several research methodologies. It illustrates the key factors that directly manipulate the market, for example, production strategies, development platforms, and product portfolio. According to our researchers, even minor changes in product profiles could lead to huge disruptions in the factors mentioned above.

  • North America includes the United States, Canada and Mexico
  • Europe includes Germany, France, UK, Italy, Spain
  • South America includes Colombia, Argentina, Nigeria and Chile
  • Asia Pacific includes Japan, China, Korea, India, Saudi Arabia and Southeast Asia

Goals and Objectives of Debt Consolidation Market Research

  • Understanding the opportunities and advancements in Debt Consolidation determines the market strengths, along with the key regions and countries involved in the market growth.
  • Study the various segments of the Debt Consolidation market and the dynamics of Debt Consolidation in the market.
  • Categorize debt consolidation segments with increasing growth potential and assess the market for the futuristic segment.
  • Analyze the most important trends related to the different segments that help to decipher and convince the debt consolidation market.
  • Check region-specific growth and development in the Debt Consolidation Market.
  • Understand the major players in the debt consolidation market and the value of the competitive image of the leaders in the debt consolidation market.
  • To study the key plans, initiatives, and strategies for the development of the Debt Consolidation Market.

The study thoroughly examines the profiles of major market players and their key financial aspects. This comprehensive business analysis report is useful for all new and existing participants when designing their business strategies. This report covers KEYWORD production, revenue, market share and growth rate for each key company and covers the breakdown data (production, consumption, revenue and market share) by regions, type and applications. Historical breakdown data of debt consolidation from 2016 to 2021 and forecasts for 2022-2028.

Global Debt Consolidation Market Research Report 2022-2028

Chapter 1 Debt Consolidation Market Overview

Chapter 2 Global Economic Impact on Industry

Chapter 3 Global Market Competition by Manufacturers

Chapter 4 Global Production, Revenue (Value) by Region

Chapter 5 Global Supply (Production), Consumption, Export, Import by Regions

Chapter 6 Global Production, Revenue (Value), Price Trend by Type

Chapter 7 Global Market Analysis by Application

Chapter 8 Manufacturing Cost Analysis

Chapter 9 Industrial Chain, Sourcing Strategy and Downstream Buyers

Chapter 10 Marketing Strategy Analysis, Distributors/Traders

Chapter 11 Market Effect Factors Analysis

Chapter 12 Global Debt Consolidation Market Forecast

How Reports Globe is different from other market research providers:

The creation of Reports Globe has been underpinned by providing clients with a holistic view of market conditions and future possibilities/opportunities to derive maximum benefit from their business and assist in decision making. Our team of in-house analysts and consultants work tirelessly to understand your needs and provide the best possible solutions to meet your research needs.

Our team at Reports Globe follows a rigorous data validation process, which allows us to publish publisher reports with minimal or no deviation. Reports Globe collects, separates and publishes over 500 reports each year covering products and services in many areas.

Contact us:

Mr. Mark Williams

Account Manager

WE: +1-970-672-0390

E-mail: [email protected]

Website: Reportsglobe.com

Great Blue Play Goose Favorites, Cover RHCP in Saratoga Springs

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Pre-Goose Project Peter Anspach, Big Blue, concluded a memorable five-show date streak on the East Coast from May 14-19. Featuring their first festival appearance of the season, the short-lived mini-tour managed to create significant buzz among the jam scene faithful and included stops in Philadelphia, Rhode Island, DomeFest in Ohio and a pair of New York shows in Rochester and Saratoga Springs, respectively.

Goose’s Peter Anspach performing with Great Blue in Saratoga Springs on 05/19/22

While fun-loving Anspach is best known for his work with groundbreaking psychedelic improvisational rockers goose, these shows shone the spotlight on another side of “Handini.” Fully embracing the excessive “rock star” persona that was partially removed with his main band, it was in these more relaxed, club-like environments that Anspach was truly able to release his “ya-ya’s”. The result was nothing less than live music magic.

Couldn’t attend any of the shows? Carefree! NYS Music sat down with the band for their instant classic performance at Putnum Place on Thursday May 19th and has all the sights (and some of the sounds) of what many in attendance could be heard calling “one of the best shows they’ve ever had.” have never seen.

Kicking off the show with a standout opening set of genre-bending electronic rockers escapementthe New York-based band were also joined by special guest Luke Bemand from Thepspecial on bass for the evening. With positive lyrics, danceable grooves and impressive compositions, even their seemingly straightforward jams turned into direct heaters, especially when Bemand’s slamming hand took the reins. After closing their set with a sprawling new 9-minute epic titled “Spaceship,” Escaper frontman Will Hanza humbly took the opportunity to express his sincere gratitude to those in attendance, saying “Thank you so much guys. You know, after everything we’ve been through, all of us, it means a lot that we can all come together for these things, so thank you and please keep doing it.

Will Hanza of Escaper and Luke Bemand of Lespecial performing at Putnum Place in Saratoga Springs on 05/19/22

After a brief intermission, the Thursday night funk party resumed in full force with the headliners of our evening Big Blue set their controls for the sun and took off like a rocket from hell, opening with the songs “Lily’s Tiger” quickly followed by “Willy” from their 2013 album Rewind. While many Goose fans are barely discovering Great Blue, make no mistake, it’s anything but a New bandaged. Comprised of four lifelong friends, their origins date back to their high school days in the basement. Along with Peter Anspach, Great Blue also featured Ethan Michael on guitars and sometimes keyboards, Seth Suzker on bass, and presumably paying homage to the late Taylor Hawkins by wearing a Foo Fighters shirt, was Nick Hanna on drums.

Together Great Blue have been performing for over a decade now and have four studio albums to their name. With a choice of songs in their back catalog, the band amped things up even further with a high-octane rendition of “Together Not The Same” that featured an insane guitar solo from Anspach that got completely lost in the music, smiling ear to ear while thrashing on stage in pure punk rock fury. After working on “Banana Jam” and a cover of “Sunflower” by Vampire Weekend, Goose fans in attendance became audibly excited as “Doc Brown”‘s heavy reggae groove swept through the room. While the “Back to the Future” inspired jam was originally written by Great Blue, in recent years the song has been embraced by Goose and has become a staple on their live show, but the surprises don’t shy away. wouldn’t stop there because the quartet went on seamlessly. sandwiched in another familiar Goose song in the form of “Whales” before finally returning to the reggae roots of “Doc Brown.”

Watch footage filmed by Great Blue fans performing “Doc Brown” live from Putnum Place in Saratoga Springs on 05/19/22

Following this with 2014’s “Crossfaded Mammoth”, Great Blue then unveiled their latest neo-psychedelic jam “Blue Marbles”. After “Pancakes”, someone in the audience shouted “You guys are so good!” to which Anspach enthusiastically replied from the stage: “It’s that band!” pointing at his comrades. “These guys are awesome, I love them.” Shifting gears, Peter took a moment to reflect on the group’s beloved former mascot Leo, a golden retriever who was with them in their basement debut, always sitting there no matter how on the AP was. .

“Lion in the Grass” was then played in memory of Leo and also featured one of the most memorable moments of the night when Anspach and guitarist Ethan Michael ended up playing part of the song as they were both lying on stage. “Jeff Engborg”, both a real person and a real song, came next while the main part of the show ended with an emphatic rendition of “Seeker”. As the clock ticked down to one o’clock on Thursday evening, Great Blue had yet another surprise up its sleeve. Like a spaceship returning from beyond, our fantastic journey then landed with a cover of Red Hot Chili Pepper’s hit, “Around the Word.” Suddenly, in what seemed like an unsolicited last call, the band then burst into Goose’s fan favorite, “Yeti”, perhaps the best-known song originally written by Great Blue and later adopted. by their high-flying friends.

Guitarist Ethan Michael performs with Great Blue in Saratoga Springs on 05/19/22

As the house lights came on and fans rushed to buy all of the Great Blue merchandise, more than one could be heard calling it “the best show they’ve seen in years” and “the best $15 they’ve ever spent”. “Indeed, it was a good one. Full of unbridled energy, youthful exuberance, danceable funk-filled grooves, soaring sonic peaks and over-the-top charisma, Great Blue sparked an instant classic performance that night in spa town. With their mini-run now in the rearview mirror, all eyes turn to the Westville Music Bowl this weekend when Peter Anspach joins his “other” band, Goose, to kick off their highly anticipated summer tour.

Watch footage taken by Great Blue fans covering RHCP and ‘Yeti’ from Saratoga Springs on 05/19/22

Big Blue | Place Putnum | Saratoga Springs, NY | 05/19/22

set list: Lily’s Tiger, Willy, Together Not The Same, Banana Jam > Sunflower (Vampire Weekend) > Rogue II, Butterflies, Doc Brown >The Whales

Bis: Around the World (Red Hot Chili Peppers) > Yeti

Escaper | Place Putnum | Saratoga Springs, NY | 05/19/22

set list: Res Magna > No Stings > Breakaway, Cicada, Rare Form, Enjoy the Silence, Spaceship

* This set featured Luke Bemand of Lespecial seated on bass

For more crowd-recorded video and stills from the show, check out NYS photojournalist Zak Radick’s full gallery below:

NFT Music Platform FanTiger Raises $5.5M in Seed Funding to Empower Indie Artists

ArtistFirst Technology Inc, which operates NFT music marketplace FanTiger, announced on Tuesday that it raised $5.5 million in a funding round led by Multicoin Capital. The round also saw participation from Krafton, Pravega Ventures, GAMA, Woodstock Fund, IOSG Ventures, Polygon Studios and individuals Sandeep Nailwal (co-founder of Polygon), Gokul Rajaram, Prashant Malik and Miten Sampat.

What will the funds be used for?

The company said it plans to use the funds raised to grow its team in product and technology, expand industry partnerships and onboard major artists.

Co-founders

FanTiger is co-founded by Prashan Agarwal, an alumnus of IIT Kanpur and ISB Hyderabad, former CEO of Gaana and co-founder of PropTiger, and Krishna Singh, a computer engineer from IIT Kanpur.

What does FanTiger do?

FanTiger allows independent artists to build fan communities on the platform and allow fans to play a role in shaping their careers by purchasing music NFTs. These musical NFTs give fans a chance to be part of an exclusive community with the artist and gain special privileges and earn rewards. Special privileges like early access to exclusive backstage content, dating opportunities, unreleased music, backstage access to concerts, and more. to build direct fan engagement and loyalty, he said in a statement.

Prashan, CEO and co-founder of FanTiger, said, “The music business should be about serving the best interests of artists. With the advent of blockchain, music NFTs have the ability to disrupt the structure of the music industry, just as music streaming has transformed music listening. FanTiger helps create artist-fan relationships like never before, it will usher in a new era for music. Our vision is to onboard 10 million users to our platform to own digital collectibles and boost the careers of 100,000 artists.”

Early Access Program

Prior to the official launch of FanTiger, the company opened an Early Access program for music fans at www.fantiger.com. The Early Access Waitlist gives its most eager fans a chance to get exclusive perks, like priority access to the launch of musical NFTs, an OG title, limited-edition merchandise, access to concerts music and more. The biggest attraction on its early access waiting list is the jaw-dropping 5,000 free NFTs it plans to give away to its first few members.

Investor’s speech

Kyle Samani, Partner, Multicoin, added, “The FanTiger platform is uniquely positioned to grow ownership of digital collectibles in the music industry. We are thrilled to partner with Prashan, who brings vast experience in building India’s largest music streaming platform, to once again disrupt the music industry.

“Music is one of the most exciting use cases for NFTs. Prashan’s outstanding track record as a music industry founder and leader makes him the ideal person to transform the music industry. music in a way that empowers artists and their fans,” said Polygon co-founder Sandeep Nailwal.

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Posted: Wednesday May 25th 2022, 09:55 IST

10 Emerging Artists You Shouldn’t Miss At Lightning in a Bottle 2022

Known for its eclectic and connective nature, Southern California’s Lightning in a Bottle will return with an iteration that offers attendees a bit of everything. 20th Anniversary Event Headliners Include Dance/Electronic Mainstays On Almost Everyone, Such As Glass Animals, KAYTRANADA, The Man Behind Dancing Astronaut’s Album of 2021, SG Lewis, and many more that are turning heads. But the enthusiasm of the participants does not stop there; the festival will welcome a variety of talent spanning all genres, from emerging and established artists. Below, dancing astronaut spotlights 10 must-see artists, some of whom just might be your new favorite. Be sure to check out these promising numbers ahead of Lightning in a Bottle from May 25-30.

Born and raised in New York, Blu DeTiger’s rise to fame is undeniable. Amassing 80 million streams across all streaming platforms on his debut EP, How we came here, DeTiger has clearly positioned herself in the driver’s seat of her already burgeoning career, which has led to remixes like Anna Lunoe, Flight Facilities and Tricksters. If there’s one defining aspect of the singer, songwriter, producer, and multi-instrumentalist, it’s her expertise at ripping the bass guitar that’s grabbing worldwide attention. Having already played bass for bands like The Knocks, Caroline Polachek and The Bleachers on their recent Saturday Night Live performance, it’s more than safe to say that Lightning in a Bottle attendees won’t want to miss it.

House music visionary VNSSA upped the ante this year, making way for Music4TheMasses, via Diplo’s Higher Ground imprint. 2022 also saw her working alongside LP Giobbi on his compilation FEMME HOUSE earlier this year, in addition to touring with friends and frequent collaborators Walker & Royce. VNSSA’s renowned history gives way to its crisp sound design and upbeat live show, and as all Coachella attendees can attest, it’s sure to bring the heat to this festival circuit.

In the wake of their Inevitable tour, postponed from 2019, the overseas MEMBA family members are more primed than ever for the 2022 festival circuit. Riding through the pandemic, releasing one electronic anthem after the next, including features with EVAN GIIA, Nevve, Alexander Lewis and many others, the New York natives have amped up their sound. Offering intricate synth work and a robust tone, MEMBA’s live set is sure to take fans’ breath away.

If fans are looking for a unique and expertly crafted sound design, look no further. Hailing from Orange County itself, Vinny Pisciotta, better known as Rome in Silver, has competed in Dancing Astronaut’s radar since 2017, when it made its on-site debut in our 5 Under 5k feature. Since then, the local SoCal has grown from around 2,000 loyal listeners on SoundCloud to 300,000 on Spotify, cultivating a following of bass enthusiasts. Signed to San Holo’s bitbird imprint, Pisciotta links his own sound to that of Robotaki and MEMBA. Releasing his 2021 EP, fortune moonvia bitbird and joining San Holo as part of their North American tour last year, Rome in Silver has taken their trip to the next level.

A recent addition to Dancing Astronaut’s 5 Less than 5k Vol. Aged December 31, 2021, Jon Casey has already started making major waves in bass music, soaring to nearly 40,000 monthly listeners on Spotify in less than a year. A stalwart of RL Grime’s Sable Valley footprint that has made its way to the Sand Valley Summer Vol. 1 compilation, the bass provider offers elements of trap, dubstep, etc. Gaining popularity through his collaborative track with IMANU, “Kotoro,” which landed on RL Grime’s highly anticipated “Halloween IX,” Casey boldly showed the stage what he can do.

Young on the scene, HoneyLuv has already lived several lives. From playing college basketball to becoming a US Navy sailor, HoneyLuv has now made a name for himself as a house DJ, and an impeccable DJ. In an industry very clearly dominated by Caucasian men, HoneyLuv has already defied all odds in her short-lived but ever-growing career. Since releasing her debut single in late March 2021, HoneyLuv has worked alongside LP Giobbi’s Desert Hearts, Groove Cruise and Femme House, while also landing her own radio show on iLL Donuts Radio, “House of Honey.” To say it was an explosive start to an illustrious and long career would be a colossal understatement.

Supporting CloZee, the psychedelic patroness of dance music, during her recent shutdown neon jungle tour, Of ​​The Trees blazes its own trail filled with warbling basses and chilling soundscapes from its Maine-based studio. By recently bringing their own Memory Palace label to life, Of The Trees have found a place for their distinctive sound to thrive alongside like-minded peers. Generating downtempo beats with ethereal-toned singers on his The Tale of Elegos EP, the emerging artist composes bass-riddled entities entirely in their own dance music lane.

When it comes to electronic music, the realms of folk and blues are generally well separated; that is, unless Canadian duo Moontricks have something to say about it. Blending gritty bass with soulful vocals, Moontricks created their own space entirely with a live show to boot. Joined on stage by an assemblage of guitars, keyboards, banjo and an inspiring vocal range, the multi-instrumentalists take the world by storm. Playing folk festivals one weekend and dance music events the next, Moontrick’s versatility remains unmatched.

With just over 1,500 monthly listeners on Spotify and almost no news online, their music should speak for itself, and it does. The mixed trio fuses passionate vocals and seductive guitar progressions with an electronic vibe and stunning instrumentation.

Founded in Los Angeles’ ICON Collective, uh…brings together Ben Bruce and Dylan Gold, who began their journey in 2014. After making major strides with their 30-minute bass mix for the Shambhala Music Festival since 2017, the duo only retained and elevated its eccentrically grimy, surreal sound.

Featured Image: Juliana Bernstein

Tags: emerging artists, Honeyluv, Jon Casey, lighting in a bottle, MEMBA, Rome in Silver, vnssa

Categories: Features

The Sunset Music Festival returns to Raymond James Stadium in Tampa

If the Sunset Music Festival this Memorial Day weekend is anything like last year’s, it’ll be a win in John Santoro’s book.

Festival co-producer and founder of Sunset Events, Santoro said everything went well on the production side in 2021, especially after returning for the first time since the pandemic. But he still wants to make sure guests have a good time, so he scrolls through social media to find out.

“It was really heartwarming,” he said. “We saw all the positive vibes that were emerging. So what we saw on the back-end really translated into the consumer experience on the front-end. It was great.”

Last year’s festival, the first music festival to return to Tampa during the pandemic, was a financial boon for the city. We then reported that 32,231 tickets had been sold and the festival likely generated over 9,000 hotel stays, which the festival said was about $16 million in direct economic impact. More than 20,000 out-of-town guests came to town, according to a postcode sales report.

Related: Tampa’s Sunset Music Festival generated $16 million in spending

The festival has been held in the front parking lot of Raymond James Stadium since 2012, but its first iteration was in 2006 at Vinoy Park in St. Petersburg. This year, it goes from two days to three days.

Santoro, who is co-producing the event with Disco Donnie Presents, said the event has grown over time in its footprint and coordination with the city of Tampa. They’ve come to recognize barriers they can mitigate for a better customer experience, like keeping lines short and having plenty of free water.

“I don’t think they’re buying for a specific production,” Santoro said. “I think what they buy and what we sell is an experience. … We are selling this escape from their life.

The safety of festival-goers is a top priority. It will probably be a hot weekend and dehydration is a dangerous factor. In addition to numerous free water stations, festival ‘ambassadors’ will roam the event distributing water and monitoring those in distress.

There will be several medical tents and a relaxation area with noise canceling headphones and a therapist on site. A zero tolerance drug policy including medical marijuana will be enforced. Pro tip: Don’t forget to bring sunscreen.

On the music side, the program is eclectic. There are big names like Alesso, but the lineup includes artists from many genres – a big misconception of the electronic dance music moniker.

Santoro encourages fans to go through the different stages to discover the different acts. He said a popular genre is bass, so one of the stages is dedicated to styles that are bass-heavy, like dubstep.

Zeds Dead (Dylan Mamid and Zachary Rapp-Rovan) is a Canadian duo playing at the festival on Saturday. They have played the festival in the past and remember the energy and fun vibes from the audience.

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“We have a lot of new music and we’re excited to play some of the stuff we’ve been working on,” Rapp-Rovan said. “And I expect it to be a really rowdy set again, because it always stuck in my head as being really, really crazy.”

The Sunset Music Festival takes place May 27-29 on the grounds in front of Raymond James Stadium at 4201 Dale Mabry Highway, Tampa. Single-day tickets range from $99 to $174.95. Multi-day packages are available and range from $169.95 to $374.95. To purchase tickets and for more information, visit smftampa.com.

Key Development Strategies of Debt Consolidation Market 2022 Implemented by Major Players: Marcus by Goldman Sachs (US), OneMain Financial (US), Discover Personal Loans (US), Lending Club ( United States), Payoff (United States)

Global market research examines the performance of Debt Consolidation 2022. It contains an in-depth analysis of the state of debt consolidation and the competitive landscape globally. The Global Debt Consolidation can be obtained through market details such as growth drivers, latest developments, Debt Consolidation business strategies, regional study and future status of the market. The report also covers information including the latest opportunities and challenges in the plastic additives industry, as well as future historical and debt consolidation trends. It focuses on the dynamics of debt consolidation that are constantly changing due to technological advancements and socio-economic status.

Pivotal players studied in the Debt Consolidation report:

Marcus by Goldman Sachs (US), OneMain Financial (US), Discover Personal Loans (US), Lending Club (US), Payoff (US)

Get a free copy of the 2022 Debt Consolidation report: https://www.maccuracyreports.com/report-sample/401065

A recent Debt Consolidation market research analyzes the crucial factors of Debt Consolidation based on the current industry situation, market demands, business strategies adopted by Debt Consolidation players and their growth scenario. This report isolates Debt Consolidation based on key players, type, application, and regions. First of all, Debt Consolidation report will offer in-depth knowledge of company profile, their core products and specifications, revenue generated, cost of production, contact person. The report covers forecasts and analysis of debt consolidation at global and regional levels.

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In this report, pre and post COVID impact on market growth and development is well described for better understanding of debt consolidation based on financial and industry analysis. The COVID outbreak has affected a number of Debt consolidation is not a challenge. However, the dominant players in the Global Debt Consolidation are determined to adopt new strategies and seek new funding resources to overcome the growing barriers for market growth.

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The types of products uploaded in debt consolidation are:

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Company, Private

The geographic region of debt consolidation includes:

Debt consolidation in North America (United States, North American countries and Mexico),
European market (Germany, French plastic additives market, United Kingdom, Russia and Italy),
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Plastic Additive Africa (Saudi Peninsula, United Arab Emirates, Egypt, Nigeria and South Africa)

The Plastic Additive report provides past, present and future Plastic Additive industry size, trends, and forecast information related to expected revenue, growth, Plastic Additive, and Plastic Additive supply scenario. Also, the opportunities and threats for the development of the debt consolidation forecast period from 2022 to 2029.

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In addition, the Plastic Additives report gives information about the company profile, market share and contact details, along with an analysis of the Plastic Additives industry value chain, rules and methodologies. of the plastic additives industry, the circumstances causing the growth of debt consolidation and the constraint blocking the growth. The scope of debt consolidation development and various business strategies are also mentioned in this report.

Candy, Daphni (Caribou), Delicate Steve and more

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So many artists, so many songs, so little time. Every week, we review a handful of new albums (from all genres), round up even more new music that we’d call “indie” and talk about what’s coming out of metal. We post music news, track premieres and more all day. We update a weekly playlist of some of our current favorite tracks. Here is a daily summary with a bunch of interesting and recently released songs in one place.

CANDY – “TRANSCEND TO WET”

Metallic hardcore maniacs Candy have shared the second taste of the upcoming LP paradise is here, and this one shows a very different side of Candy, taking them into loud electronic/industrial territory. It’s very different from the first single, but just as punishing in its own way.

DAPHNI (CARIBOU) – “CHERRY”

Caribou’s Dan Snaith also makes dance music under the moniker Daphni, and he just released his first song in three years under that moniker, the punchy, shimmering “Cherry.”

XENIA RUBINOS – “HOMEBODY” (NAI PALM COVER)

The latest edition to Sound of Saving’s “Song That Found Me At the Right Time” series, a collaboration with the National Suicide Prevention Lifeline, features Xenia Rubinos covering Nai Palm’s “Homebody.” “You don’t have to rush to talk about what you’re going through,” says Xenia. “You don’t need to have the words. You don’t need to know. You can take your time. Try to share or be with people. The more we can share, the more we feel in it. ‘comfortable at our own pace, the more we can help each other know that, yo, ‘it’s possible!. The sun can come out.'”

ADA ROOK – UGLY DEATH NO REDEMPTION ANGEL CURSE I LOVE YOU

Black Dresses’ Ada Rook calls her new album “the sequel and killer of” 2018 shed the blood and 2020s 2,020 knives.

MUSEUM OF LIGHT – “SCHOOL OF DRUG”

The Seattle Museum of Light trio (whose line-up includes Rob Smith of Traindodge on drums) will release their debut album Horizon on June 10 via Spartan Records. It was recorded with Scott Evans of Kowloon Walled City, and their spacious yet punchy mix of post-metal and post-hardcore should certainly appeal to fans of this band and others of that ilk.

STEVE DELICATE – “MIRROR”

“This song is about what it was like to be young and free and in a band with your friends, to travel and play music with no worries, to meet people, to see the world,” says Delicate Steve about this new track from his upcoming album after hours. “The song – the chords and the music – came to me without much effort in the studio, but the melody took time and it was very hard to figure out what the song was trying to say. But I knew I had when all the notes were in the right place, and the song title came at exactly the same time.

ACID KLAUS (MOONLANDINGZ) – “PARTY SIZED AWAY DAY” FT MARIA UZOR

Adrian Flanagan, of Moonlandingz, Eccentronic Research Council and International Teachers of Pop, has announced a new solo project, Acid Klaus, which will feature collaborations with a variety of guest vocalists. An album is due out later this year and he just shared Acid Klaus’ debut single, a banger from a track featuring Sink Ya Teeth’s Maria Uzor which was released via Yard Act’s Zen FC label. Said Flanagan, “I really imagine this track will be the soundtrack to all the best garden parties this summer, but not Downing Street!”

FLUID WOMAN – “BRIGHT CENTER”

Berlin-based electronic producer Wilted Woman is back with this understated yet effervescent track for Erol Alkan’s Phantasy Sound label. Former Hercules & Love Affair member Kim Ann Foxman’s remix is ​​more explicitly dancefloor oriented.

SUPERCRUSH – “PERFECT SMILE”

Seattle’s Supercrush is unapologetically 90s from the name on and it’s another super catchy, fuzzy track from the upcoming EP, melody maker.

NIGHTLANDS (MEM TWOD) – “NO FUCK FOR THE ALONE”

Dave Hartley from The War on Drugs will release Moonshine, his new album as Nightlands, on July 15th and he just shared another track from it. “‘No Kiss for the Lonely’ is the first song I started working on for this album, even before the birth of my daughter, Hazy, who is about to turn four,” says Hartley. “So this is a song that’s been in my head for a while. The whole record was made in a very lonely way, partly because of the pandemic but also because of my new lifestyle as a father and musician You have to find new ways to find time to create when you have to take into account the needs of children.

OLIVER SIM (THE XX) – “HIDEOUS” FT JIMMY SOMERVILLE

xx’s Oliver Sim has announced his debut solo album, Hideous Bastard, which will be released on September 9 via Young. The lush “Hideous,” which was produced by fellow xx bandmate Jamie xx, features Bronski Beat and Communards co-founder Jimmy Somerville.

SWEDEN – “SHE ALWAYS DRIVES ME”

Autofiction is our punk record. No whistles or bells,” Suede frontman Brett Anderson says of the band’s ninth album. “Just the five of us in a room with all the glitches and bullshit exposed; the band exposed themselves in all their primitive mess.” Here’s the first single.

ALEX G – “BLESSING”

Alex G’s new single “Blessing” begins with a woozy synth explosion and develops into a ’90s-style alt-rock track.

TWENTY2 – “GRUDGE”

Montreal punk veterans Twenty2 are back and releasing a reunion album which was co-written with Good Riddance guitarist Luke Pabich and features Sean Sellers, Luke’s GR bandmate on drums. You can read more about the new single “Grudge” here.

SACK (LILLINGTONS, TEENAGE BOTTLEROCKET) – “WET BANANA”

SACK is a “mysterious” punk band from Denver, but they have famous rotating members, and for their next album Ripper!, lead vocals are provided by Kody Templeman of the Lillingtons and Teenage Bottlerocket (who goes through Bruzzy in that band). Learn more about the new single “Wet Banana” here.

HIS HEAD IS ON FIRE (GARNISON, LITTLE BROWN BIKE, SAVE THE BET) – “COMMON SHAME”

Her Head’s On Fire is another new band fronted by Sid Jagger aka Joseph Grillo of Garrison, Gay For Johnny Depp, etc. which also includes members of Small Brown Bike and Saves The Day, and they are gearing up to release their debut LP on Iodine Recordings this summer. You can read more about the new single “Common Shame” here.

Looking for even more new songs? Browse the archive of new songs.

New York Music Month Unveils Full Schedule

The New York City Mayor’s Office of Media and Entertainment has announced the full slate of programs for the fifth annual New York Music Month, which will run throughout June 2022 in New York City.

This year’s NYMM will feature a combination of in-person and virtual programming, with more than 20 events, including a one-day industry conference on the future of New York’s music industry, power-building workshops skills, free rehearsal space, a songwriting camp, and showcases of emerging New York artists. This month-long series aims to support songwriters, established musicians, emerging artists and the entire New York music community, many of whom have been severely impacted by the pandemic. Information about all events is available at NYMusicMonth.nyc.

NYMM signature components include:

  • The Future of NYC’s Music Business: Annual Conference will be held in person from 10:00 a.m. to 4:30 p.m. at CUNY City Tech in partnership with the NYU Steinhardt Music Business Program sponsored by SoundExchange. The conference will feature a mix of speed chats, fireside chats and panels with over 40 industry leaders. Guest speakers include Anna Bond of Songtrust, Ariel Palitz of the Mayor’s Office of Media and Entertainment Nightlife Office, Emily White #iVoted Festival Founder, Author and Podcast Host, Daniel Glass of Glassnote Music, Hank Shocklee formerly of Public Enemy, Joaquin Waah Dean of Ruff Ryders Entertainment, Justin Kalifowitz of Downtown Music Holdings, Michael Dorf of City Winery, MoRuf Adewunmi (musician/rapper/songwriter/community activist), Natalia Nastaskin of Primary Wave and Paul Shaffer formerly of The late show and more.
  • Anti Social Camp: Presented by the Anti Social Producers Club, this three-day, invitation-only songwriting camp aims to strengthen New York’s music community and creative economy. More than 100 signed artists, writers, producers, labels and publishers will gather in person at New York studios for dozens of recording sessions with the goal of creating new commercial music that will influence culture and support music professionals. New York-based music industry. Below is information on other camp events for the public, including the Opening Ceremony, Anti Social Women Running Music Panel, Gear Day Information Sessions, and Spotify Noteable Industry Showcase.
  • Free Rehearsal Space: Through a partnership with the Brooklyn Conservatory of Music, over 1,000 hours of free rehearsal space will be available during NYMM at any of the Conservatory’s 17 studios.
  • Community Calendar: The NYMM website offers a calendar for users to download free and paid music events taking place in June in all five boroughs.
  • Concert Series with the Department of Parks: A 9-concert series in underserved communities in the Bronx and Queens with culturally relevant performances including Lady Bird Sunshine, Bobby Sanabria, Yasser Tejada, Bambara, Dr. K’s Motown Review and more Again ! Times and locations are listed below.
  • 4 Masterclasses with the New York Chapter of the Recording Academy: The Producers and Engineers Committee of the New York Chapter of the Recording Academy will present four masterclasses on the mechanics of making a record, the art and the magic of mastering, and time management and advice for producers. Featured presenters will include Grammy Award winner Ann Mincieli, George Massenburg, Fernando Lodeiro, Mario McNulty, and more. Virtual classes are held every Wednesday in June at noon; see below for details.
  • 300U and Demystify: 300 Entertainment is honored to be a partner of New York City Music Month. The award-winning New York-based record label will continue its support of independent music by producing four episodes of its digital series, 300U. Episodes of the popular series will highlight Black Music Month with a tribute to genres created and cultivated by Black artists, including Reggae/Ska/Afrobeat, Hip Hop, R&B, DJ/House/Dance Music. The virtual series will be presented every Thursday in June at 8 p.m.; see below for details. Additionally, they will host an artists-only panel discussion and present three micro-episodes of Demystify, a music business series dedicated to nurturing independent artists; see below for details.
  • Make it Live! : Led by talent buyer and Drom educator Mehmet Dede, this series is an essential primer for independent artists and performers who will discover tools, tactics and insider tips on how the world of independent booking works. This year, in addition to the in-person workshops, attendees will have access to instructional videos before the masterclass and meet their cohort online to begin networking. The presentation will cover an introduction to booking venues in New York, writing the perfect pitch email, and creating an electronic press kit. Times and locations are below.
  • RAMP Up Your Game: RAMPD is a national coalition (based in New York) that aims to amplify disability culture, promote inclusion, and champion accessibility within the music industry. RAMPD will host a virtual webinar educating D/Deaf musicians, musicians and music professionals with disabilities on how to become more established and competitive in the music industry. Times and locations below.
  • Collecting royalties for producers and songwriters with Songtrust: Experts from Songtrust, a New York-based global publishing administration service, will review the rights of musicians, songwriters, producers and any person involved in the creation of a song, to ensure that royalties are collected. Times and locations are below.

In-person events include:

  • NYMM Concert Series Features R&B Singer, Lady Bird Sunshine
  • Saturday, June 4, 4:00-6:00 p.m.
  • Gil Scott Amphitheater (St. Anne’s Ave. and E. 146andBronx)
  • NYMM Concert Series Features African Band Bambara
  • Saturday, June 4, 4:00-6:00 p.m.
  • Roy Wilkins Park (Merrick Blvd. between 115and & 116and Avenues and Baisley Blvd., Queens)
  • NYMM Concert Series Features Big Band Salsa Star Bobby Sanabria
  • Saturday June 11, 5:00-7:00 p.m.
  • Soundview Amphitheater (Rosedale Ave. and Lacombe Ave., Bronx)
  • NYMM Concert Series Features Jamaican/R&B Band, Derrick Barnett & The Statement Band
  • Saturday June 11, 4:00 p.m.-6:00 p.m.
  • Archie Spigner Park (169and, Merrick Blvd., Marne Pl. between. Linden Blvd, Sayres Ave and 111and path, Queens)
  • Launch of the Anti-Social Camp, with celebrity interviews, panels and networking
  • Monday, June 13, 11 a.m.-5 p.m.
  • D’Angelico Showroom (141 W. 28and St, Manhattan)
  • Spotify Noteable Presents Anti-Social Camps Industry Showcase
  • Monday, June 13, 6 p.m.-9 p.m.
  • It’s Alright Baby (146 Broadway, Brooklyn)
  • Make it live! Book and market your next show; Masterclass with Mehmet Dede
  • Tuesday, June 14, 2022, 5:00-8:00 p.m.
  • Berklee NYC (441 West 53rd street, Manhattan)
  • NYMM Concert Series Features Caribbean Folklore Star, Yasser Tejada
  • Saturday June 18, 5:00-7:00 p.m.
  • Mullaly Park (Jerome Ave. to River Ave. between E. 164and and McClellan St. to Cromwell Ave., Bronx)
  • NYMM concert series features hip-hop star Ralph McDaniels and friends
  • Sunday, June 19, 3:00-5:00 p.m.
  • Roy Wilkins Park (Merrick Blvd. between 115and & 116and Avenues and Baisley Blvd., Queens)
  • NYMM Concert Series Features Motown Band, Dr. K’s Motown Review
  • Friday, June 24, 3:00-5:00 p.m.
  • Baisley Pond Park (Sutphin Blvd. and Baisley Blvd., Queens)
  • NYMM Concert Series features reggae/Caribbean band Therapi
  • Saturday June 25, 5:00-7:00 p.m.
  • Haffen Park (Hammersley Ave. to Burke Ave. between Ely Ave. and Gunther Ave., Bronx)
  • Make it live! Book and market your next show; Masterclass with Mehmet Dede and guest artist Scott Kettner
  • Sunday June 26 12:00-3:30 p.m.
  • Drom (85 Avenue A, Manhattan)

Virtual events include:

  • 300 Entertainment presents the 300U digital series: HIP HOP
  • The Recording Academy NY Chapter Presents Advice to Producers with Alissia Benveniste
  • Wednesday, June 8, 12:00-1:00 p.m.
  • RAMPD Presents Celebrating and Elevating Creators with Disabilities
  • Thursday, June 8, 12:00-1:00 p.m.
  • 300 Entertainment Presents 300U Digital Series: R&B and Soul
  • Thursday, June 10, 8:00 p.m.
  • The Recording Academy New York Chapter presents Demystifying the Mastering Process with Maria Rice and Jeff Lipton
  • Wednesday, June 15, 12 p.m.-1 p.m.
  • 300 Entertainment presents the 300U Digital Series: Reggae/Ska/Afrobeat/Dance Hall
  • Thursday, June 19, 8:00 p.m.
  • The Recording Academy NY Chapter presents The Mechanics of Making a Record with Joe D’Ambrosio, Kim Rosen, Angie Teo, Fernando Lodeiro and Mario McNulty
  • Wednesday, June 22, 12 p.m.-1 p.m.
  • Songtrust Introduces Royalty Collection for Producers and Songwriters
  • Friday, June 24, 12 p.m.-1 p.m.
  • 300 Entertainment Presents Demystify the Music Business Series
  • 300 Entertainment presents the 300U Digital Series: DJ
  • Thursday, June 26, 8:00 p.m.
  • The Recording Academy NY Chapter presents Immersive Audio Deep Dive with Ann Mincieli, Michael Romanowski, George Massenburg and Eric Schilling
  • Wednesday, June 29, 12 p.m.-1 p.m.

The full list of NYMM 2022 events and activities is available at NYMusicMonth.NYC.

The 2021 iteration of New York Music Month, dubbed New York Music Month Extended Play, ran from January to June 2021 and featured 77 events in total. With a mostly virtual lineup of performances, talks and resources for adults and young viewers, over 1 million people have participated/interacted with content and managed to provide artists and fans with opportunities to enjoying New York’s music industry during the pandemic.

“Music has been and always will be part of our city’s rich multicultural heritage, serving to bring us together in the best and worst of times,” said New York City Mayor Eric Adams. “It served as a lifeline for all of us during the pandemic and now it’s time for New York Music Month to come back in person. The month-long celebration will connect our musicians to work, our audiences to inspiring moments, and remind the world that music is the heart and soul of New York City.

“New York Music Month returns with live and in-person events, signaling to the world that our vibrant music industry will continue to make valuable contributions to the city’s cultural and economic recovery. This month-long series of concerts, panels and workshops demonstrates this administration’s support for an industry that has suffered during the pandemic by providing economic opportunities for artists and venues, while producing a variety of experiences for all New Yorkers,” Deputy Mayor Maria Torres-Springer said.

“We are thrilled to announce the return of New York Music Month in June, offering a mix of live and virtual programs that showcase, bring together and support the diverse talent and creativity of New York’s music community,” said the commissioner from the mayor’s office. media and entertainment, Anne del Castillo. “Our musicians, industry professionals, and venues have spawned some of the most influential music in the world, and New York Music Month celebrates this sector’s role in elevating our city’s reputation as a as the creative capital of the world.”

Kx5 (deadmau5 and Kaskade) Surprise Subtronics on Stage at EDC for “Escape” Remix – EDM.com

Subtronics was greeted by two living legends in its biggest performance yet.

Amid its massive takeover of the circutGROUNDS stage on Saturday night at EDC Las Vegas 2022, Subtronics has released a new remix of Kx5 and Hayla’s track, “Escape.” With the new overhaul underway, none other than Kx5 (deadmau5 and Kaskade) themselves, have joined the bass titan on stage. On Twitter, musical key shared a capture of the heartwarming moment from EDC’s live stream.

As seen in the video, Subtronics was attacked by an excited deadmau5 as he and Kaskade crushed his set. The three producers then hugged before Subtronics enthusiastically jumped onto the decks and dropped their bass-heavy reimagining of the March single as the two veterans looked on in support of the young superstar. Predictably, fans of all three artists shared in Subtronics’ excitement at being blessed by two of the greatest artists in electronic music history in one of the happiest moments ever. this year’s EDC.

As of this writing, neither Subtronics nor Kx5 have announced when the heavy remix of “Escape” will be released.

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FOLLOW THE SUBTRONIC:

Facebook: facebook.com/Subtronicsofficial
Twitter: twitter.com/subtronics
Instagram: instagram.com/subtronics
Spotify: spoti.fi/3jEqAfS

FOLLOW DEADMAU5:

Facebook: facebook.com/deadmau5
Instagram: instagram.com/deadmau5
Twitter: twitter.com/deadmau5
Spotify: spoti.fi/2TebC8c

FOLLOW KASKADE:

Facebook: facebook.com/kaskade
Twitter: twitter.com/kaskade
Instagram: instagram.com/kaskade
Spotify: spoti.fi/3fHaUGk

Global Consumer and Business Debt Consolidation Market Share History and Forecast 2022-2030 – The Daily Vale

This major report presents a clear view of the current performance of the global consumer and corporate debt consolidation market and its likely development in the coming years. The key findings of the Global Consumer and Corporate Debt Consolidation Market report focus on changing Global Consumer and Corporate Debt Consolidation Market dynamics, substantial new opportunities, critical forces likely to contribute to the growth of the global consumer and corporate debt consolidation market. in both advanced and developing economies.

This report focuses on the major players in the global consumer and corporate debt consolidation market:
Discover Personal Loans (US), Lending Club (US), Payoff (US), SoFi (US), FreedomPlus (US)

Get a FREE sample PDF copy of the report @ https://marketstrides.com/request-sample/consumer-and-corporate-debt-consolidation-market

The report undertakes research and analysis that helps market players understand the global Consumer and Business Debt Consolidation in Advanced and Developing Economies market status, future market scenarios, opportunities and to identify solutions on how to organize and operate in the Global Consumer and Business Debt Consolidation. market. The report begins by examining how the global consumer and corporate debt consolidation market has evolved through the pandemic to this post-pandemic point, the key forces at work, the implications of the covid pandemic -19 on business and policy makers. Most importantly, the report carried out an in-depth analysis of the selected segments and countries.

A detailed analysis of the capital-intensive market companies, their strategic trends and their impacts on industry production and growth are studied in the report. The objective of the report is to showcase forces that would impact different parts of the current global Consumer and Business Debt Consolidation industry. The report aims to map the risks faced by different regions, countries, and segments operating in the market, along with offering a range of options and responses. It recommends best practices to improve efficiency, protect against future risks as well as supply chains against possible threats. Finally, the report helps market players to anticipate trends and seize market opportunities with the data and forecast provided in the report.

Sector Consumer and Business Debt Consolidation: Main form of product:
Credit card debt, Overdrafts or borrowings, Other

Apps containing:
Company, Private

Global Consumer and Business Debt Consolidation Market Research Report Offers–

— The report discusses the main mergers and acquisitions, organic investments including R&D.
— The report presents a study on the response of major manufacturers to understand the elasticity of target markets.
– The report provides a detailed assessment of the long-term outlook of the global Consumer and Business Debt Consolidation Market.
– The report assesses business segments, products, services, and supply channels of the global Consumer and Business Debt Consolidation Market.
– The report highlights the challenges faced by global Consumer and Business Debt Consolidation Market players in expanding into new sectors, trading in certain goods or products during the pandemic, and expanding into new ones. consumer segments.
– The report highlights both opportunities and threats shaping the global consumer and corporate debt consolidation market, particularly the consumer segments.
– The report examines the Global Consumer and Commercial Debt Consolidation Market’s financial structure, business and operating models.
— The report identifies the innovation strategies adopted by well-established companies in the global Consumer and Corporate Debt Consolidation market.

Key questions answered by the report include:

  • Which new builders are strongly growth oriented and likely to achieve aggressive growth in the years to come?
  • What is the largest geographical area in the Global Consumer and Business Debt Consolidation Market?
  • How Did the Pandemic Diversify Impact on Global Consumer and Corporate Debt Consolidation Market GDP in Selected Countries?
  • What is the global economic outlook for the Consumer and Business Debt Consolidation industry?
  • What are the performance indicators of the Consumer and Commercial Debt Consolidation sector between 2019 and 2020?
  • How are market players recovering from the covid-19 pandemic?
  • What is the road to recovery from the covid crisis?
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    San Rafael artist honors history’s lesser-known players in busts

    • Courtesy of Howard Lazar

      San Rafael artist Howard Lazar with his bust of late railroad pioneer Peter Donahue. It is on display at Tiburon’s Railroad & Ferry Depot Museum.

    • A bust of music legend Duke Ellington by Howard Lazar.

      Courtesy of Howard Lazar

      A bust of music legend Duke Ellington by Howard Lazar.

    • A bust of former Sausalito mayor Sally Stanford by Howard...

      Courtesy of Howard Lazar

      A bust of former Sausalito Mayor Sally Stanford by Howard Lazar.

    • San Rafael artist Howard Lazar with his bust of the world...

      San Rafael artist Howard Lazar with his bust of World War I flying ace Lloyd Andrews Hamilton. (Courtesy of Howard Lazar)

    • A bust of James Wong Howe, a cinematographer who worked...

      Courtesy of Howard Lazar

      A bust of James Wong Howe, a cinematographer who worked on over 130 films, by Howard Lazar.

    • A bust of jazz singer Ivie Anderson by Howard Lazar.

      Courtesy of Howard Lazar

      A bust of jazz singer Ivie Anderson by Howard Lazar.

    Howard Lazar has fond memories of growing up in Tiburon, in the 1950s and 1960s, when it was still a railroad town, hearing the sounds of hammering steel and blowing torches in his family’s home in the hills. This is where he spent an idyllic childhood exploring the region and its creativity.

    So when the San Rafael sculptor unveiled his life-size bust of the late railroad pioneer Peter Donahue at Tiburon’s Railroad & Ferry Depot Museum in 2019, it felt like things had come full circle. A lifelong lover of the arts, Lazar found his passion for sculpting busts later in life, donating them to museums like the American Jazz Museum in Missouri, the Hamilton Field History Museum in Novato, the Chinese Historical Society of America Museum and the Museum of the San Fernando Valley.

    Some of the more than a dozen works by the former San Francisco Street Artist Program Director include former Sausalito Mayor Sally Stanford, movie star and Little People of America founder Billy Barty, jazz legend Duke Ellington and World War I flying ace Lloyd Andrews Hamilton, the namesake of Novato’s Hamilton Airfield.

    Q Tell me about what it was like to feature a bust in your hometown.

    A It was a great feeling, this museum building that I practically grew up in, pedaling my bike in front to go to elementary school, so there was a lot of romance for me. Tiburon at the time was unbuilt, so there was this amazing train station and grassy hill that we kids used to slide into cardboard boxes every summer. So when we had the bust unveiling of Peter Donahue, it was amazing. It is an experience I will never forget.

    Q Do your sculptures somehow preserve history?

    A Yes. I’m interested in people who have long since left Earth, people who are famous or who never got the fanfare they deserved. Sure, there are exceptions like Duke Ellington, but others I’ve done I felt deserved a bit more. I was interested in their lives and I wanted to show them at least how I perceived them, to give them their due in history and to pay homage to them.

    Q How do you approach work?

    A When I sculpt someone, I sculpt their life and times. I read everything I can get my hands on about these people. It was hard in some cases. I listen to their music, I watch their films or sometimes I play music from the era and I feel that. I’m not trying to surprise, shock or be dramatic, I want to capture someone as I think they would have been as a human being.

    Q When do we start doing busts?

    A In the 1990s I started making mini sculptures of World War II scenes which I donated to the Veterans Home of California in Yountville and the Veterans Hospital in San Francisco. A friend of mine, world-renowned sculptor Ruth Asawa, looked at my miniatures and said, “Howard, why don’t you work bigger? I said, “I feel like I can handle this,” and she said, “Someday you’re going to be great.” As soon as my eyesight started failing, I started working bigger. My first, Henry Mancini, was a full figure and then I said, let’s forget the waist, legs and arms, let’s capture the expression. But I have always made art. My mother told me that I made art since I could hold a pencil and she could recognize what I was drawing even though I could barely pronounce what it was.

    Q What brought you to sculpture?

    A I have been a painter all my life and I have done portraits. I grew up around the statues of my grandfather, he was a professional sculptor in the 1920s and 1930s. He died in his 40s so I never knew him, but I grew up around the statues that it left to my grandmother and there were a few busts. They were wonderful expressions. He caught the agony of the Great Depression happening around him. For me he was and still is the pinnacle, a classical sculptor. His work was on point. Growing up around them, I think I resisted, if ever I wanted to do a sculpture when I was younger, but the day has come. I don’t know what it was, something prompted me to dip my hands in a clay-like substance and create.

    SAC_2045 Drops OP Theme Song For Art Collective Millennium Parade Season 2

    0

    Milan Records has announced the release of millennium paradeNetflix second season opening theme song Ghost in the shell: SAC_2045. The Japanese art collective, led by king wildebeest leader Daiki Tsuneta, will perform “Secret Ceremony” as the anime’s opening theme song. The track is described as an eclectic combination of J-pop, rock, jazz and funk with synths and electronic beats.

    Additionally, the anime’s ending theme “No Time To Cast Anchor” is scheduled to be released on May 27, 2022.

    © millennium parade

    Millennium parade is a creative collective founded by Tsuneta which is made up of inspiring artists from various creative fields including musicians, film directors, visual effects artists, designers, illustrators and many more. They are inspired by the concept of “Hyakki Yakou” or “The Hundred Demons Night Parade”, which draws on the influence of Japanese folklore which saw supernatural creatures roam the streets and cause pandemonium across Japan. . They are determined to present their collective vision and awaken new values ​​to the rest of the world.

    Millennium parade previously contributed the opening song “Fly with Me” for the first season of Ghost in the shell: SAC_2045which was remixed by artist DJ Steve Aoki. They also composed the track “U” for Mamoru Hosodait is Beautiful.

    millennium parade cover photo
    © Tomoyuki Kawakami / Millennium Parade

    “Secret Ceremony” can be streamed on all music platforms, including Apple Music and Spotify. You can listen to the song HERE.


    Source: Press release

    ‘Pistol’ miniseries captures the anarchy of the Sex Pistols

    LONDON – “Are we spitting? asked a man in the crowd at the 100 Club, a small underground space with red walls, reminiscent of spilled beer, cigarette smoke and a thousand lost nights, just off Oxford Street in London.

    Yes, there would be spitting. The club was the setting for the Sex Pistols’ debut gig, which was recreated last June for ‘Pistol’, a six-part series about the British band, directed by Danny Boyle and shown on Hulu in the US and Disney+ in other territories. , from May 31.

    The Sex Pistols were the “philosophers and dress code” of the punk revolution, said Boyle, who seemed to be all over the set, talking to extras about crowd behavior, checking cameras and staring intently at monitors as actors were performing the song “Bodies” and the audience went wild.

    “I tried to do the show in a way that was chaotic and true to the Pistols manifesto,” Boyle said in a recent interview. This involved taking an experimental approach to filming: “We were just shooting entire scenes, entire performances, not knowing if we had captured the ‘right’ shot or not. That’s all you’ve been taught not to do.

    Thomas Brodie-Sangster, who plays Malcolm McLaren, the band’s manager, with virtuoso panache, said Boyle’s approach was unlike anything he had experienced on set before. “You felt it could go wrong, but you could trust Danny and dive in and experiment – very Sex Pistols!”

    The result is a charged, visceral, cubist portrait of the flamboyant rise and explosive fall of the Sex Pistols, whose brief existence from 1975 to 1978 made punk rock a global phenomenon and whose anarchic songs (“God Save the Queen”, “Pretty Vacant”) have become anthems for the malcontents.

    The series, written by Craig Pearce, is based on the memoir “Tales of a Lonely Boy” by guitarist Steve Jones. But Boyle said that while Jones’ story was “a wonderful entry point”, he and Pearce had tried to paint a composite picture of the whole band and the world of the 70s from which it emerged. (The band originally included Jones, vocalist John Lydon, known as Johnny Rotten, drummer Paul Cook and Glen Matlock on bass, replaced in 1977 by Sid Vicious.)

    The first episode opens with a montage of archival footage: The Queen politely waving to the crowd; a scene from the burlesque films “Carry On”; David Bowie performing; strikers and garbage piled up in the streets. When we meet Steve (Toby Wallace), he’s busy stealing sound equipment from a Bowie concert. (The singer’s lipstick is still on the mic.)

    Steve and his mates are angry, bored and “trying to put together enough for another pint”, he tells them as they discuss what their group should wear. “So, no costume?” asks the unfortunate Wally, who is quickly fired from the group.

    “It’s hard to overestimate how moribund and moribund British society was for these guys,” said Pearce, who met Jones, Cook and other figures close to the band before writing most of the script. in his native Australia during the first months of the pandemic.

    “The promise of the Swinging Sixties did not materialize; rock ‘n’ roll freedom hasn’t happened to most kids,” Pearce said. “There was a feeling that if you were born in a certain class, you couldn’t escape. You had to accept what was given to you.

    Then, he said, came “this bunch of kids who said, you’re sleepwalking through life.”

    Boyle, he added, has always been his “dream director” for the show. “We couldn’t believe it when he immediately said he wanted to do it.”

    Turns out Boyle couldn’t believe it either. “I’m very musically driven, but I never imagined doing the Pistols,” he said. “I had followed John Lydon’s career closely, and the hostility he felt for others was no secret.” But after reading Pearce’s script, Boyle immediately said yes.

    “Which was ridiculous,” he said with a laugh, “since I didn’t even know if we would have the music, the most important thing.”

    Lydon objected to both the use of Sex Pistols music and the show itself, but ultimately lost his case when a judge ruled the terms of a band deal gave Cook and Jones a majority vote. Boyle said he tried to contact Lydon during the dispute. He added that he hoped the series would “reveal the genius and humility” of the leader.

    Boyle said that although he did extensive reading and research, speaking to everyone he could find who had been involved with the band, he ultimately trusted his intuition to formulate an approach to the series.

    “I grew up in a working environment similar to Steve and those guys,” he said. “We are exactly the same age and I am passionate about music. I had to explain to the actors what the 1970s were like; they just don’t realize how little stimulation there was, how you waited all week for the lifeline of the New Musical Express to appear on a Thursday!

    Before filming began, the actors playing the band members spent two months at a “band camp,” with a daily routine of music lessons, vocal coaching, and movement practice. Sometimes Boyle would talk to them about the 70s and show them pictures. Then, led by Karl Hyde and Rick Smith of the British electronic music group Underworld, they will spend hours playing together.

    Boyle said he mostly avoided recruiting trained musicians. “I didn’t want anyone to be locked into one expertise,” he said, adding that Jacob Slater, who plays Cook, was a great guitarist but needed to learn drums.

    He also decided not to do any post-production work on the music. “Like the Pistols, we just had to get up and, imperfect as we were, go for it,” said Sydney Chandler, who plays American singer Chrissie Hynde. Chandler’s character is one of many memorable women on the show, alongside creator Vivienne Westwood (Talulah Riley), Nancy Spungen (Emma Appleton), and punk icon Jordan (Maisie Williams).

    As for the band members, “we didn’t want to be homages or caricatures,” said Anson Boon, who plays Lydon and, like his character, had never sung before. “The Pistols produced a wall of raw, angry sound and we wanted to capture that essence without trying to make an impression.”

    Playing a character who is also a real person was daunting but fascinating, said Wallace, who spent time with Jones before filming began. “We talked a lot about his family and then he gave me the first guitar lesson I really had.”

    The series shows Steve’s unhappy childhood, which Wallace considered essential to the “anger and frustration” of Jones, he said, and led him to create “a group that represents the unrepresented .

    Working on the series, Boyle said, had made him realize the importance of the Pistols beyond the music. “They were a bunch of working-class guys who broke the order of things, more than the Beatles did,” he said. “It was particularly resonant in the UK, where the way you were expected to behave was so ingrained.”

    The Pistols, he added, gave their fans permission to do whatever they wanted, to waste their time however they wanted, to shape their own lives in a unique way.

    “They gave meaning to the goallessness,” he said.

    Top 5 most watched EDM videos on YouTube

    EDM’s popularity has exploded over the past decade, especially among the younger adult generation.

    The genre has produced some of the biggest sensations in the pop music industry, consistently serving up thrilling singles and albums with captivating beats and vocals.

    The popular channels only seem to have more viewership. But for those just starting out, getting an audience can be hard enough. Sometimes you have to buy 200 YouTube views for cheap from reliable vendors to grab attention and grow your reach organically. This is not the case for most popular EDMs.

    If you are a music lover, there is a good chance that you have vibrated on an electronic or dance piece. The electronic instrument and synthesizers that create repetitive, pulsating sounds make it distinct and popular on the dance floor. Below are some things to know about EDM music and the best dance floor videos on YouTube.
    .
    What is a GED?

    EDM, or Electronic Dance Music, is a genre characterized by its heavy use of electronic instruments and synthesizers and its focus on rhythms suitable for dance floors. Therefore, it is often used in nightclubs and festivals and featured in movies and TV shows.

    This genre was born in the early 1980s in Europe and has enjoyed enormous popularity in recent years, with festivals such as tomorrowland and Electric Daisy Carnival attracting hundreds of thousands of fans. The genre has also spawned numerous subgenres, each with its own unique sound.

    The most popular EDM subgenres are:

    Trance is characterized by its heavy use of synthesizers and its melodic sound.
    Dubstep is known for his deep basslines and chaotic percussion.
    House is generally upbeat and melodic. Its rhythms are designed to dance
    Trap is characterized by its heavy bass and 808 drums, often combined with ambient synth pads and sound effects to create a dark and atmospheric sound.
    tech is generally characterized by a repetitive 4/4 rhythm and powerful bass lines. It is faster than most other forms of EDM.

    Top 5 most watched EDMs on YouTube

    Electronic dance tracks have been around since the early 80s, with techno and house being two of the earliest forms of the genre. However, EDM has grown in popularity in recent years, with many DJs and producers topping the charts and selling out arenas around the world. These songs keep getting promotions and attract new audiences to their chain.

    Here are five of the most viewed EDM tracks on YouTube

    Gangnam Style | psy | 4.4 billion views

    Gangnam Style is a single recorded by South Korean rapper Psy. The song was released on July 15, 2012, as part of his album titled Psy 6 (Six Rules). The song was a worldwide hit, gaining over a billion viewers on YouTube in December.

    With over 4.4 billion viewers on YouTube, it’s one of the most-watched videos of all time and certainly one of K-pop’s most successful releases.

    Recognitions

    Winner of Best Music Video 2012 for the MTV Europe Music Awards
    Song of the Year 2021, by Melon Music Awards and Mnet Asian Music Award.
    2013, Grand Prize for Digital Broadcasting awarded at the Golden Disk Awards.
    Winner of the 2013 Billboard Music Awards in the Top Streaming Song video category.
    Winner of the World’s Music Awards 2014 in the Best Song in the World category.