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Stephen Morris is “fed up” with New Order song “Blue Monday”

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To have a song of immense popularity is something that all artists secretly desire. However, the reality of the situation is often less desirable, as New Order’s Stephen Morris discovered when “Blue Monday” rose to stratospheric levels of adulation.

The drumbeat at the top of the track is one of the most recognizable sounds on the planet. His fame transcends that of New Order, who, despite a dynamic career over the past six decades, still feels overwhelmed by the song’s boundless success. It became a noose around the neck for drummer Stephen Morris, who admitted he was now “fed up” with it.

‘Blue Monday’ remains the UK’s best-selling 12-inch single of all time, and after its release the song has surprisingly climbed 186 straight weeks on the charts. Although New Order continued to release new tracks during this time, nothing they shared took interest away from the track, much to Morris’ frustration.

Their resentment towards the song only grew as more and more remixes quenched the audience’s endless thirst for the hit. Most notably, Quincy Jones and John Potoker released their version in 1988, which ranked third and maintained the song’s position at the top of the New Order agenda.

In recent years, due to its continued presence in popular culture, “Blue Monday” remains the first thing that comes to mind when people think of New Order. blockbuster 2018 Loan Player One featured the 1998 remix, and an orchestral version even appeared in the trailer for Wonder woman.

“They made it sort of an orchestral version, and I always thought, Oh, no, really nothing orchestral,” Morris responded to the teaser of the song. Miami’s new times. “I’m a little… not a stick in the mud; it’s just that electronic music is electronic music, and when you try to do it in another way, it kind of loses something. It’s a really powerful arrangement they’ve made. But, you know, we have other songs that they could use.

It wasn’t just Morris who felt “fed up” with people refusing to look beyond “Blue Monday” when it came to New Order. Before Peter Hook’s acrimonious departure from the group, he said Q on his tumultuous relationship with the track. The bassist explained, “I go through stages of intense aversion to ‘Blue Monday’, which I’m sure every band does when they get a song that’s synonymous with them, but the way it keeps being reinvented. is wonderful, it seems to be one of those timeless pieces, which is amazing.

“The fact that for two years no one noticed that sleeves cost more to make than records confirms this. Honestly, I thought “Thieves Like Us,” the single after “Blue Monday,” was far superior. “Blue Monday” isn’t a song, it’s a feeling, but once people hear that drum riff, they’re gone. People would go crazy when we weren’t playing it. As you get older and mellow, you appreciate what got you where you are. We play it now because people love it.

“Blue Monday” can unite a room in a way that few other pieces of music can. Although for New Order, they don’t want a song to be the overall legacy of their 40-year-old project. The band is far from a wonder, and it naturally hurts to be seen that way.

However, like it or not, ‘Blue Monday’ is unequivocally a fitting testament to New Order and a distillation of their brilliance.


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